{"title":"Pre-Orders","description":"","products":[{"product_id":"greet-death-new-hell-lp","title":"Greet Death \"New Hell\" LP","description":"\u003cp\u003eGreet Death is a three piece post-rock band from Flint, Michigan. They initially made waves with their infectious debut album \"Dixieland\" (Flesh and Bone, 2017). The album was well received, with Pitchfork giving it a \"7.7\" rating and stating \"...This is a remarkably tuneful, forthright pop-rock band that just so happens to play six-minute songs at bradycardic tempos\".\u003cbr\u003e\u003cbr\u003e\"New Hell\" is the latest album from Greet Death. It was recorded by Nick Diener (The Swellers) at Oneder Studios. Additional recording was done by Jake Morse. It was all mastered by Jay Maas at Getaway Recording, and artwork for the release was created by illustrator Liam Rush. \u003cbr\u003e\u003cbr\u003eThe album as a whole is a creative intermingling of lush melodic atmosphere with melancholic lyrical content. Within that haze their personal subject matter is cleverly cloaked amid beautiful vocal deliveries and dreamy guitar work. This is the case in songs \"Circles of Hell\", \"Do You Feel Nothing\", \"Let It Die\", and \"You're Gonna Hate What You've Done\". This not-so-subtle vitriol continues to spread through self reflection in unforgettable songs like \"Entertainment\", \"Strange Days\", as well as the tone-soaked \"Strain\". While \"Crush\" plays as a complex outpouring disguised as a hook-laden pop number. All of this leads to \"New Hell\", a nearly ten minute epic of towering proportions. Lovingly constructed before ominously swaying in the wind and collapsing under its own emotional weight.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr\u003e01. Circles Of Hell\u003cbr\u003e02. Do You Feel Nothing?\u003cbr\u003e03. Let It Die\u003cbr\u003e04. You're Gonna Hate What You've Done\u003cbr\u003e05. Entertainment\u003cbr\u003e06. Strange Days\u003cbr\u003e07. Strain\u003cbr\u003e08. Crush\u003cbr\u003e09. New Hell\u003c\/p\u003e\n","brand":"Deathwish","offers":[{"title":"Gold","offer_id":52679434305800,"sku":"D01.GDN.DTH.14779.LPL","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/minigreetdeathnewhell1.png?v=1761266320"},{"product_id":"greet-death-die-in-love-lp","title":"Greet Death \"Die In Love\" LP","description":"\u003cp\u003eGreet Death is a five-piece shoegaze band from Michigan.\u003c\/p\u003e\n \u003cp\u003e\"Die In Love\" is a beautifully melancholic album by Greet Death. The band's dizzying melodic nature shines throughout its nine tracks, featuring delicate acoustic shimmers, somber percussion, and high-volume post-everything fuzz.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Die In Love\u003cbr\u003e02. Same But Different Now\u003cbr\u003e03. Country Girl\u003cbr\u003e04. Red Rocket\u003cbr\u003e05. Emptiness is Everywhere\u003cbr\u003e06. August Underground\u003cbr\u003e07. Small Town Cemetery\u003cbr\u003e08. Motherfucker\u003cbr\u003e09. Love Me When You Leave\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Iceberg","offer_id":57947931640072,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Midnight Eye","offer_id":53170581897480,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":false},{"title":"Ritual","offer_id":52679437517064,"sku":"D01.GDD.DTH.44627.LPR","price":28.0,"currency_code":"EUR","in_stock":false},{"title":"Capricorn","offer_id":52679437549832,"sku":"D01.GDD.DTH.44630.LPH","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/GreetDeath-DieInLove-Cover.jpg?v=1761266339"},{"product_id":"greet-death-new-hell-cd","title":"Greet Death \"New Hell\" CD","description":"\u003cp\u003eGreet Death is a three piece post-rock band from Flint, Michigan. They initially made waves with their infectious debut album \"Dixieland\" (Flesh and Bone, 2017). The album was well received, with Pitchfork giving it a \"7.7\" rating and stating \"...This is a remarkably tuneful, forthright pop-rock band that just so happens to play six-minute songs at bradycardic tempos\".\u003cbr\u003e\u003cbr\u003e\"New Hell\" is the latest album from Greet Death. It was recorded by Nick Diener (The Swellers) at Oneder Studios. Additional recording was done by Jake Morse. It was all mastered by Jay Maas at Getaway Recording, and artwork for the release was created by illustrator Liam Rush. \u003cbr\u003e\u003cbr\u003eThe album as a whole is a creative intermingling of lush melodic atmosphere with melancholic lyrical content. Within that haze their personal subject matter is cleverly cloaked amid beautiful vocal deliveries and dreamy guitar work. This is the case in songs \"Circles of Hell\", \"Do You Feel Nothing\", \"Let It Die\", and \"You're Gonna Hate What You've Done\". This not-so-subtle vitriol continues to spread through self reflection in unforgettable songs like \"Entertainment\", \"Strange Days\", as well as the tone-soaked \"Strain\". While \"Crush\" plays as a complex outpouring disguised as a hook-laden pop number. All of this leads to \"New Hell\", a nearly ten minute epic of towering proportions. Lovingly constructed before ominously swaying in the wind and collapsing under its own emotional weight.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr\u003e01. Circles Of Hell\u003cbr\u003e02. Do You Feel Nothing?\u003cbr\u003e03. Let It Die\u003cbr\u003e04. You're Gonna Hate What You've Done\u003cbr\u003e05. Entertainment\u003cbr\u003e06. Strange Days\u003cbr\u003e07. Strain\u003cbr\u003e08. Crush\u003cbr\u003e09. New Hell\u003c\/p\u003e\n","brand":"Deathwish","offers":[{"title":"Compact Disc","offer_id":52679438139656,"sku":"D01.GDN.DTH.14781.CD","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/minigreetdeathnewhell1.png?v=1761266320"},{"product_id":"greet-death-die-in-love-cd","title":"Greet Death \"Die In Love\" CD","description":"\u003cp\u003eGreet Death is a five-piece shoegaze band from Michigan.\u003c\/p\u003e\n \u003cp\u003e\"Die In Love\" is a beautifully melancholic album by Greet Death. The band's dizzying melodic nature shines throughout its nine tracks, featuring delicate acoustic shimmers, somber percussion, and high-volume post-everything fuzz.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Die In Love\u003cbr\u003e02. Same But Different Now\u003cbr\u003e03. Country Girl\u003cbr\u003e04. Red Rocket\u003cbr\u003e05. Emptiness is Everywhere\u003cbr\u003e06. August Underground\u003cbr\u003e07. Small Town Cemetery\u003cbr\u003e08. Motherfucker\u003cbr\u003e09. Love Me When You Leave\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Compact Disc","offer_id":53170582421768,"sku":"D01.GDD.DTH.44630.LPH","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/GreetDeath-DieInLove-Cover.jpg?v=1761266339"},{"product_id":"lord-snow-have-you-heard-of-the-high-elves","title":"Lord Snow \"Have You Heard of the High Elves\" LP","description":"\u003cp\u003eChicago’s Lord Snow are standard-bearers in DIY, reaching a global albeit cult status by playing dense and technical screamo. Lord Snow began in 2011 through two sets of high school friends; bassist Steph Maldonado, guitarist Niko Zaglaras, drummer Erik Anderson, and vocalist An Lacy released an untitled demo EP and another called “Sovngarde.” Following Lacy’s departure in 2012, Maldonado became the band’s primary singer and Lord Snow released 3 more EP’s, an LP, 2 compilation appearances, and a split LP, as well as international tours in Mexico, Europe, and Canada. Now, with Lacy’s exciting return, Lord Snow has created something of a retrospective meditation on their past work. Lord Snow’s newest release, “Have You Heard Of The High Elves” is a reimagining of previously released material with Lacy performing Maldonado’s vocal parts.\u003c\/p\u003e\n\u003cp\u003eThough they cite perfunctory screamo influences as France’s Daitro, Italy’s La Quiete, and California’s Funeral Diner and Loma Prieta, Lord Snow are deeply unique in their approach and widely known for their proficiency and lo-fi recordings. Lord Snow’s style is earmarked by the jazz feel of their songs; tempos fluctuate and, at times, break down altogether. At other times, each member is playing with an intensity and precision that could only be likened to another of Lord Snow’s influences: Amherst, Massachusetts legends Ampere. Zaglaras’ chords are passionate and doleful, switching rapidly between fingerpicking and strumming, Anderson’s very fill-heavy, frantic, and frankly astounding drumming often resides at the edge of human capability, and Maldonado’s vocals range between melodic singing and larynx-thrashing screams that often bleed into each other. The same can be said of Lacy, even from the time of Sovngarde, but they approach the tracks written in their absence with a style and presence entirely their own.\u003c\/p\u003e\n\u003cp\u003eLike many of Lord Snow’s other recordings, “Have You Heard Of The High Elves” was recorded entirely by the band, doing their parts remotely in their respective locations in Chicago, LA, NYC, and Cleveland, practicing them virtually. The songs are hardly lo-fi this time, however, with punk producer-extraordinaire Jack Shirley handling mixing and mastering.\u003c\/p\u003e\n\u003cp\u003eLimited vinyl pressing comes packaged in a full color jacket with a zine booklet and colored vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cmeta charset=\"utf-8\"\u003eTrack Listing : \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eChicago’s Lord Snow are standard-bearers in DIY, reaching a global albeit cult status by playing dense and technical screamo. Lord Snow began in 2011 through two sets of high school friends; bassist Steph Maldonado, guitarist Niko Zaglaras, drummer Erik Anderson, and vocalist An Lacy released an untitled demo EP and another called “Sovngarde.” Following Lacy’s departure in 2012, Maldonado became the band’s primary singer and Lord Snow released 3 more EP’s, an LP, 2 compilation appearances, and a split LP, as well as international tours in Mexico, Europe, and Canada. Now, with Lacy’s exciting return, Lord Snow has created something of a retrospective meditation on their past work. Lord Snow’s newest release, “Have You Heard Of The High Elves” is a reimagining of previously released material with Lacy performing Maldonado’s vocal parts.\u003c\/p\u003e\n\u003cp\u003eThough they cite perfunctory screamo influences as France’s Daitro, Italy’s La Quiete, and California’s Funeral Diner and Loma Prieta, Lord Snow are deeply unique in their approach and widely known for their proficiency and lo-fi recordings. Lord Snow’s style is earmarked by the jazz feel of their songs; tempos fluctuate and, at times, break down altogether. At other times, each member is playing with an intensity and precision that could only be likened to another of Lord Snow’s influences: Amherst, Massachusetts legends Ampere. Zaglaras’ chords are passionate and doleful, switching rapidly between fingerpicking and strumming, Anderson’s very fill-heavy, frantic, and frankly astounding drumming often resides at the edge of human capability, and Maldonado’s vocals range between melodic singing and larynx-thrashing screams that often bleed into each other. The same can be said of Lacy, even from the time of Sovngarde, but they approach the tracks written in their absence with a style and presence entirely their own.\u003c\/p\u003e\n\u003cp\u003eLike many of Lord Snow’s other recordings, “Have You Heard Of The High Elves” was recorded entirely by the band, doing their parts remotely in their respective locations in Chicago, LA, NYC, and Cleveland, practicing them virtually. The songs are hardly lo-fi this time, however, with punk producer-extraordinaire Jack Shirley handling mixing and mastering.\u003c\/p\u003e\n\u003cp\u003eLimited vinyl pressing comes packaged in a full color jacket with a zine booklet and colored vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cmeta charset=\"utf-8\"\u003eTrack Listing : \u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-style: normal;\"\u003e01. Never Again\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Dastardly Halves\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Alas the World Stops Spinning\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. It Is Known\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. The Background Static of Perpetual Discontent\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. Selfish Sleep\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Dark Cloud\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Stormcloak\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. Yellow Amarillo \/ Booker Dewitt\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. Incorrective Unconsciousness\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e11. Shere Khan\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e12. Free Your Mind Kevin Will Follow (Ending)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e13. David Monroe’s Golden Plaque\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e14. Clairvoyance\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e15. Shallan Davar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Persistent Vision","offers":[{"title":"Clear with Red \u0026 Orange Smoke","offer_id":53443181936904,"sku":"VIS032v-1","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Red \u0026 Black Galaxy","offer_id":53443181969672,"sku":"VIS032v-2","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/LordSnow-HaveYouHeardoftheHighElves-Cover.jpg?v=1772817687"},{"product_id":"lord-snow-solitude","title":"Lord Snow \"Solitude\" LP","description":"\u003cp\u003ePersistent Vision is honored to partner with Chicago’s Lord Snow on a reissue of their first album, “Solitude”. First released in 2013 and largely unavailable for the past several years, the groundbreaking “Solitude” delivers eleven tracks of intensely chaotic, emotional hardcore.\u003c\/p\u003e\n\u003cp\u003eCut from the same cloth as contemporaries like Raein and Loma Prieta, the band carves their own unique blend of frantic, unhinged and technical screamo teetering between quiet guitar interludes and dizzying spells of jazz-inspired percussion. Exploring themes of grief and loss, “Solitude” is a tense and deeply emotional record from its beginning to end.\u003c\/p\u003e\n\u003cp\u003e“Solitude” comes packaged in a brown chipboard jacket with poster insert and two limited colored vinyl options.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing : \u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. Selfish Sleep\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Dark Cloud\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. She’s Clearly Made the Most of It\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. Stormcloak\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Yellowamarillo \/\/ Booker Dewitt\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. Corpse Pose\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Incorrective Unconciousness\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Shere Khan\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. Solitude\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. BB\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e11. The Background Static of Perpetual Discontent\u003c\/span\u003e\u003c\/p\u003e","brand":"Persistent Vision","offers":[{"title":"Clear with Blue \u0026 Gold Smoke","offer_id":53443182002440,"sku":"VIS033v-1","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Blue \u0026 Gold Galaxy","offer_id":53443182035208,"sku":"VIS033v-2","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/LordSnow-Solitude-Cover.jpg?v=1772817688"},{"product_id":"piebald-tales-for-the-rages-cd","title":"Piebald \"Tales For The Rages\" CD","description":"\u003cp\u003eAfter nearly two decades, Piebald return with Tales For The Rages, Featuring 13 tracks of emo x indie-rock greatness, written and recorded between 2019–2025 after the band's 2016 reunion sparked a steady flood of riffs, melodies, and lyrics that refused to fade.\u003c\/p\u003e\n\u003cp\u003eIt picks up where they left off while confidently pushing forward — not a nostalgia play, but a natural next chapter. Tracked at The Den in North Reading, MA with longtime collaborator Doug Batchelder, the album was produced in part by Jay Maas (Title Fight, Citizen) and mastered by Jack Shirley (Joyce Manor)\u003c\/p\u003e\n\u003cp\u003eThe album captures the band’s signature mix of melody, humor, and emotional candor, anchored by massive hooks and harmonies, with an undercurrent of social awareness reflecting on inequality, human behavior, and the strange modern world.\u003c\/p\u003e\n\u003cp\u003eReleased via Iodine Recordings, Tales for the Rages marks a new chapter built from the same spirit that defined Piebald’s earlier work, carried forward with renewed urgency and clarity.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. Still On the Couch\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. This Thing is Old\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Used to Good Advantage\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. Gentlemen Callers\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Conundrum Speculator\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. More Month Than Money\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Fun Destroyer\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Power Smile\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. No One Seems To Mind\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. Dance Till We Fall Apart\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e11. Cooler Heads Prevail\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e12. Strangest Dream\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e13. River Below\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"display: none;\" class=\"\" id=\"tab2\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb style=\"font-style: normal;\"\u003eFirst Press:\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e150 x Noise Cult Splatter\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e250 x Fun Destroyer Tri-Slice\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e400 x Sky Blue\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e200 x Hot Pink and Blue Smash\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e100 x Rages Purple Marbled\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e100 x Gentlemen Callers Marble\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e100 x Power Smile Cornetto\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e100 x Orange Cloudy\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e100 x This Thing is (G)old\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e500 x Indie Store Hot Pink\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e1000 x Strange Purple \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"display: none;\" class=\"\" id=\"tab3\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Iodine Recordings","offers":[{"title":"Compact Disc","offer_id":53477440782600,"sku":"IOD-87cd","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/Piebald-TalesForTheRages-Cover.jpg?v=1773269804"},{"product_id":"piebald-tales-for-the-rages-lp","title":"Piebald \"Tales For The Rages\" LP","description":"\u003cp\u003eAfter nearly two decades, Piebald return with Tales For The Rages, Featuring 13 tracks of emo x indie-rock greatness, written and recorded between 2019–2025 after the band's 2016 reunion sparked a steady flood of riffs, melodies, and lyrics that refused to fade.\u003c\/p\u003e\n\u003cp\u003eIt picks up where they left off while confidently pushing forward — not a nostalgia play, but a natural next chapter. Tracked at The Den in North Reading, MA with longtime collaborator Doug Batchelder, the album was produced in part by Jay Maas (Title Fight, Citizen) and mastered by Jack Shirley (Joyce Manor)\u003c\/p\u003e\n\u003cp\u003eThe album captures the band’s signature mix of melody, humor, and emotional candor, anchored by massive hooks and harmonies, with an undercurrent of social awareness reflecting on inequality, human behavior, and the strange modern world.\u003c\/p\u003e\n\u003cp\u003eReleased via Iodine Recordings, Tales for the Rages marks a new chapter built from the same spirit that defined Piebald’s earlier work, carried forward with renewed urgency and clarity.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. Still On the Couch\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. This Thing is Old\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Used to Good Advantage\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. Gentlemen Callers\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Conundrum Speculator\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. More Month Than Money\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Fun Destroyer\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Power Smile\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. No One Seems To Mind\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. Dance Till We Fall Apart\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e11. Cooler Heads Prevail\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e12. Strangest Dream\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e13. River Below\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"display: none;\" class=\"\" id=\"tab2\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb style=\"font-style: normal;\"\u003eFirst Press:\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e150 x Noise Cult Splatter\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e250 x Fun Destroyer Tri-Slice\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e400 x Sky Blue\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e200 x Hot Pink and Blue Smash\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e100 x Rages Purple Marbled\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e100 x Gentlemen Callers Marble\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e100 x Power Smile Cornetto\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e100 x Orange Cloudy\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e100 x This Thing is (G)old\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e500 x Indie Store Hot Pink\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e1000 x Strange Purple \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"display: none;\" class=\"\" id=\"tab3\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Iodine Recordings","offers":[{"title":"Fun Destroyer Tri-Slice","offer_id":53477487018248,"sku":"IOD-87v-2","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Sky Blue","offer_id":53477487051016,"sku":"IOD-87v-3","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/Piebald-TalesForTheRages-Cover.jpg?v=1773269804"},{"product_id":"quiet-fear-la-tierra-arriba-el-abismo-abajo","title":"Quiet Fear \"La Tierra Arriba \/ El Abismo Abajo\" LP","description":"\u003cp\u003eQuiet Fear are a Los Angeles-based post-hardcore band rooted in the Chicano DIY scene, blending the volatility of ’90s screamo with the weight and atmosphere of modern hardcore. Their sophomore full-length, La Tierra Arriba \/ El Abismo Abajo, confronts systemic oppression, false authority, and social control alongside themes of isolation, fear, and personal collapse. Delivered through bilingual lyrics shaped by identity, community, and lived experience, the album balances emotional intensity with a persistent undercurrent of resistance.\u003c\/p\u003e\n\u003cp\u003eRecorded by Alex Estrada at Pale Moon Ranch (Touché Amoré, Drug Church) and mastered by Jack Shirley (Deafheaven, Jeromes Dream), the record expands the band’s sound into heavier and more dynamic territory, shifting between overwhelming chaos and stark, atmospheric restraint while remaining raw and uncompromising throughout. \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. Tiniebla\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Retén\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Sophistry\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. Soledad\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Metathesiophobia\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. Baile Nocturno\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Cero Oscura\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Insurgentes\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. Silueta\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. Sombras\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e11. Pseudo Cristo\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e12. Sangre Ajena\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e13. Delirio\u003c\/span\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Blood and Smoke Marble","offer_id":54692726964488,"sku":"IOD-94v-2","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Rojo Sangre","offer_id":54692726997256,"sku":"IOD-94v-4","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/QuietFear-LaTierraArriba_ElAbismoAbajo-Cover_c8f64567-35bd-416d-a1b7-f10b0024810b.jpg?v=1774355070"},{"product_id":"quiet-fear-la-tierra-arriba-el-abismo-abajo-cs","title":"Quiet Fear \"La Tierra Arriba \/ El Abismo Abajo\" CS","description":"\u003cp\u003eQuiet Fear are a Los Angeles-based post-hardcore band rooted in the Chicano DIY scene, blending the volatility of ’90s screamo with the weight and atmosphere of modern hardcore. Their sophomore full-length, La Tierra Arriba \/ El Abismo Abajo, confronts systemic oppression, false authority, and social control alongside themes of isolation, fear, and personal collapse. Delivered through bilingual lyrics shaped by identity, community, and lived experience, the album balances emotional intensity with a persistent undercurrent of resistance.\u003c\/p\u003e\n\u003cp\u003eRecorded by Alex Estrada at Pale Moon Ranch (Touché Amoré, Drug Church) and mastered by Jack Shirley (Deafheaven, Jeromes Dream), the record expands the band’s sound into heavier and more dynamic territory, shifting between overwhelming chaos and stark, atmospheric restraint while remaining raw and uncompromising throughout.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. Tiniebla\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Retén\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Sophistry\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. Soledad\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Metathesiophobia\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. Baile Nocturno\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Cero Oscura\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Insurgentes\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. Silueta\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. Sombras\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e11. Pseudo Cristo\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e12. Sangre Ajena\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e13. Delirio\u003c\/span\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Cassette - Red","offer_id":54692992712968,"sku":"IOD-94cs","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/QuietFear-LaTierraArriba_ElAbismoAbajo-Cover_c8f64567-35bd-416d-a1b7-f10b0024810b.jpg?v=1774355070"},{"product_id":"neurosis-an-undying-love-for-a-burning-world-cd","title":"Neurosis \"An Undying Love For A Burning World\" CD","description":"\u003cp\u003e“We are torn wide open”\u003cbr\u003e\u003cbr\u003eEvolution can be ugly and beautiful, painful and euphoric. An Undying Love For A Burning World is the first new release from Neurosis in a decade, and a potent statement of intent and rebirth - one that marks the first new steps of resolve and resilience.\u003cbr\u003e\u003cbr\u003e“We need this, perhaps more than ever, and we suspect we are not alone. The trials and tribulations in our personal lives and as a band, combined with simply trying to navigate the insanity of our society, with the stress, anxiety, and isolation that come with it can be excruciating. Add to that the existential confusion and sorrow of the climate crisis and the sixth mass extinction. It is enough to cause you to completely lose your mind if you can’t find release or catharsis. This strange emotionally charged music has always been our method of trying to survive this and this is what we've always been singing about. When you have spent a lifetime engaged with these energies and utilizing this form of expression to purge and purify, it feels detrimental to our well being to let it sit idle and neglected\u003cspan class=\"bcTruncateMore\"\u003e. This was now or never.”\u003cbr\u003e\u003cbr\u003e“We’ve forgotten how to live, so we suffer”\u003cbr\u003e\u003cbr\u003eAn Undying Love For A Burning World is an epic album of colossal hypnotism - beautiful, fearsome and utterly compelling in a way that only Neurosis can be. Aaron Turner (Sumac, Isis) joins the band on vocals and guitar, a name whose legacy is intertwined with the band’s own and a true kindred spirit.\u003cbr\u003e\u003cbr\u003e“He came straight out of the gate contributing, writing and presenting ideas,” says the band. “His energy matches ours perfectly. It’s as if he was always meant to be there.” Aaron adds, “From the moment I first heard Neurosis over 30 years ago, I felt this was the music my heart and mind had been seeking but not yet heard. Now after many years travelling along various musical paths of my own, the singular sound and spirit embodied by Neurosis continues to speak to the depths of my being. It is an honor and a true pleasure to have been welcomed so warmly into a band that not only shaped my perspective on the limitless possibilities of music - but has lived and exemplified the necessity of upholding creative integrity and camaraderie above all else.”\u003cbr\u003e\u003cbr\u003e“We’ve forgotten how to struggle, so we suffer”\u003cbr\u003e\u003cbr\u003eNeurosis have never been afraid of change, and here they embrace endless regeneration, surrendering to the emotional exorcism through heaviness and distortion that their music incites. Just as the universe tends towards balance, Neurosis’cacophony of noise, rhythm and dissonance always resolves towards moments of beauty. The addition of Turner's powerful vocals and wildly creative and unhinged approach to guitar proves to be a vital force as Neurosis find themselves again at the mercy of evolution and expression.\u003cbr\u003e\u003cbr\u003e“We’ve forgotten we are wild, so we suffer”\u003cbr\u003e\u003cbr\u003eOn every song in the band’s history, Neurosis shifts restlessly between tension and relief, invoking a feeling both feral and transcendent in listeners. The band describe their songwriting process as an inescapable impulse to create with each other - a need rather than a choice. Indeed, the band insist that their return is “not a reunion - we never broke up.”\u003cbr\u003e\u003cbr\u003eThe album was recorded by Scott Evans (Kowloon Walled City, Sumac, and Great Falls) at Studio Litho in Seattle during three weekends this winter, and mixed in three days just six weeks before release at Evan's Antisleep Audio in Oakland.\u003cbr\u003e\u003cbr\u003e“We exist in isolation, so we suffer”\u003cbr\u003e\u003cbr\u003eNeurosis will play their first show in seven years on the traditional lands of the Blackfeet Nation in Montana as part of Fire in the Mountains festival by special invitation of Firekeeper Alliance, a non-profit dedicated to reducing youth suicide in Indian Country.\u003cbr\u003e\u003cbr\u003eFITM, is a unique festival known for bringing epic music to epic landscapes with the intent of reconnecting and immersing oneself with the natural world, and strengthening our ancestral roots as human beings - an aim which aligns directly with Neurosis’ deep-rooted power.\u003cbr\u003e\u003cbr\u003e“I cannot think of a more appropriate environment for us to return to the stage,” comments Steve Von Till who also serves on the board of Firekeeper Alliance. “Last year’s Fire in the Mountains festival was the most profound music event I have ever been a part of. The weekend took on a healing, cathartic ceremonial nature that is difficult to put into words. Using emotionally heavy music to build community and collectively stare darkness in the eye is something we have always believed in, but using it to directly address the heartbreaking reality of suicide, grief, loss and trauma is taking it to another level.”\u003cbr\u003e\u003cbr\u003e“The dissonance is deafening.”\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e1. We Are Torn Wide Open\u003cbr\u003e2. Mirror Deep\u003cbr\u003e3. First Red Rays\u003cbr\u003e4. Blind\u003cbr\u003e5. Seething and Scattered\u003cbr\u003e6. Untethered\u003cbr\u003e7. In the Waiting Hours\u003cbr\u003e8. Last Light\u003cbr\u003e\u003c\/p\u003e","brand":"Neurot Recordings","offers":[{"title":"Compact Disc","offer_id":55051222384904,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/mbid-55e6db80-da4d-4b86-930f-c09f2ec1b093-44696076305.jpg?v=1774648206"},{"product_id":"mad-honey-bridge-over-cumberland-cs","title":"Mad Honey \"Bridge Over Cumberland\" CS","description":"\u003cdiv\u003eOur connections with those around us are inherently transient, yet we often find ourselves defined by them. And if we find ourselves defined by these connections, what are we left with when they inevitably come to an end? This is arguably the central question of “Bridge Over Cumberland”, which marks a bold step forward for Mad Honey, as the Oklahoma City band’s second full-length release on Deathwish Inc. and Sunday Drive Records is confident, assured, and undoubtedly their most complete work to date.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eDebuting in 2018, Mad Honey quickly became one of the buzziest acts in the prolific OKC shoegaze scene, with lead vocalist Tuff Sutcliffe’s poignant lyricism serving as an enigmatic centerpiece. For this album, the band’s most collaborative effort yet, the production allows Sutcliffe’s shadowy presence to stand tall against a backdrop of billowing guitars. The eleven tracks unfold as a series of snapshots tracing the silhouettes of heartaches both platonic and romantic, both quotidian and cosmic. The intrinsic tension of codependency is explored in the couplet of “Somehow” and “Past Together Isn’t Presence”, as the former opens with Sutcliffe sardonically lamenting “the way that I miss him, I should be put down” while in the latter, the other party is the one who is pining. Anyone who has dealt with the ending stages of a fading friendship or a moribund romance will find something to relate to here, whether it’s the curse of inauspicious timing and the ground that the connection was built on seemingly shifting underneath your feet in the propulsive “James Gets His Rose” or “Moshfeghian” examining the question of whether it’s possible for anyone to win in these situations against the backdrop of a dooming, droning guitar riff.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eFrom the opening track “I Am a Wall, I Am a House”, there’s a recurring motif of exploring our connections through the structures we inhabit. These structures often stand tall across multiple generations, persisting well beyond the fleeting lives of the people who have built and occupied them. How many breakups have the walls of our houses seen over the years? How many failed talking stages have left people curled up on the floors of their apartments? How long does a trace of a former friend’s presence linger in the fabric of your curtains after they’ve left your place for the last time? Do these structures judge us on how long we take to pick up the pieces of our lives and find ourselves once again in the aftermath of losing someone who served as a prism through which we viewed the world and our place in it?\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eThis all culminates in the towering title track to close out the album, which surely stands as Mad Honey’s most notable achievement thus far. In it, we survey the waning embers of a fire which once burned bright. The bed is greening over. Sutcliffe is burning every bridge, but keeping the ordinary, pedestrian moments which ultimately define our lives. She’s pondering whether her dreams lie in the Tennessee hills where she grew up, rather than the Oklahoma plains where she currently resides. By the time a gentle piano denouement carries us to the conclusion of the song cycle, we’re left with the sense that in spite of Sutcliffe so often finding herself unmoored and dealing with all of the ways in which deep feelings seemingly define us and threaten to destroy us when an important interpersonal dynamic comes to its inescapable conclusion, there’s ultimately a quiet conviction that all of this emotional pain can eventually result in hard-won growth. “Bridge Over Cumberland” therefore suggests that if you define yourself by these connections, what you are left with when they come to their inevitable end is a crossroads, both a risk of self-destruction and an opportunity for reinvention. It’s a tense, nervy conclusion, but also an empowering one. And given the accomplishment that this album represents, we can find solace in the fact that this time, reinvention has won out.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing:\u003cbr\u003e\u003c\/strong\u003e01. I Am a Wall, I Am a House\u003cbr\u003e02. James Gets His Rose\u003cbr\u003e03. Reaching\u003cbr\u003e04. Somehow\u003cbr\u003e05. Past Together Isn't Presence\u003cbr\u003e06. Natchez Trace Parkway\u003cbr\u003e07. Moshfeghian\u003cbr\u003e08. Marie's Song\u003cbr\u003e09. Leiper's Fork\u003cbr\u003e10. Twelve Boyfriends\u003cbr\u003e11. Bridge Over Cumberland\u003c\/div\u003e","brand":"Deathwish","offers":[{"title":"Cassette","offer_id":55154822152456,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/MadHoney-BridgeOverCumberland-Cover_2d491eb1-95b8-46e4-aa9f-75e4685dbb06.jpg?v=1774962048"},{"product_id":"mad-honey-bridge-over-cumberland-cd","title":"Mad Honey \"Bridge Over Cumberland\" CD","description":"\u003cdiv\u003eOur connections with those around us are inherently transient, yet we often find ourselves defined by them. And if we find ourselves defined by these connections, what are we left with when they inevitably come to an end? This is arguably the central question of “Bridge Over Cumberland”, which marks a bold step forward for Mad Honey, as the Oklahoma City band’s second full-length release on Deathwish Inc. and Sunday Drive Records is confident, assured, and undoubtedly their most complete work to date.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eDebuting in 2018, Mad Honey quickly became one of the buzziest acts in the prolific OKC shoegaze scene, with lead vocalist Tuff Sutcliffe’s poignant lyricism serving as an enigmatic centerpiece. For this album, the band’s most collaborative effort yet, the production allows Sutcliffe’s shadowy presence to stand tall against a backdrop of billowing guitars. The eleven tracks unfold as a series of snapshots tracing the silhouettes of heartaches both platonic and romantic, both quotidian and cosmic. The intrinsic tension of codependency is explored in the couplet of “Somehow” and “Past Together Isn’t Presence”, as the former opens with Sutcliffe sardonically lamenting “the way that I miss him, I should be put down” while in the latter, the other party is the one who is pining. Anyone who has dealt with the ending stages of a fading friendship or a moribund romance will find something to relate to here, whether it’s the curse of inauspicious timing and the ground that the connection was built on seemingly shifting underneath your feet in the propulsive “James Gets His Rose” or “Moshfeghian” examining the question of whether it’s possible for anyone to win in these situations against the backdrop of a dooming, droning guitar riff.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eFrom the opening track “I Am a Wall, I Am a House”, there’s a recurring motif of exploring our connections through the structures we inhabit. These structures often stand tall across multiple generations, persisting well beyond the fleeting lives of the people who have built and occupied them. How many breakups have the walls of our houses seen over the years? How many failed talking stages have left people curled up on the floors of their apartments? How long does a trace of a former friend’s presence linger in the fabric of your curtains after they’ve left your place for the last time? Do these structures judge us on how long we take to pick up the pieces of our lives and find ourselves once again in the aftermath of losing someone who served as a prism through which we viewed the world and our place in it?\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eThis all culminates in the towering title track to close out the album, which surely stands as Mad Honey’s most notable achievement thus far. In it, we survey the waning embers of a fire which once burned bright. The bed is greening over. Sutcliffe is burning every bridge, but keeping the ordinary, pedestrian moments which ultimately define our lives. She’s pondering whether her dreams lie in the Tennessee hills where she grew up, rather than the Oklahoma plains where she currently resides. By the time a gentle piano denouement carries us to the conclusion of the song cycle, we’re left with the sense that in spite of Sutcliffe so often finding herself unmoored and dealing with all of the ways in which deep feelings seemingly define us and threaten to destroy us when an important interpersonal dynamic comes to its inescapable conclusion, there’s ultimately a quiet conviction that all of this emotional pain can eventually result in hard-won growth. “Bridge Over Cumberland” therefore suggests that if you define yourself by these connections, what you are left with when they come to their inevitable end is a crossroads, both a risk of self-destruction and an opportunity for reinvention. It’s a tense, nervy conclusion, but also an empowering one. And given the accomplishment that this album represents, we can find solace in the fact that this time, reinvention has won out.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing:\u003cbr\u003e\u003c\/strong\u003e01. I Am a Wall, I Am a House\u003cbr\u003e02. James Gets His Rose\u003cbr\u003e03. Reaching\u003cbr\u003e04. Somehow\u003cbr\u003e05. Past Together Isn't Presence\u003cbr\u003e06. Natchez Trace Parkway\u003cbr\u003e07. Moshfeghian\u003cbr\u003e08. Marie's Song\u003cbr\u003e09. Leiper's Fork\u003cbr\u003e10. Twelve Boyfriends\u003cbr\u003e11. Bridge Over Cumberland\u003c\/div\u003e","brand":"Deathwish","offers":[{"title":"Compact Disc","offer_id":55154847711496,"sku":null,"price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/MadHoney-BridgeOverCumberland-Cover_ff8a617b-7711-4e8b-8bf9-aab4449ba861.jpg?v=1774729234"},{"product_id":"mad-honey-bridge-over-cumberland-lp","title":"Mad Honey \"Bridge Over Cumberland\" LP","description":"\u003cdiv\u003eOur connections with those around us are inherently transient, yet we often find ourselves defined by them. And if we find ourselves defined by these connections, what are we left with when they inevitably come to an end? This is arguably the central question of “Bridge Over Cumberland”, which marks a bold step forward for Mad Honey, as the Oklahoma City band’s second full-length release on Deathwish Inc. and Sunday Drive Records is confident, assured, and undoubtedly their most complete work to date.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eDebuting in 2018, Mad Honey quickly became one of the buzziest acts in the prolific OKC shoegaze scene, with lead vocalist Tuff Sutcliffe’s poignant lyricism serving as an enigmatic centerpiece. For this album, the band’s most collaborative effort yet, the production allows Sutcliffe’s shadowy presence to stand tall against a backdrop of billowing guitars. The eleven tracks unfold as a series of snapshots tracing the silhouettes of heartaches both platonic and romantic, both quotidian and cosmic. The intrinsic tension of codependency is explored in the couplet of “Somehow” and “Past Together Isn’t Presence”, as the former opens with Sutcliffe sardonically lamenting “the way that I miss him, I should be put down” while in the latter, the other party is the one who is pining. Anyone who has dealt with the ending stages of a fading friendship or a moribund romance will find something to relate to here, whether it’s the curse of inauspicious timing and the ground that the connection was built on seemingly shifting underneath your feet in the propulsive “James Gets His Rose” or “Moshfeghian” examining the question of whether it’s possible for anyone to win in these situations against the backdrop of a dooming, droning guitar riff.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eFrom the opening track “I Am a Wall, I Am a House”, there’s a recurring motif of exploring our connections through the structures we inhabit. These structures often stand tall across multiple generations, persisting well beyond the fleeting lives of the people who have built and occupied them. How many breakups have the walls of our houses seen over the years? How many failed talking stages have left people curled up on the floors of their apartments? How long does a trace of a former friend’s presence linger in the fabric of your curtains after they’ve left your place for the last time? Do these structures judge us on how long we take to pick up the pieces of our lives and find ourselves once again in the aftermath of losing someone who served as a prism through which we viewed the world and our place in it?\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eThis all culminates in the towering title track to close out the album, which surely stands as Mad Honey’s most notable achievement thus far. In it, we survey the waning embers of a fire which once burned bright. The bed is greening over. Sutcliffe is burning every bridge, but keeping the ordinary, pedestrian moments which ultimately define our lives. She’s pondering whether her dreams lie in the Tennessee hills where she grew up, rather than the Oklahoma plains where she currently resides. By the time a gentle piano denouement carries us to the conclusion of the song cycle, we’re left with the sense that in spite of Sutcliffe so often finding herself unmoored and dealing with all of the ways in which deep feelings seemingly define us and threaten to destroy us when an important interpersonal dynamic comes to its inescapable conclusion, there’s ultimately a quiet conviction that all of this emotional pain can eventually result in hard-won growth. “Bridge Over Cumberland” therefore suggests that if you define yourself by these connections, what you are left with when they come to their inevitable end is a crossroads, both a risk of self-destruction and an opportunity for reinvention. It’s a tense, nervy conclusion, but also an empowering one. And given the accomplishment that this album represents, we can find solace in the fact that this time, reinvention has won out.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing:\u003cbr\u003e\u003c\/strong\u003e01. I Am a Wall, I Am a House\u003cbr\u003e02. James Gets His Rose\u003cbr\u003e03. Reaching\u003cbr\u003e04. Somehow\u003cbr\u003e05. Past Together Isn't Presence\u003cbr\u003e06. Natchez Trace Parkway\u003cbr\u003e07. Moshfeghian\u003cbr\u003e08. Marie's Song\u003cbr\u003e09. Leiper's Fork\u003cbr\u003e10. Twelve Boyfriends\u003cbr\u003e11. Bridge Over Cumberland\u003c\/div\u003e","brand":"Deathwish","offers":[{"title":"Cloudy Clear","offer_id":55154850988296,"sku":null,"price":26.0,"currency_code":"EUR","in_stock":true},{"title":"Half Black \/ Half Clear","offer_id":55154851021064,"sku":null,"price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/MadHoney-BridgeOverCumberland-Cover_2d491eb1-95b8-46e4-aa9f-75e4685dbb06.jpg?v=1774962048"},{"product_id":"there-were-wires-vessel-lp","title":"There Were Wires \"Vessel\" LP","description":"\u003cp\u003eVessel marks the return of There Were Wires after more than two decades, capturing a band reshaped by years, loss, and persistence. From their genesis in Boston as a brash \u0026amp; chaotic hardcore punk band, TWW has morphed into a different beast - older, wiser, and heavier than ever before. The record moves elementally between caustic attack and contemplative restraint, balancing intensity with moments of space and reflection. Themes of fear, grief, and exhaustion surface throughout, shaping a body of work that feels both lived-in and immediate. Vessel holds the accumulated experience of the past, expressed with clarity and purpose.\u003c\/p\u003e\n\u003cp\u003eWhile their self-titled album ran almost entirely on pure adrenaline and shirt-grabbing emotion, and Somnambulists took risks and hinted at musical growth, Vessel sees TWW ignoring the strictures of genre, and producing their most creative and heartfelt songs to date. Through time, trust, and life experience, There Were Wires have created their most immersive and fully realized work.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. All Paths Become The Road\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Massive House Fire\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003ePuncture Wounds\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. No Dark Corners\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. I'd Lock You In A Dream\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. Unraveling Light\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Resurrectionists\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. The Carousel Of Sickening Bliss\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. 1901\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. The Vessel You Hold Dear\u003c\/span\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Sea and Bone Merge","offer_id":55271655309576,"sku":"IOD-98v-2","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"Vessel Rose Marble","offer_id":55271655342344,"sku":"IOD-98v-3","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/There_Were_Wires_-_Vessel_-_Cover.jpg?v=1774825156"},{"product_id":"converge-hum-of-hurt-cd-copy","title":"Converge \"Hum Of Hurt\" CD","description":"\u003cdiv\u003eYou feel it before you hear it. And once you hear it, you can’t unhear it. A low, persistent noise throbbing in the background. Scientists say it registers between 30 and 40 hertz. It’s been heard in Ipswich, Massachusetts; Auckland, New Zealand; and Windsor, Ontario. It has haunted the population of Taos, New Mexico, for decades. It’s been linked to suicides in the UK. Not everyone can hear it. No one knows where it’s coming from. They call it\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Hum\u003c\/em\u003e.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eConverge have taken this mysterious real-world phenomenon and reimagined it as a physical manifestation of human suffering. I read on the phenomona while researching my own tinnitus. Then an idea struck. “What if the Hum is the culmination of all the pain in the world, creating an audible signal across the universe?” vocalist and lyricist Jacob Bannon posits. “Something noticeable to others operating on a similar emotional plane.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eHum of Hurt\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003efollows\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLove Is Not Enough\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eas Converge’s second full-length release of 2026. Like its predecessor, the album offers a bleak yet empathetic assessment of the human condition and its ongoing deterioration. With this album, the songs are more raw and exposed. “When we came together to write, we ended up with a wealth of material,” Bannon says. “As work progressed we realized we had created two separate albums, and treated them as such.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eHum of Hurt\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis distinct from\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLove Is Not Enough\u003c\/em\u003e, but just as volatile and potent. “It’s not a sequel,” Bannon explains. “The unifying musical idea early on was, ‘Let’s make a noise rock album.’ But we never really did. The first one wasn’t. This one touches on that spirit, but it’s much more dynamic than that descriptor. To me, it leans more into being an emotional hardcore album, while\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLove Is Not Enough\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efeels more metal leaning album. In the end, we simply gave creative birth to another Converge record with its own unique identity and character.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eOpener “Slip the Noose” erupts with a furious cannonade from drummer Ben Koller before launching into a short, grinding frenzy that would feel at home on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eJane Doe\u003c\/em\u003e. “Doom in Bloom” is raw and bloody, as guitarist Kurt Ballou’s spiky riffs scrape against Nate Newton’s bass and Koller’s drums. You can practically hear Bannon’s throat tearing apart in every scream. “It’s dark and pointed right at you,” he says. “Lyrically, I’m exploring how my own middle-aged introspection doesn’t always bring a brighter light. I see my own trappings reflected in those around me. Here I am imploring them to slip the noose to see another day.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e“Dream Debris” is a gripping, doomy epic born from a single bass note that builds to a booming crescendo. “It has a lot of twists and turns, yet starts off incredibly simple. The slow build was driven by Nate’s vision and bass tone,” Bannon says. “We kept asking ourselves ‘Does it need anything else?’ In the end, it didn’t. It was just so heavy, encapsulating everything we wanted in the song.” \u003cbr\u003e\u003cbr\u003eThe menacing track “Detonator” delivers a powerful line that will linger: There’s nothing to win if there’s no one to lose. “I go on a bit of a rant here,” Bannon says. “The idea is that when passion withers, the broken and beaten often remain in discomfort. The song ends with the line, ‘Don't be blown apart by your mistakes,’ which sums up the stark mentality on this one.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe title track stands as one of the most propulsive and emotional songs on their career. Thematically, Bannon examines the price of the lives we pursue. “I’ve given 35 years of my life to creating art and music,” he says. “I appreciate the creative home and support this community has given, yet rarely is space left for anything else. These lyrics are me looking in a mirror, recognizing that I am not the man I want to be. I need change, and still have work to do.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe album also features a new rendition of “I Won’t Let You Go,” originally recorded for the 2020 video game Cyberpunk 2077. “When we recorded the first version, Ben tracked drums in California and we assembled it here,” Bannon explains. “It was good, but we knew we could do better. This version has everything the previous one was missing. It now feels right.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eHum of Hurt\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas recorded and mixed by Kurt Ballou at God City in Salem, Massachusetts, with engineering assistance from Zach Weeks. Bannon and renowned UK artist Thomas Hooper collaborated on the album artwork.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e“For the cover, I had a vision of an EKG signal fusing with some kind of volatile seismography. This amalgamation represents the conditions that would theoretically create a ‘Hum.’ Specifically the heart skips beats before dissolving into static. The signal is then interrupted by a seismic event at the center point of the cover. In conversation, I shared some of these ideas with artist Thomas Hooper, who offered to illustrate them using scientific diagrams as a source of inspiration. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eI then spent months creating a mixed media piece for the interior,” Bannon says. “The figures represent the five elements of our planet, or ‘Pancha Bhuta’: Prithvi (Earth), Ap (Water), Agni (Fire), Vayu (Air), and Akasha (Aether). I present them in the throws of chaos, as if the elements themselves are entangled in the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHum of Hurt\u003c\/em\u003e.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01. Slip The Noose\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Doom In Bloom\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. It Only Gets Worse\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Detonator\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. I Won't Let You Go\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. It's Not Up To Us\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Dream Debris\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. It Used To Matter\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. Hum Of Hurt\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Nothing Is Over\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Epitaph","offers":[{"title":"Compact Disc","offer_id":55274012442888,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/Converge_-_Hum_Of_Hurt_-_Cover_0f584ab3-1c0e-4cf2-8110-1f97d2201bb8.jpg?v=1774744881"},{"product_id":"converge-hum-of-hurt-lp-1","title":"Converge \"Hum Of Hurt\" LP","description":"\u003cdiv\u003eYou feel it before you hear it. And once you hear it, you can’t unhear it. A low, persistent noise throbbing in the background. Scientists say it registers between 30 and 40 hertz. It’s been heard in Ipswich, Massachusetts; Auckland, New Zealand; and Windsor, Ontario. It has haunted the population of Taos, New Mexico, for decades. It’s been linked to suicides in the UK. Not everyone can hear it. No one knows where it’s coming from. They call it\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Hum\u003c\/em\u003e.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eConverge have taken this mysterious real-world phenomenon and reimagined it as a physical manifestation of human suffering. I read on the phenomona while researching my own tinnitus. Then an idea struck. “What if the Hum is the culmination of all the pain in the world, creating an audible signal across the universe?” vocalist and lyricist Jacob Bannon posits. “Something noticeable to others operating on a similar emotional plane.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eHum of Hurt\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003efollows\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLove Is Not Enough\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eas Converge’s second full-length release of 2026. Like its predecessor, the album offers a bleak yet empathetic assessment of the human condition and its ongoing deterioration. With this album, the songs are more raw and exposed. “When we came together to write, we ended up with a wealth of material,” Bannon says. “As work progressed we realized we had created two separate albums, and treated them as such.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eHum of Hurt\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis distinct from\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLove Is Not Enough\u003c\/em\u003e, but just as volatile and potent. “It’s not a sequel,” Bannon explains. “The unifying musical idea early on was, ‘Let’s make a noise rock album.’ But we never really did. The first one wasn’t. This one touches on that spirit, but it’s much more dynamic than that descriptor. To me, it leans more into being an emotional hardcore album, while\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLove Is Not Enough\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efeels more metal leaning album. In the end, we simply gave creative birth to another Converge record with its own unique identity and character.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eOpener “Slip the Noose” erupts with a furious cannonade from drummer Ben Koller before launching into a short, grinding frenzy that would feel at home on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eJane Doe\u003c\/em\u003e. “Doom in Bloom” is raw and bloody, as guitarist Kurt Ballou’s spiky riffs scrape against Nate Newton’s bass and Koller’s drums. You can practically hear Bannon’s throat tearing apart in every scream. “It’s dark and pointed right at you,” he says. “Lyrically, I’m exploring how my own middle-aged introspection doesn’t always bring a brighter light. I see my own trappings reflected in those around me. Here I am imploring them to slip the noose to see another day.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e“Dream Debris” is a gripping, doomy epic born from a single bass note that builds to a booming crescendo. “It has a lot of twists and turns, yet starts off incredibly simple. The slow build was driven by Nate’s vision and bass tone,” Bannon says. “We kept asking ourselves ‘Does it need anything else?’ In the end, it didn’t. It was just so heavy, encapsulating everything we wanted in the song.” \u003cbr\u003e\u003cbr\u003eThe menacing track “Detonator” delivers a powerful line that will linger: There’s nothing to win if there’s no one to lose. “I go on a bit of a rant here,” Bannon says. “The idea is that when passion withers, the broken and beaten often remain in discomfort. The song ends with the line, ‘Don't be blown apart by your mistakes,’ which sums up the stark mentality on this one.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe title track stands as one of the most propulsive and emotional songs on their career. Thematically, Bannon examines the price of the lives we pursue. “I’ve given 35 years of my life to creating art and music,” he says. “I appreciate the creative home and support this community has given, yet rarely is space left for anything else. These lyrics are me looking in a mirror, recognizing that I am not the man I want to be. I need change, and still have work to do.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe album also features a new rendition of “I Won’t Let You Go,” originally recorded for the 2020 video game Cyberpunk 2077. “When we recorded the first version, Ben tracked drums in California and we assembled it here,” Bannon explains. “It was good, but we knew we could do better. This version has everything the previous one was missing. It now feels right.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eHum of Hurt\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas recorded and mixed by Kurt Ballou at God City in Salem, Massachusetts, with engineering assistance from Zach Weeks. Bannon and renowned UK artist Thomas Hooper collaborated on the album artwork.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e“For the cover, I had a vision of an EKG signal fusing with some kind of volatile seismography. This amalgamation represents the conditions that would theoretically create a ‘Hum.’ Specifically the heart skips beats before dissolving into static. The signal is then interrupted by a seismic event at the center point of the cover. In conversation, I shared some of these ideas with artist Thomas Hooper, who offered to illustrate them using scientific diagrams as a source of inspiration. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eI then spent months creating a mixed media piece for the interior,” Bannon says. “The figures represent the five elements of our planet, or ‘Pancha Bhuta’: Prithvi (Earth), Ap (Water), Agni (Fire), Vayu (Air), and Akasha (Aether). I present them in the throws of chaos, as if the elements themselves are entangled in the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHum of Hurt\u003c\/em\u003e.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eTrack Listing \u003c\/strong\u003e\u003cstrong\u003e:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01. Slip The Noose\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Doom In Bloom\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. It Only Gets Worse\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Detonator\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. I Won't Let You Go\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. It's Not Up To Us\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Dream Debris\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. It Used To Matter\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. Hum Of Hurt\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. 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By fifteen they were running a local studio and radio station. There was no industry support, no infrastructure, no template for what they were trying to do, only the work itself and the conviction that it was worth doing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAt seventeen they relocated to Montreal, joined by Chris Clegg and Thomas Hart, assembled from different corners of the country, and began building Truck Violence from the ground up. \u003c\/span\u003e\u003cspan\u003eThe weathervane is my body\u003c\/span\u003e\u003cspan\u003e, the band's second full-length record and first with San Francisco's The Flenser, is the product of that process. Every element reflects this. The group composition, the recording, the mixing and the visual media were all produced in house without outside intervention. DIY here is not an aesthetic choice or a marketing angle, it is the only honest option available.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe album cover was shot on film by the band on Avenue du Parc in Montreal. A figure perches atop a small Quebecois-style house, handbuilt from reclaimed materials, spine curved, legs pulled in, bare-backed against a skyline that dwarfs everything beneath it. A rural thing dropped into the grit of the city, small and out of place and refusing to disappear. The body is naked and defenseless, open to every stimulus the world cares to deliver. This is the album in a single image.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe weathervane is my body\u003c\/span\u003e\u003cspan\u003e is a continuation, an expansion, a further scribbling together of that angry statement of purpose that is their debut album, aptly titled Violence. 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By fifteen they were running a local studio and radio station. There was no industry support, no infrastructure, no template for what they were trying to do, only the work itself and the conviction that it was worth doing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAt seventeen they relocated to Montreal, joined by Chris Clegg and Thomas Hart, assembled from different corners of the country, and began building Truck Violence from the ground up. \u003c\/span\u003e\u003cspan\u003eThe weathervane is my body\u003c\/span\u003e\u003cspan\u003e, the band's second full-length record and first with San Francisco's The Flenser, is the product of that process. Every element reflects this. The group composition, the recording, the mixing and the visual media were all produced in house without outside intervention. DIY here is not an aesthetic choice or a marketing angle, it is the only honest option available.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe album cover was shot on film by the band on Avenue du Parc in Montreal. A figure perches atop a small Quebecois-style house, handbuilt from reclaimed materials, spine curved, legs pulled in, bare-backed against a skyline that dwarfs everything beneath it. A rural thing dropped into the grit of the city, small and out of place and refusing to disappear. The body is naked and defenseless, open to every stimulus the world cares to deliver. This is the album in a single image.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe weathervane is my body\u003c\/span\u003e\u003cspan\u003e is a continuation, an expansion, a further scribbling together of that angry statement of purpose that is their debut album, aptly titled Violence. Rooted in the noise rock and post-hardcore traditions, and steeped in a DIY ethic that runs deep in Canadian underground culture, the record is uncompromising in its refusal to be anything other than what it is: immediate, self-determined, and built entirely by the hands that imagined it.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Flenser","offers":[{"title":"Compact Disc","offer_id":56373100249352,"sku":null,"price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/Albumcover_18795d6e-6731-4078-8e54-9fabac287845.jpg?v=1775693584"},{"product_id":"truck-violence-the-weathervane-is-my-body-lp","title":"Truck Violence \"The Weathervane Is My Body\" LP","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWe learn to speak from people, and to be silent from gods\u003c\/span\u003e\u003cspan\u003e. - Plutarch\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTruck Violence's second full length record, \u003c\/span\u003e\u003cspan\u003eThe weathervane is my body\u003c\/span\u003e\u003cspan\u003e, is an attempt to answer, an attempt at conciliation through refusal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKarsyn Henderson and Paul Lecours grew up in a French Canadian town of 600 people, graduating in a class of nine. By fifteen they were running a local studio and radio station. There was no industry support, no infrastructure, no template for what they were trying to do, only the work itself and the conviction that it was worth doing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAt seventeen they relocated to Montreal, joined by Chris Clegg and Thomas Hart, assembled from different corners of the country, and began building Truck Violence from the ground up. \u003c\/span\u003e\u003cspan\u003eThe weathervane is my body\u003c\/span\u003e\u003cspan\u003e, the band's second full-length record and first with San Francisco's The Flenser, is the product of that process. Every element reflects this. The group composition, the recording, the mixing and the visual media were all produced in house without outside intervention. DIY here is not an aesthetic choice or a marketing angle, it is the only honest option available.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe album cover was shot on film by the band on Avenue du Parc in Montreal. A figure perches atop a small Quebecois-style house, handbuilt from reclaimed materials, spine curved, legs pulled in, bare-backed against a skyline that dwarfs everything beneath it. A rural thing dropped into the grit of the city, small and out of place and refusing to disappear. The body is naked and defenseless, open to every stimulus the world cares to deliver. This is the album in a single image.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe weathervane is my body\u003c\/span\u003e\u003cspan\u003e is a continuation, an expansion, a further scribbling together of that angry statement of purpose that is their debut album, aptly titled Violence. Rooted in the noise rock and post-hardcore traditions, and steeped in a DIY ethic that runs deep in Canadian underground culture, the record is uncompromising in its refusal to be anything other than what it is: immediate, self-determined, and built entirely by the hands that imagined it.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Flenser","offers":[{"title":"Iridescent White with Blue","offer_id":56373101756680,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true},{"title":"Coke Bottle Clear","offer_id":56373101789448,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true},{"title":"Black","offer_id":56375407345928,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/Albumcover.jpg?v=1775693632"},{"product_id":"hey-thanks-avoidance","title":"hey thanks. \"Avoidance\" CD","description":"\u003cp\u003ehey thanks. returns with a darker, more deliberate sound. Blending post-punk and new wave influences, their sophomore full-length, Avoidance, reflects on time, identity, and the weight of isolation.\u003c\/p\u003e\n\u003cp\u003eAvoidance finds hey thanks. stepping back from trying to explain everything and sitting in the uncertainty instead.\u003c\/p\u003e\n\u003cp\u003eThe record centers on time, identity, and the gap between what you feel and what you can actually make sense of. Across these songs, nothing fully resolves. Moments repeat, thoughts loop, and meaning stays just out of reach. It lives in that in-between space, caught between experience and understanding.\u003c\/p\u003e\n\u003cp\u003eRecorded in their home studio, the album took shape piece by piece using live drum samples, layered percussion, guitar performances, and dense synth work, giving Avoidance its character. The band allowed the songs to unfold naturally, arriving somewhere more honest in the process.\u003c\/p\u003e\n\u003cp\u003eBuilt on synth layers, live percussion, and bright, driving rhythms, the songs move with a steady pulse while never fully settling. There is a constant push and pull throughout, something that feels light on the surface but carries weight underneath.\u003c\/p\u003e\n\u003cp\u003eRather than offering clarity, Avoidance stays with the questions.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. Is It Fate, Is It Mine?\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Forward\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Recollection\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. I Let You In\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. 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Moments repeat, thoughts loop, and meaning stays just out of reach. It lives in that in-between space, caught between experience and understanding.\u003c\/p\u003e\n\u003cp\u003eRecorded in their home studio, the album took shape piece by piece using live drum samples, layered percussion, guitar performances, and dense synth work, giving Avoidance its character. The band allowed the songs to unfold naturally, arriving somewhere more honest in the process.\u003c\/p\u003e\n\u003cp\u003eBuilt on synth layers, live percussion, and bright, driving rhythms, the songs move with a steady pulse while never fully settling. There is a constant push and pull throughout, something that feels light on the surface but carries weight underneath.\u003c\/p\u003e\n\u003cp\u003eRather than offering clarity, Avoidance stays with the questions.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. Is It Fate, Is It Mine?\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Forward\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Recollection\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. I Let You In\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. House Of Substance\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. TENSION\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. A Presence Exits\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. On 45\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. That Moment’s Gone\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. Avoidance\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e11. The World Behind You\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e12. Pacing Decisions\u003c\/span\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Tension Black","offer_id":56375430775048,"sku":"IOD-99v-2","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/heythanks.-Avoidance-Cover.jpg?v=1775694059"},{"product_id":"her-heads-on-fire-am-i-not-your-girl","title":"Her Head's On Fire \"Am I Not Your Girl?\" LP","description":"\u003cp\u003eHer Head’s on Fire announce their new record Am I Not Your Girl via Iodine Recordings, the latest from a band that’s excelled at weaving past and present to deliver rock music that hits a sweet spot of post-hardcore grit and genuine songcraft. Am I Not Your Girl? is an exercise in simplicity born from years of consistency, prioritizing true-blue songwriting that draws on a lifetime of influences: big choruses, big moments, big emotions.\u003c\/p\u003e\n\u003cp\u003eDespite its members having played in a murderer’s row of beloved, important bands in the worlds of post-hardcore and emo (Garrison, Saves the Day, The Bomb, and more), the four-piece have locked in on what the band really is. Her Head’s on Fire isn’t trying to coast off those acts but rather push their work forward.\u003c\/p\u003e\n\u003cp\u003eMixed by Jack Shirley, the album excels at making the listener feel like they’re in the room with the band as it happens, with production focused on capturing the music live rather than creating anything artificial.\u003c\/p\u003e\n\u003cp\u003eNowhere is the band’s philosophy better illustrated than in Am I Not Your Girl’s cover art. Painted by Joy Johnson and inspired by the photography of Nan Goldin, it’s a collage of illusory moments all occurring within the same space, one emotion bleeding into the next.\u003c\/p\u003e\n\u003cp\u003e“Maybe this record’s on in the background while people have a beautiful conversation, fall in love, or navigate a brutal moment,” Jagger says. “I am honored to be any part of that soundtrack.”\u003c\/p\u003e\n\u003cp\u003eAt the core of the band’s mission is community: playing shows and inviting the world in.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. Nightmare Smile\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. The Chloroform Dream\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. We Both Stop The Nightmares\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. I Know You, Beautiful\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. She Beats William Tell\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. We're Not Running\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Serpent Tongues Entwined\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Am I Not Your Girl\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. The Way We Lie\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. The Hunger Artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"display: none;\" class=\"\" id=\"tab2\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003eFirst Press:\u003cbr\u003e\u003c\/b\u003e200 x Noise Cult Splatter\u003cbr\u003e\u003cspan style=\"font-style: normal;\"\u003e300 x Nightmare Swirl\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e100 x Chloroform Cloud\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Iodine","offers":[{"title":"Nightmare Swirl","offer_id":57103783297288,"sku":"IOD-97v-2","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/HerHead_sOnFire-AmINotYourGirl_-Cover.jpg?v=1776286142"},{"product_id":"anxious-arms-in-the-shadow-of-the-cross","title":"Anxious Arms \"In the Shadow of the Cross\" LP","description":"\u003cp\u003eApathy and failure cover the modern world. “In the Shadow of the Cross“ confronts this reality, capturing humanity at its bleakest and most self-destructive. Nearly a decade after forming, Sacramento’s Anxious Arms continue to evolve, abandoning the remnants of their earlier alternative-rock leanings in favor of something heavier and much darker.\u003c\/p\u003e\n\u003cp\u003eOn their second album, the band leans fully into doom and metal, drawing clear influence from Crowbar and Black Sabbath while still carrying the imprint of their Sacramento roots, with lingerings of sounds influenced by Will Haven, Deftones, and Far at the band’s foundation. This version of Anxious Arms feels the most fully realized: a lineup unified in vision. With longtime producer Pat Hills, the band delivers its heaviest material to date, recorded live at Earthtone Studios that presents a raw sound at its core.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. Let Rats Run\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. The Conqueror Worm\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Through You\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. In the Shadow of the Cross\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Crimson Shroud\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. Deep and Green\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Vera Brittain\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Growing in the Grave\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"display: none;\" class=\"\" id=\"tab2\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003eFirst Press:\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e100 x Deep and Green (SDR Exclusive)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e200 x Cloudy Clear\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sunday Drive","offers":[{"title":"Cloudy Clear","offer_id":57612980388104,"sku":"SDR-164v-1","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/AnxiousArms-IntheShadowoftheCross-Cover.jpg?v=1776698270"},{"product_id":"anxious-arms-in-the-shadow-of-the-cross-cd","title":"Anxious Arms \"In the Shadow of the Cross\" CD","description":"\u003cp\u003eApathy and failure cover the modern world. “In the Shadow of the Cross“ confronts this reality, capturing humanity at its bleakest and most self-destructive. Nearly a decade after forming, Sacramento’s Anxious Arms continue to evolve, abandoning the remnants of their earlier alternative-rock leanings in favor of something heavier and much darker.\u003c\/p\u003e\n\u003cp\u003eOn their second album, the band leans fully into doom and metal, drawing clear influence from Crowbar and Black Sabbath while still carrying the imprint of their Sacramento roots, with lingerings of sounds influenced by Will Haven, Deftones, and Far at the band’s foundation. This version of Anxious Arms feels the most fully realized: a lineup unified in vision. With longtime producer Pat Hills, the band delivers its heaviest material to date, recorded live at Earthtone Studios that presents a raw sound at its core.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. Let Rats Run\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. The Conqueror Worm\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Through You\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. In the Shadow of the Cross\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Crimson Shroud\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. Deep and Green\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Vera Brittain\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Growing in the Grave\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"display: none;\" class=\"\" id=\"tab2\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003eFirst Press:\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e100 x Deep and Green (SDR Exclusive)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e200 x Cloudy Clear\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sunday Drive","offers":[{"title":"Compact Disc","offer_id":57614253228296,"sku":"SDR-164cd","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/AnxiousArms-IntheShadowoftheCross-Cover.jpg?v=1776698270"},{"product_id":"100-demons-embrace-the-black-light","title":"100 Demons \"Embrace The Black Light\" CD","description":"\u003cp\u003eFor over two decades, 100 Demons have stood as one of hardcore’s most uncompromising forces — a band built on raw conviction and a sound that refuses to be boxed in. With Embrace the Black Light, their long-awaited third album on Closed Casket Activities, Connecticut’s own deliver twelve tracks that push the boundaries even further.\u003cbr\u003e\u003cbr\u003eRecorded and fully realized within the walls of Silver Bullet Studios in Burlington, Connecticut, Embrace the Black Light marks a new chapter in the 100 Demons story — one forged with patience, intention, and an ear toward something lasting. Written by Pete Morcey, Rich Rosa, Rick Brayal and Jeremy Braddock, alongside Sean Martin rejoining the group. Produced and recorded by Greg Thomas and engineered alongside Chris Teti, the album was built brick by brick over the course of a year, allowing each song to breathe and find its shape. The result is the most fully realized record of their discography.\u003cbr\u003e\u003cbr\u003e“Writing and recording this last record was an experience like no other. We were able to take our time and carefully craft every single song on this release. Working with Greg Thomas and Chris Teti at Silver Bullet made us realize we would not have been able to do this record without them. And with the guidance of Justin from Closed Casket Activities, we know they brought out the best of us on every level.” - Pete Morcey, Vocals\u003cbr\u003e\u003cbr\u003eThe album opens without losing any of the band’s signature ferocity. Elsewhere, Embrace the Black Light stretches without losing its footing, adding texture and dimension to an album that earns every moment of its runtime. Mastered by Will Putney of Graphic Nature Audio and featuring the artwork of James Bousema, with guest vocals from Twitching Tongues\/God’s Hate members Colin Young and Taylor Young.\u003cbr\u003e\u003cbr\u003eEmbrace the Black Light is 100 Demons at their most deliberate and their most dangerous.\u003cbr\u003e\u003cb style=\"font-style: normal;\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-style: normal;\"\u003e01. The Nightmare\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Made for Nothing\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Through Seven Eternities\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. Meat for the Beast\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Nail it Shut\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. The Cold Wind of the Crossroads\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Häxan Hammer\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Night Parade of 100 Demons\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. Foul\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. Werewolves at the Wall\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e11. Return to Zero\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e12. Spiritual Obliteration\u003c\/span\u003e\u003c\/p\u003e","brand":"Closed Casket Activities","offers":[{"title":"Compact Disc","offer_id":57627082555656,"sku":"CLCR157cd","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/100Demons-EmbraceTheBlackLight-Cover.jpg?v=1776776461"},{"product_id":"100-demons-embrace-the-black-light-lp","title":"100 Demons \"Embrace The Black Light\" LP","description":"\u003cp\u003eFor over two decades, 100 Demons have stood as one of hardcore’s most uncompromising forces — a band built on raw conviction and a sound that refuses to be boxed in. With Embrace the Black Light, their long-awaited third album on Closed Casket Activities, Connecticut’s own deliver twelve tracks that push the boundaries even further.\u003cbr\u003e\u003cbr\u003eRecorded and fully realized within the walls of Silver Bullet Studios in Burlington, Connecticut, Embrace the Black Light marks a new chapter in the 100 Demons story — one forged with patience, intention, and an ear toward something lasting. Written by Pete Morcey, Rich Rosa, Rick Brayal and Jeremy Braddock, alongside Sean Martin rejoining the group. Produced and recorded by Greg Thomas and engineered alongside Chris Teti, the album was built brick by brick over the course of a year, allowing each song to breathe and find its shape. The result is the most fully realized record of their discography.\u003cbr\u003e\u003cbr\u003e“Writing and recording this last record was an experience like no other. We were able to take our time and carefully craft every single song on this release. Working with Greg Thomas and Chris Teti at Silver Bullet made us realize we would not have been able to do this record without them. And with the guidance of Justin from Closed Casket Activities, we know they brought out the best of us on every level.” - Pete Morcey, Vocals\u003cbr\u003e\u003cbr\u003eThe album opens without losing any of the band’s signature ferocity. Elsewhere, Embrace the Black Light stretches without losing its footing, adding texture and dimension to an album that earns every moment of its runtime. Mastered by Will Putney of Graphic Nature Audio and featuring the artwork of James Bousema, with guest vocals from Twitching Tongues\/God’s Hate members Colin Young and Taylor Young.\u003cbr\u003e\u003cbr\u003eEmbrace the Black Light is 100 Demons at their most deliberate and their most dangerous.\u003cbr\u003e\u003cb style=\"font-style: normal;\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-style: normal;\"\u003e01. The Nightmare\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Made for Nothing\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Through Seven Eternities\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. Meat for the Beast\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Nail it Shut\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. The Cold Wind of the Crossroads\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Häxan Hammer\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Night Parade of 100 Demons\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. Foul\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. Werewolves at the Wall\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e11. Return to Zero\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e12. Spiritual Obliteration\u003c\/span\u003e\u003c\/p\u003e","brand":"Closed Casket Activities","offers":[{"title":"Grey Black Marble","offer_id":57627100971272,"sku":"CLCR157v-1","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/100Demons-EmbraceTheBlackLight-Cover.jpg?v=1776776461"},{"product_id":"the-crimson-curse-greatest-hits","title":"The Crimson Curse \"Greatest Hits\" LP","description":"\u003cp\u003eThe Crimson Curse’s horror hardcore “anthology” here consists of select tracks from the bands “Both Feet in the Grave” LP, tracks from their split 7″ with The Festival of Dead Deer, and alternate takes as well as their rare “Blood Thirsty Lust” track. This curse features members of The Locust, Swing Kids, Deaf Club, Some Girls, Head Wound City, Tristeza, Guyver 1, Holy Molar, and The Album Leaf.\u003c\/p\u003e\n\u003cp\u003eThe vinyl format of this release is pressed on limited color vinyl along with red foil printing on the cover.\u003c\/p\u003e\n\u003cp\u003eBoth the CD and cassette formats are ultra limited and come with complex packaging which features black on black printing.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. Funeral Empire\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Radiation Blue\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Both Feet in the Grave\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. Sweet Baby Jesus\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Blood Thirsty Lust\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. Velvet Flesh Design\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Psycho 75\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. I Liner\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. Rat Romance\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. Black Dye #15\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e11. Goldfish\u003c\/span\u003e\u003c\/p\u003e","brand":"Three One G","offers":[{"title":"Clear w\/ Red Splatter","offer_id":57755299643656,"sku":"31G10v-1","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"Red w\/ Black Splatter","offer_id":57755299676424,"sku":"31G10v-2","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/TheCrimsonCurse-GreatestHits-Cover.jpg?v=1777659839"},{"product_id":"rosemary-nods-upon-the-grave-ep-1-ep-2","title":"Rosemary Nods Upon The Grave \"EP 1 \u0026 EP 2\" LP","description":"\u003cp\u003eRosemary nods upon the grave is an emotional hardcore band from Savannah, Georgia. “EP 1 \u0026amp; EP 2” collects their two previously released EPs on one piece of vinyl. On ‘EP 1’, released in January 2025, you can see the rougher edges of the band figuring themselves out, and beginning to form a more introspective take on the screamo genre. Raucous, anthemic songs that cut straight to the heart of everyone listening. Rallying cries and outbursts of despair stitched together with a youthful hand.\u003c\/p\u003e\n\u003cp\u003eOn ‘EP 2’, released in March 2026, they manage to become something much bigger. Leaning heavily into a style of much more melodic screamo with post-rock soundscapes, shoegaze-influenced walls of sound, and a much more polished finish, without ever compromising the cathartic energy of their screamo roots.\u003c\/p\u003e\n\u003cp\u003eAt their core, Rosemary nods upon the grave maintains a masterful juxtaposition of emptiness and chaos. They balance tenderness with gentle dexterity, oscillating from emotional overwhelm to absolute restraint. This release wholeheartedly showcases what makes them one of the most remarkable bands to watch out of the emo scene as a whole right now, and is a clear indication of a band that grows sharper and more explosive with each release.\u003c\/p\u003e\n\u003cp\u003eVinyl comes packaged in a full color jacket with artwork from both EPs on the front and back covers, respectively. A limited kraft brown, silkscreened cover has been printed to accompany the Splatter vinyl variant.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. In French\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. War-Torn\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Bonaventure\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. I Remember Halloween\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Count To Three\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. Dépaysement\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Of Candle, Vessel, Flame\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Like A Willow\u003c\/span\u003e\u003c\/p\u003e","brand":"Persistent Vision","offers":[{"title":"Aqua Blue \u0026 Bone Galaxy","offer_id":57755299807496,"sku":"VIS036v-1","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"Olive \u0026 Bone Smash","offer_id":57755299840264,"sku":"VIS036v-2","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"Bone w\/ Multi-Splatter","offer_id":57755299873032,"sku":"VIS036v-3","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/RosemaryNodsUponTheGrave-EP1_EP2-Cover.jpg?v=1777659843"},{"product_id":"gif-from-god-dissimulation","title":".gif from god \"Dissimulation\" LP","description":"\u003cp\u003e“Dissimulation”, the long awaited new full length from Richmond, Virginia’s .gif from god.\u003c\/p\u003e\n\u003cp\u003e.gif from god has defied easy categorization since their inception in 2015. Blending various elements of hardcore punk and extreme metal, including metalcore, screamo, and grindcore, the unit has solidified its place in the underground music scene over the past decade. The six-piece machine cemented their lineup in 2017, including two stand-alone vocalists, resulting in maximum insanity and catharsis during their live shows.\u003c\/p\u003e\n\u003cp\u003eOn their third LP, “Dissimulation”, .gif from god has honed their chaotic craft into a laser-focused sonic blast that slips in like a blade and hits like a truck. Working again with past collaborator Matt Michel (No Man, Majority Rule) at the legendary Viva Studios, they’ve exceeded the limits of their previous work while creating a record that is still deeply rooted in the storied Virginia punk scene that precedes them. Dissimulation explores the unseen, otherworldly senses within us that are indescribable and horrific to face. Spiraling paranoid fantasies that lure you deeper into the cosmic abyss.\u003c\/p\u003e\n\u003cp\u003e“Dissimulation” was produced by the band, engineered and mixed by Matt Michel, and mastered by Brad Boatright at Audiosiege.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. SEE █████████\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Dissimulation\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Virginia Creeper\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. Life Like A Sickness\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Turn From The Ruin\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. Lalilulelolelulilal\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. A Fucked Up Face\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Your Sorrows Pin You To This Place\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. A Gift from God\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. Volatile Simian Nervous-System\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e11. Burnt House Horizon\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e12. That De-Syncing Feeling\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e13. Wetwork Network\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e14. SEE ALSO █████████\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e15. Obliterated Serial Number\u003c\/span\u003e\u003c\/p\u003e","brand":"Persistent Vision","offers":[{"title":"LP - Orange in Cloudy Clear w\/ Splatter","offer_id":57755300233480,"sku":"VIS035v-1","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"LP - Orange Black \u0026 White Smash","offer_id":57755300266248,"sku":"VIS035v-2","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"LP - Orange \u0026 Cloudy Clear Smoke","offer_id":57755300299016,"sku":"VIS035v-3","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/giffromgod-Dissimulation-Cover.jpg?v=1777659846"},{"product_id":"the-crimson-curse-greatest-hits-cd","title":"The Crimson Curse \"Greatest Hits\" CD","description":"\u003cp\u003eThe Crimson Curse’s horror hardcore “anthology” here consists of select tracks from the bands “Both Feet in the Grave” LP, tracks from their split 7″ with The Festival of Dead Deer, and alternate takes as well as their rare “Blood Thirsty Lust” track. This curse features members of The Locust, Swing Kids, Deaf Club, Some Girls, Head Wound City, Tristeza, Guyver 1, Holy Molar, and The Album Leaf.\u003c\/p\u003e\n\u003cp\u003eThe vinyl format of this release is pressed on limited color vinyl along with red foil printing on the cover.\u003c\/p\u003e\n\u003cp\u003eBoth the CD and cassette formats are ultra limited and come with complex packaging which features black on black printing.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. Funeral Empire\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Radiation Blue\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Both Feet in the Grave\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. Sweet Baby Jesus\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Blood Thirsty Lust\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. Velvet Flesh Design\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Psycho 75\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. I Liner\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. Rat Romance\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. Black Dye #15\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e11. Goldfish\u003c\/span\u003e\u003c\/p\u003e","brand":"Three One G","offers":[{"title":"Compact Disc","offer_id":57755306197256,"sku":"31G10cd","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/TheCrimsonCurse-GreatestHits-Cover.jpg?v=1777659839"},{"product_id":"the-crimson-curse-greatest-hits-cs","title":"The Crimson Curse \"Greatest Hits\" CS","description":"\u003cp\u003eThe Crimson Curse’s horror hardcore “anthology” here consists of select tracks from the bands “Both Feet in the Grave” LP, tracks from their split 7″ with The Festival of Dead Deer, and alternate takes as well as their rare “Blood Thirsty Lust” track. This curse features members of The Locust, Swing Kids, Deaf Club, Some Girls, Head Wound City, Tristeza, Guyver 1, Holy Molar, and The Album Leaf.\u003c\/p\u003e\n\u003cp\u003eThe vinyl format of this release is pressed on limited color vinyl along with red foil printing on the cover.\u003c\/p\u003e\n\u003cp\u003eBoth the CD and cassette formats are ultra limited and come with complex packaging which features black on black printing.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. Funeral Empire\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Radiation Blue\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Both Feet in the Grave\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. Sweet Baby Jesus\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Blood Thirsty Lust\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. Velvet Flesh Design\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Psycho 75\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. I Liner\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. Rat Romance\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. Black Dye #15\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e11. Goldfish\u003c\/span\u003e\u003c\/p\u003e","brand":"Three One G","offers":[{"title":"Cassette - Black","offer_id":57755306361096,"sku":"31G10cs","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/TheCrimsonCurse-GreatestHits-Cover.jpg?v=1777659839"},{"product_id":"rosemary-nods-upon-the-grave-ep-1-ep-2-cs","title":"Rosemary Nods Upon The Grave \"EP 1 \u0026 EP 2\" CS","description":"\u003cp\u003eRosemary nods upon the grave is an emotional hardcore band from Savannah, Georgia. “EP 1 \u0026amp; EP 2” collects their two previously released EPs on one piece of vinyl. On ‘EP 1’, released in January 2025, you can see the rougher edges of the band figuring themselves out, and beginning to form a more introspective take on the screamo genre. Raucous, anthemic songs that cut straight to the heart of everyone listening. Rallying cries and outbursts of despair stitched together with a youthful hand.\u003c\/p\u003e\n\u003cp\u003eOn ‘EP 2’, released in March 2026, they manage to become something much bigger. Leaning heavily into a style of much more melodic screamo with post-rock soundscapes, shoegaze-influenced walls of sound, and a much more polished finish, without ever compromising the cathartic energy of their screamo roots.\u003c\/p\u003e\n\u003cp\u003eAt their core, Rosemary nods upon the grave maintains a masterful juxtaposition of emptiness and chaos. They balance tenderness with gentle dexterity, oscillating from emotional overwhelm to absolute restraint. This release wholeheartedly showcases what makes them one of the most remarkable bands to watch out of the emo scene as a whole right now, and is a clear indication of a band that grows sharper and more explosive with each release.\u003c\/p\u003e\n\u003cp\u003eVinyl comes packaged in a full color jacket with artwork from both EPs on the front and back covers, respectively. A limited kraft brown, silkscreened cover has been printed to accompany the Splatter vinyl variant.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. In French\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. War-Torn\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Bonaventure\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. I Remember Halloween\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Count To Three\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. Dépaysement\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Of Candle, Vessel, Flame\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Like A Willow\u003c\/span\u003e\u003c\/p\u003e","brand":"Persistent Vision","offers":[{"title":"Cassette - Cappuccino","offer_id":57755306656008,"sku":"VIS036cs-1","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/RosemaryNodsUponTheGrave-EP1_EP2-Cover.jpg?v=1777659843"},{"product_id":"gif-from-god-dissimulation-cd","title":".gif from god \"Dissimulation\" CD","description":"\u003cp\u003e“Dissimulation”, the long awaited new full length from Richmond, Virginia’s .gif from god.\u003c\/p\u003e\n\u003cp\u003e.gif from god has defied easy categorization since their inception in 2015. Blending various elements of hardcore punk and extreme metal, including metalcore, screamo, and grindcore, the unit has solidified its place in the underground music scene over the past decade. The six-piece machine cemented their lineup in 2017, including two stand-alone vocalists, resulting in maximum insanity and catharsis during their live shows.\u003c\/p\u003e\n\u003cp\u003eOn their third LP, “Dissimulation”, .gif from god has honed their chaotic craft into a laser-focused sonic blast that slips in like a blade and hits like a truck. Working again with past collaborator Matt Michel (No Man, Majority Rule) at the legendary Viva Studios, they’ve exceeded the limits of their previous work while creating a record that is still deeply rooted in the storied Virginia punk scene that precedes them. Dissimulation explores the unseen, otherworldly senses within us that are indescribable and horrific to face. Spiraling paranoid fantasies that lure you deeper into the cosmic abyss.\u003c\/p\u003e\n\u003cp\u003e“Dissimulation” was produced by the band, engineered and mixed by Matt Michel, and mastered by Brad Boatright at Audiosiege.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. SEE █████████\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Dissimulation\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Virginia Creeper\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. Life Like A Sickness\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Turn From The Ruin\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. Lalilulelolelulilal\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. A Fucked Up Face\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Your Sorrows Pin You To This Place\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. A Gift from God\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. Volatile Simian Nervous-System\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e11. Burnt House Horizon\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e12. That De-Syncing Feeling\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e13. Wetwork Network\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e14. SEE ALSO █████████\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e15. Obliterated Serial Number\u003c\/span\u003e\u003c\/p\u003e","brand":"Persistent Vision","offers":[{"title":"Compact Disc","offer_id":57755306787080,"sku":"VIS035cd","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/giffromgod-Dissimulation-Cover.jpg?v=1777659846"},{"product_id":"gif-from-god-dissimulation-cs","title":".gif from god \"Dissimulation\" CS","description":"\u003cp\u003e“Dissimulation”, the long awaited new full length from Richmond, Virginia’s .gif from god.\u003c\/p\u003e\n\u003cp\u003e.gif from god has defied easy categorization since their inception in 2015. Blending various elements of hardcore punk and extreme metal, including metalcore, screamo, and grindcore, the unit has solidified its place in the underground music scene over the past decade. The six-piece machine cemented their lineup in 2017, including two stand-alone vocalists, resulting in maximum insanity and catharsis during their live shows.\u003c\/p\u003e\n\u003cp\u003eOn their third LP, “Dissimulation”, .gif from god has honed their chaotic craft into a laser-focused sonic blast that slips in like a blade and hits like a truck. Working again with past collaborator Matt Michel (No Man, Majority Rule) at the legendary Viva Studios, they’ve exceeded the limits of their previous work while creating a record that is still deeply rooted in the storied Virginia punk scene that precedes them. Dissimulation explores the unseen, otherworldly senses within us that are indescribable and horrific to face. Spiraling paranoid fantasies that lure you deeper into the cosmic abyss.\u003c\/p\u003e\n\u003cp\u003e“Dissimulation” was produced by the band, engineered and mixed by Matt Michel, and mastered by Brad Boatright at Audiosiege.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. SEE █████████\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Dissimulation\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Virginia Creeper\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. Life Like A Sickness\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Turn From The Ruin\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. Lalilulelolelulilal\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. A Fucked Up Face\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Your Sorrows Pin You To This Place\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. A Gift from God\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. Volatile Simian Nervous-System\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e11. Burnt House Horizon\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e12. That De-Syncing Feeling\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e13. Wetwork Network\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e14. SEE ALSO █████████\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e15. Obliterated Serial Number\u003c\/span\u003e\u003c\/p\u003e","brand":"Persistent Vision","offers":[{"title":"Cassette - Pink","offer_id":57755307049224,"sku":"VIS035cs-1","price":13.0,"currency_code":"EUR","in_stock":true},{"title":"Cassette - Yellow","offer_id":57755307081992,"sku":"VIS035cs-2","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/giffromgod-Dissimulation-Cover.jpg?v=1777659846"},{"product_id":"death-threat-for-god-government","title":"Death Threat \"For God \u0026 Government\" CS","description":"\u003cp\u003eFor over two decades, Death Threat’s “For God \u0026amp; Government” has remained a pivotal release of the early-2000s hardcore era. Originally released in 2002 as the follow-up to the band’s undeniable classic “Peace \u0026amp; Security”, the album captured Death Threat at their most aggressive, urgent, and uncompromising. Its influence and demand have only continued to grow in the years since, yet despite its lasting impact, “For God \u0026amp; Government” has never been released on vinyl—until now.\u003c\/p\u003e\n\u003cp\u003eExpanded with five bonus tracks, this long-awaited deluxe edition features remastered audio by Brad Boatright at Audiosiege and is housed in a gatefold jacket with a printed inner sleeve, finally giving the album the definitive presentation it has deserved for nearly 25 years.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e \u003cspan style=\"font-style: normal;\"\u003e01. For God and Government\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Spit It Out\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. As One We Stand\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. The Time Is Now\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Watch Your Mouth\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. Still Alone\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Bombs Will Fly\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Live in the Moment\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. Known All Along\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. Broke and Bummed Out\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e11. Bombshell\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e12. Last to Know\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e13. Path I Choose\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e14. No Farewell\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e15. Best of Times\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e16. King of the Jungle\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e17. Poseur\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e18. For God and Government (Live in Corona)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e19. Spit It Out (Live in Corona)\u003c\/span\u003e\u003c\/p\u003e","brand":"Heroes \u0026 Martyrs","offers":[{"title":"Cassette","offer_id":57791009784072,"sku":"HMR-016cs","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/DeathThreat-ForGod_Government-Cover.jpg?v=1778262408"},{"product_id":"death-threat-for-god-government-lp","title":"Death Threat \"For God \u0026 Government\" LP","description":"\u003cp\u003eFor over two decades, Death Threat’s “For God \u0026amp; Government” has remained a pivotal release of the early-2000s hardcore era. Originally released in 2002 as the follow-up to the band’s undeniable classic “Peace \u0026amp; Security”, the album captured Death Threat at their most aggressive, urgent, and uncompromising. Its influence and demand have only continued to grow in the years since, yet despite its lasting impact, “For God \u0026amp; Government” has never been released on vinyl—until now.\u003c\/p\u003e\n\u003cp\u003eExpanded with five bonus tracks, this long-awaited deluxe edition features remastered audio by Brad Boatright at Audiosiege and is housed in a gatefold jacket with a printed inner sleeve, finally giving the album the definitive presentation it has deserved for nearly 25 years.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e \u003cspan style=\"font-style: normal;\"\u003e01. For God and Government\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Spit It Out\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. As One We Stand\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. The Time Is Now\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Watch Your Mouth\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. Still Alone\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Bombs Will Fly\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Live in the Moment\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. Known All Along\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. Broke and Bummed Out\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e11. Bombshell\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e12. Last to Know\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e13. Path I Choose\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e14. No Farewell\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e15. Best of Times\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e16. King of the Jungle\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e17. Poseur\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e18. For God and Government (Live in Corona)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e19. Spit It Out (Live in Corona)\u003c\/span\u003e\u003c\/p\u003e","brand":"Heroes \u0026 Martyrs","offers":[{"title":"Wild Colors","offer_id":57791019909384,"sku":"HMR-016v-1","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"Black \u0026 White","offer_id":57791019942152,"sku":"HMR-016v-2","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/DeathThreat-ForGod_Government-Cover.jpg?v=1778262408"},{"product_id":"adam-gnade-wild-horse-shit","title":"Adam Gnade \"Wild Horse Shit\" Book","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“Adam’s writing unravels fear, political disgust, and questions of how to keep going in a world where there is immense terror and pain. His writing also offers immense love and camaraderie despite it all. This book is a reminder to treat caring for each other, and enjoying one another’s company, as some of the greatest tasks of life.” -Lora Mathis, author of The Snakes Came Back\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“For all of its sick and sad ways, America is vast and wonderful, and Adam Gnade expresses the heavy pain of loving this beautiful monster with wisdom and honesty. He shows us how to be brave and funny in the face of fascism and genocide. His is a vision of kindness, friendship, and community forged out of idealism for a better country, a better world. In Wild Horse Shit, you feel how much he loves America and the people in it, despite everything.” -Bart Schaneman, author of The Pot Job\u003c\/span\u003e\u003c\/p\u003e","brand":"Three One G","offers":[{"title":"Book","offer_id":57804659622152,"sku":"31G160","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/WildHorseShit-AdamGnade-Cover.jpg?v=1778537856"},{"product_id":"snag-all-the-cages-holding-us-will-one-day-turn-to-dust","title":"Snag \"All The Cages Holding Us Will One Day Turn To Dust\" CS","description":"\u003cp\u003eWhether you choose to label it screamo, emo-violence or skramz, one thing we can agree on is that many bands live by the mantra of “here today, gone today”. Whether intentional or simply burning brightly before running out ideas, it's somewhat uncommon for acts to make it past the three year mark. Since their formation in 2016, Milwaukee trio Snag have quietly carved out their own unique space in the DIY underground, quickly becoming a favorite of listeners hungry for emotional hardcore that delivered more than just aimless chaos. On All The Cages Holding Us Will One Day Turn To Dust, the band's third LP and first for Deathwish Inc, Snag continue to develop their brand of heavy emo, expanding melodically and texturally without losing their edge. “Musically, the album is punishing at moments; fast and heavy but also soft and beautiful” says guitarist and vocalist Samm Szymborski. “We wanted to write something that spans all things musically that we are interested in. We wanted to write an album that goes straight to the point and represents Snag as a whole.”\u003c\/p\u003e\n\u003cp\u003eWorking with engineer Nick Elert, the album was tracked live over the course of three days in July 2025, adding vocals a month later after experiencing an unexpected power outage at the studio. Compared to the band's prior output, All the Cages is a little more spacious in its production, with Elert introducing a touch of ambiance into the Snag sonic world that’s a welcome addition. The frantic start and stop tempos, the panic-stricken screams and melancholic chord progressions are all still there, but the album displays plenty of growth as well. Throughout its 11 tracks, Snag exhibit the expansion of their sound in both directions-at times more melodic and others more aggressive than their previous releases.\u003c\/p\u003e\n\u003cp\u003eSnag’s lyrical approach has often been more universal, focusing on broader themes like climate anxiety and apocalyptic dread. Many of the lyrics on All the Cages show the band looking inward, drawing on the band members’ personal experiences with chronic illness and mental health obstacles. “After going through some mental health struggles this past year, and being in a relationship with someone who is chronically ill, being part of writing this album has helped me through some of those struggles,” says drummer and vocalist Bryan Wysocki. “The album is an odyssey through all the cages one may be trapped in whether it be physically, mentally, as a product of society or as a product of our own being.” The theme of cages weaves its way throughout the lyrics of the album; on “Unarrest Me”, it’s the physical cage of a jail cell, on “Debilitated”, it’s the cage of one's own body, on “Shelf Life”, it’s the cage of materialism.\u003c\/p\u003e\n\u003cp\u003eFrom the beginning, acting on the message has always been a part of Snag’s agenda, with the lyrics serving as a suggestion for active involvement. Along with the imperative lyric sheet, their self-titled debut LP also came with a book of matches and an envelope of seeds, encouraging the listener to help grow new habitats for pollinators. For All The Cages, the band once again chose to use the LP format as a means for action, working with the Florida-based organization Wire of Hope to include individually labeled envelopes to inmates as an invitation for listeners to have a prison pen pal.\u003c\/p\u003e\n\u003cp\u003e“The logic that says a corporation can destroy the planet to extract profit from it systematically is the same basic logic that says humans can be systematically caged for profit,” says bassist and vocalist Peter Murphy. “It’s probably safe to say every person who hears this album is a lot closer to being incarcerated than to being one of the billionaires that seek ever more control. We thought we could make that connection much more explicit with a homework assignment in the record insert. And hopefully foster friendship and connection as well.”\u003c\/p\u003e\n\u003cp\u003eThe intentionality of the band's lyrical approach extends to the music, as well. Snag has always been far more than a mere throwback, consciously bringing something new to a subgenre that often does little to move beyond the influence of its forebearers. All The Cages sees the band continue on this path, recalling the sounds of progressive and dynamic acts like Majority Rule, Welcome the Plague Year, and Kidcrash. “We made a decision a long time ago to simply make the music that we like and to not try to fit into genre conventions” says Murphy. “That decision gave us permission to try different instrumentation and stylistic approaches to songs, which resulted in a few unusual moments on this album.”\u003c\/p\u003e\n\u003cp\u003eOne of those moments is the track “Juneberry”, a somber Americana-tinged track that features splashes of pedal steel, horns and layered harmonies. For Snag, “Juneberry” could have easily been a sore thumb, but they succeeded in seamlessly incorporating newer elements into their sound without sounding forced. “Whisper” subtly recalls acts like Sigur Ros with its chord progression, trading the menacing riffage for something more melodic and sentimental.\u003c\/p\u003e\n\u003cp\u003e“Pray for Peace” features driving, downstrummed Wipers-indebted rhythm guitars that show a more straight-forward side of Snag, before giving way to unrelenting blast beats and an eventual piano coda. The use of piano continues on “Paris, WI”, a haunting ballad that nods to Thee Silver Mount Zion and Pygmy Lush.\u003c\/p\u003e\n\u003cp\u003eAll the Cages marks the band’s first time working with Deathwish Inc, the stalwart label known for championing some of modern aggressive music's best and most forward-thinking acts. For Snag , who previously worked with smaller DIY labels like Middle Man and Zegema Beach, working with Deathwish was an opportunity to continue the tradition on a larger scale.\u003c\/p\u003e\n\u003cp\u003e“Deathwish has been responsible for some of our absolute favorite releases,” said Szymborski. “We had been working with them on distribution here and there since around 2021, and the pieces finally came together for a proper release this year.”\u003c\/p\u003e\n\u003cp\u003eUltimately, now a decade into their existence, Snag continues to be one of the most unique voices in modern DIY hardcore. The members’ commitment to the band can be seen as largely personal; they need the music as much as it needs them. Beyond that, it’s quite simple: they have yet to grow bored with the thing that captured their attention and imaginations as kids.\u003c\/p\u003e\n\u003cp\u003e“When we started the band we were in some of the most depressive periods of our lives, and it offered an outlet, camaraderie, and hope,” says Wysocki. “It hasn’t stopped since.”\u003c\/p\u003e\n\u003cp\u003eSnag’s third LP, All The Cages Holding Us Will One Day Turn To Dust is set for release on July 10 via Deathwish Inc. Lead single “Debilitated” is currently available on all major streaming platforms.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. Unarrest Me\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Debilitated\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Pray for Peace\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. Sunburn\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Juneberry\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. Whisper\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Shelf Life\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Paris, WI\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. Foam Cup, Pt. 3\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. Cages\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e11. Cages (Reprise)\u003c\/span\u003e\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Purple Tint","offer_id":57804659917064,"sku":"DW273cs","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/snag-AllTheCagesHoldingUsWillOneDayTurnToDust-Cover.jpg?v=1778537860"},{"product_id":"snag-all-the-cages-holding-us-will-one-day-turn-to-dust-cd","title":"Snag \"All The Cages Holding Us Will One Day Turn To Dust\" CD","description":"\u003cp\u003eWhether you choose to label it screamo, emo-violence or skramz, one thing we can agree on is that many bands live by the mantra of “here today, gone today”. Whether intentional or simply burning brightly before running out ideas, it's somewhat uncommon for acts to make it past the three year mark. Since their formation in 2016, Milwaukee trio Snag have quietly carved out their own unique space in the DIY underground, quickly becoming a favorite of listeners hungry for emotional hardcore that delivered more than just aimless chaos. On All The Cages Holding Us Will One Day Turn To Dust, the band's third LP and first for Deathwish Inc, Snag continue to develop their brand of heavy emo, expanding melodically and texturally without losing their edge. “Musically, the album is punishing at moments; fast and heavy but also soft and beautiful” says guitarist and vocalist Samm Szymborski. “We wanted to write something that spans all things musically that we are interested in. We wanted to write an album that goes straight to the point and represents Snag as a whole.”\u003c\/p\u003e\n\u003cp\u003eWorking with engineer Nick Elert, the album was tracked live over the course of three days in July 2025, adding vocals a month later after experiencing an unexpected power outage at the studio. Compared to the band's prior output, All the Cages is a little more spacious in its production, with Elert introducing a touch of ambiance into the Snag sonic world that’s a welcome addition. The frantic start and stop tempos, the panic-stricken screams and melancholic chord progressions are all still there, but the album displays plenty of growth as well. Throughout its 11 tracks, Snag exhibit the expansion of their sound in both directions-at times more melodic and others more aggressive than their previous releases.\u003c\/p\u003e\n\u003cp\u003eSnag’s lyrical approach has often been more universal, focusing on broader themes like climate anxiety and apocalyptic dread. Many of the lyrics on All the Cages show the band looking inward, drawing on the band members’ personal experiences with chronic illness and mental health obstacles. “After going through some mental health struggles this past year, and being in a relationship with someone who is chronically ill, being part of writing this album has helped me through some of those struggles,” says drummer and vocalist Bryan Wysocki. “The album is an odyssey through all the cages one may be trapped in whether it be physically, mentally, as a product of society or as a product of our own being.” The theme of cages weaves its way throughout the lyrics of the album; on “Unarrest Me”, it’s the physical cage of a jail cell, on “Debilitated”, it’s the cage of one's own body, on “Shelf Life”, it’s the cage of materialism.\u003c\/p\u003e\n\u003cp\u003eFrom the beginning, acting on the message has always been a part of Snag’s agenda, with the lyrics serving as a suggestion for active involvement. Along with the imperative lyric sheet, their self-titled debut LP also came with a book of matches and an envelope of seeds, encouraging the listener to help grow new habitats for pollinators. For All The Cages, the band once again chose to use the LP format as a means for action, working with the Florida-based organization Wire of Hope to include individually labeled envelopes to inmates as an invitation for listeners to have a prison pen pal.\u003c\/p\u003e\n\u003cp\u003e“The logic that says a corporation can destroy the planet to extract profit from it systematically is the same basic logic that says humans can be systematically caged for profit,” says bassist and vocalist Peter Murphy. “It’s probably safe to say every person who hears this album is a lot closer to being incarcerated than to being one of the billionaires that seek ever more control. We thought we could make that connection much more explicit with a homework assignment in the record insert. And hopefully foster friendship and connection as well.”\u003c\/p\u003e\n\u003cp\u003eThe intentionality of the band's lyrical approach extends to the music, as well. Snag has always been far more than a mere throwback, consciously bringing something new to a subgenre that often does little to move beyond the influence of its forebearers. All The Cages sees the band continue on this path, recalling the sounds of progressive and dynamic acts like Majority Rule, Welcome the Plague Year, and Kidcrash. “We made a decision a long time ago to simply make the music that we like and to not try to fit into genre conventions” says Murphy. “That decision gave us permission to try different instrumentation and stylistic approaches to songs, which resulted in a few unusual moments on this album.”\u003c\/p\u003e\n\u003cp\u003eOne of those moments is the track “Juneberry”, a somber Americana-tinged track that features splashes of pedal steel, horns and layered harmonies. For Snag, “Juneberry” could have easily been a sore thumb, but they succeeded in seamlessly incorporating newer elements into their sound without sounding forced. “Whisper” subtly recalls acts like Sigur Ros with its chord progression, trading the menacing riffage for something more melodic and sentimental.\u003c\/p\u003e\n\u003cp\u003e“Pray for Peace” features driving, downstrummed Wipers-indebted rhythm guitars that show a more straight-forward side of Snag, before giving way to unrelenting blast beats and an eventual piano coda. The use of piano continues on “Paris, WI”, a haunting ballad that nods to Thee Silver Mount Zion and Pygmy Lush.\u003c\/p\u003e\n\u003cp\u003eAll the Cages marks the band’s first time working with Deathwish Inc, the stalwart label known for championing some of modern aggressive music's best and most forward-thinking acts. For Snag , who previously worked with smaller DIY labels like Middle Man and Zegema Beach, working with Deathwish was an opportunity to continue the tradition on a larger scale.\u003c\/p\u003e\n\u003cp\u003e“Deathwish has been responsible for some of our absolute favorite releases,” said Szymborski. “We had been working with them on distribution here and there since around 2021, and the pieces finally came together for a proper release this year.”\u003c\/p\u003e\n\u003cp\u003eUltimately, now a decade into their existence, Snag continues to be one of the most unique voices in modern DIY hardcore. The members’ commitment to the band can be seen as largely personal; they need the music as much as it needs them. Beyond that, it’s quite simple: they have yet to grow bored with the thing that captured their attention and imaginations as kids.\u003c\/p\u003e\n\u003cp\u003e“When we started the band we were in some of the most depressive periods of our lives, and it offered an outlet, camaraderie, and hope,” says Wysocki. “It hasn’t stopped since.”\u003c\/p\u003e\n\u003cp\u003eSnag’s third LP, All The Cages Holding Us Will One Day Turn To Dust is set for release on July 10 via Deathwish Inc. Lead single “Debilitated” is currently available on all major streaming platforms.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. Unarrest Me\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Debilitated\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Pray for Peace\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. Sunburn\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Juneberry\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. Whisper\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Shelf Life\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Paris, WI\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. Foam Cup, Pt. 3\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. Cages\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e11. Cages (Reprise)\u003c\/span\u003e\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Compact Disc","offer_id":57804660605192,"sku":"DW273cd","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/snag-AllTheCagesHoldingUsWillOneDayTurnToDust-Cover.jpg?v=1778537860"},{"product_id":"snag-all-the-cages-holding-us-will-one-day-turn-to-dust-lp","title":"Snag \"All The Cages Holding Us Will One Day Turn To Dust\" LP","description":"\u003cp\u003eWhether you choose to label it screamo, emo-violence or skramz, one thing we can agree on is that many bands live by the mantra of “here today, gone today”. Whether intentional or simply burning brightly before running out ideas, it's somewhat uncommon for acts to make it past the three year mark. Since their formation in 2016, Milwaukee trio Snag have quietly carved out their own unique space in the DIY underground, quickly becoming a favorite of listeners hungry for emotional hardcore that delivered more than just aimless chaos. On All The Cages Holding Us Will One Day Turn To Dust, the band's third LP and first for Deathwish Inc, Snag continue to develop their brand of heavy emo, expanding melodically and texturally without losing their edge. “Musically, the album is punishing at moments; fast and heavy but also soft and beautiful” says guitarist and vocalist Samm Szymborski. “We wanted to write something that spans all things musically that we are interested in. We wanted to write an album that goes straight to the point and represents Snag as a whole.”\u003c\/p\u003e\n\u003cp\u003eWorking with engineer Nick Elert, the album was tracked live over the course of three days in July 2025, adding vocals a month later after experiencing an unexpected power outage at the studio. Compared to the band's prior output, All the Cages is a little more spacious in its production, with Elert introducing a touch of ambiance into the Snag sonic world that’s a welcome addition. The frantic start and stop tempos, the panic-stricken screams and melancholic chord progressions are all still there, but the album displays plenty of growth as well. Throughout its 11 tracks, Snag exhibit the expansion of their sound in both directions-at times more melodic and others more aggressive than their previous releases.\u003c\/p\u003e\n\u003cp\u003eSnag’s lyrical approach has often been more universal, focusing on broader themes like climate anxiety and apocalyptic dread. Many of the lyrics on All the Cages show the band looking inward, drawing on the band members’ personal experiences with chronic illness and mental health obstacles. “After going through some mental health struggles this past year, and being in a relationship with someone who is chronically ill, being part of writing this album has helped me through some of those struggles,” says drummer and vocalist Bryan Wysocki. “The album is an odyssey through all the cages one may be trapped in whether it be physically, mentally, as a product of society or as a product of our own being.” The theme of cages weaves its way throughout the lyrics of the album; on “Unarrest Me”, it’s the physical cage of a jail cell, on “Debilitated”, it’s the cage of one's own body, on “Shelf Life”, it’s the cage of materialism.\u003c\/p\u003e\n\u003cp\u003eFrom the beginning, acting on the message has always been a part of Snag’s agenda, with the lyrics serving as a suggestion for active involvement. Along with the imperative lyric sheet, their self-titled debut LP also came with a book of matches and an envelope of seeds, encouraging the listener to help grow new habitats for pollinators. For All The Cages, the band once again chose to use the LP format as a means for action, working with the Florida-based organization Wire of Hope to include individually labeled envelopes to inmates as an invitation for listeners to have a prison pen pal.\u003c\/p\u003e\n\u003cp\u003e“The logic that says a corporation can destroy the planet to extract profit from it systematically is the same basic logic that says humans can be systematically caged for profit,” says bassist and vocalist Peter Murphy. “It’s probably safe to say every person who hears this album is a lot closer to being incarcerated than to being one of the billionaires that seek ever more control. We thought we could make that connection much more explicit with a homework assignment in the record insert. And hopefully foster friendship and connection as well.”\u003c\/p\u003e\n\u003cp\u003eThe intentionality of the band's lyrical approach extends to the music, as well. Snag has always been far more than a mere throwback, consciously bringing something new to a subgenre that often does little to move beyond the influence of its forebearers. All The Cages sees the band continue on this path, recalling the sounds of progressive and dynamic acts like Majority Rule, Welcome the Plague Year, and Kidcrash. “We made a decision a long time ago to simply make the music that we like and to not try to fit into genre conventions” says Murphy. “That decision gave us permission to try different instrumentation and stylistic approaches to songs, which resulted in a few unusual moments on this album.”\u003c\/p\u003e\n\u003cp\u003eOne of those moments is the track “Juneberry”, a somber Americana-tinged track that features splashes of pedal steel, horns and layered harmonies. For Snag, “Juneberry” could have easily been a sore thumb, but they succeeded in seamlessly incorporating newer elements into their sound without sounding forced. “Whisper” subtly recalls acts like Sigur Ros with its chord progression, trading the menacing riffage for something more melodic and sentimental.\u003c\/p\u003e\n\u003cp\u003e“Pray for Peace” features driving, downstrummed Wipers-indebted rhythm guitars that show a more straight-forward side of Snag, before giving way to unrelenting blast beats and an eventual piano coda. The use of piano continues on “Paris, WI”, a haunting ballad that nods to Thee Silver Mount Zion and Pygmy Lush.\u003c\/p\u003e\n\u003cp\u003eAll the Cages marks the band’s first time working with Deathwish Inc, the stalwart label known for championing some of modern aggressive music's best and most forward-thinking acts. 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