{"title":"GZ","description":"","products":[{"product_id":"birds-in-row-you-me-the-violence-lp","title":"Birds In Row \"You, Me, \u0026 The Violence\" LP","description":"\u003cp\u003e\"You, Me, \u0026amp; The Violence\" is the latest masterpiece from BIRDS IN ROW. The album explodes out of the gates with \"Pilori\", a sonic crash and bang statement of personal independence among with society's faults and fractures. BIRDS IN ROW then continue down this road, expressing disdain and struggle in songs like \"Cages\", \"Guillotine\", and \"Walter Freeman\". All of them musically harboring a beautiful tangle of emotional vocals and distortion. And just when it feels like the album is almost too overpowering, BIRDS IN ROW unfurl a moment of musical clarity in \"Last Last Chance\", a haunting guitar and vocal break. Their collective control of their dynamics is masterful work. \"You, Me, \u0026amp; The Violence\" and \"Grey Hair\" are near perfect examples of this, naturally shifting between searing and serene in tone. If you weren't in awe of BIRDS IN ROW in the first eleven songs, the twelve minute closer \"Lovers Have Their Say\" will leave you floored, as it is an ominous epic that artistically unwinds in truly spectacular fashion.\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTrack \u003cmeta charset=\"utf-8\"\u003eListing : \u003c\/strong\u003e\u003cbr\u003e01. Pilori \u003cbr\u003e02. There Is Only One Chair In This Room \u003cbr\u003e03. Cages \u003cbr\u003e04. Guillotine \u003cbr\u003e05. Walter Freeman \u003cbr\u003e06. Last Last Chance \u003cbr\u003e07. You, Me, \u0026amp; The Violence \u003cbr\u003e08. Grey Hair \u003cbr\u003e09. Cold War Everyday \u003cbr\u003e10. The Illusionist \u003cbr\u003e11. Police \u0026amp; Thieves \u003cbr\u003e12. 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Blurring the lines between hardcore, punk, and related sub-genres, Birds In Row offer something of substantial weight to their listeners. Collectively carrying somber hearts and poignant souls, they navigate through melancholic seas to shape beautifully hook-laden songs unlike anything else out there today.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“We Already Lost the World” is their latest, a stunning nine song album that blends post punk and angular rock influences into something emotional and electric. Recorded and mixed by Amaury Sauve at The Apiary, and mastered by Thibault Chaumont at Deviant Lab.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack \u003cmeta charset=\"utf-8\"\u003eListing :\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e01. We Count So We Don't Have To Listen\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Love Is Political\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. 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It is OATHBREAKER's story of love and the anti-love (life and death), and the growth they have experienced through these trials.\u003cbr\u003e\u003c\/p\u003e\n \u003cp\u003eIn opener \"Beeltenis\" (Dutch for \"Portrait\") layers of melodious guitar cry out to one another through the blackness. Acting as a ghostlike warning before OATHBREAKER whips calm to chaos. \"No Rest for the Weary\" then abruptly crashes forward with breakneck speed and from there the floodgates of \"Eros|Anteros\" are open. As vocalist Caro Tanghe lets out the hair raising screams of \"I'll never know what it means - this deadly calm inside\", it's clear that this album is more potent and personal than most heavy music; this is a collective soul searching for the band. This is most apparent in brother and sister songs \"As I Look Into the Abyss\" and \"The Abyss Looks Into Me\". A stunning pairing that shows OATHBREAKER racing through razor sharp metallic riffing before erupting into a vicious emotional explosion. This quarrel continues throughout the \"Eros|Anteros\", finally coming to a head in the haunting closer \"Clair Obscur\". A brilliant eleven minute epic that carefully balances shoe-gaze leanings with their wounded post-metal heart.\u003c\/p\u003e\n \u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Beeltenis \u003cbr\u003e02. No Rest for the Weary \u003cbr\u003e03. Upheaval \u003cbr\u003e04. As I Look Into the Abyss \u003cbr\u003e05. The Abyss Looks Into Me \u003cbr\u003e06. Condor Tongue \u003cbr\u003e07. Offer Aan De Leegte \u003cbr\u003e08. Agartha \u003cbr\u003e09. Nomads \u003cbr\u003e10. 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A true story of their collective coming of age, \"Fever Hunting\" plays and reads as an open diary of their last five years. Exposing every frayed nerve and internal struggle that it's creators carried deep within their hearts. Impassioned, embattled, and forever resilient to the world outside.\u003c\/p\u003e\n \u003cp\u003eFrom the first strikes of the anthemic opener \"Old Fears, New Frontiers\" it's apparent that Modern Life Is War have not lost a step in absence, but have quickened pace on their own path. From there, the outpouring is overwhelming as eleven songs unfurl with equal and unmatched emotional weight. All of them bravely moving forward rather than resting on past laurels. Recorded by Kurt Ballou at God City Studios (Converge, etc) and Mastered by Brad Boatwright at Audiosiege Engineering (From Ashes Rise, etc).\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. Old Fears, New Frontiers \u003cbr\u003e02. Health, Weath, \u0026amp; Peace \u003cbr\u003e03. Chasing My Tail \u003cbr\u003e04. Media Cunt \u003cbr\u003e05. Blind Are Breeding \u003cbr\u003e06. Fever Hunting \u003cbr\u003e07. Dark Water \u003cbr\u003e08. Brothers In Arms Forever \u003cbr\u003e09. Currency \u003cbr\u003e10. Cracked Sidewalk Surfer \u003cbr\u003e11. Find a Way\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Compact Disc","offer_id":52679432438024,"sku":"D01.MLI.DTH.11922.CD","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/modern-life-is-war-fever-hunting-deathwish-inc.jpg?v=1761266294"},{"product_id":"fucked-up-year-of-the-hare-lp","title":"Fucked Up \"Year Of The Hare\" LP","description":"\u003cp\u003eFucked Up are one of the most prolific hardcore punk bands of our generation. Since their 2001 inception, they’ve challenged listeners with thoughtful artful chaos and a seemingly limitless drive for musical experimentation. Because of this, they’ve also become a record collectors worst nightmare; releasing over 80 recordings and collaborations on countless labels that include Arts \u0026amp; Crafts, Matador, Jade Tree, and more.\u003cbr\u003e\u003cbr\u003eFucked Up “Year of the Hare” is the latest installment of their Zodiac themed releases. Over a two year period, it was recorded and constructed at Electrical Audio, Key Club Studios, and Candle Studios. Title track “Year of the Hare” is a 21 minute epic that frantically mixes traditional instrumentation, piano\/synths, flutes and sax, experimental editing\/soundscapes, and guest vocals from great Isla Craig into one dizzying experience. While B-Side “California Cold” slowly builds and deconstructs over an 8 and a half minute stretch. Organically shifting from jangly melodic-punk anthem into a fuzzed out psychedelic jam session. Eclectically blending musical styles and voices in the most, well, Fucked Up way possible.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e \u003cbr\u003e01. Year of the Hare\u003cbr\u003e02. California Cold\n \u003c\/p\u003e\n ","brand":"Deathwish","offers":[{"title":"Black \/ Gold Galaxy","offer_id":52679432831240,"sku":"D01.FUY.DTH.36713.LPB","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/fucked-up-year-of-the-hare-deathwish-inc.jpg?v=1761266298"},{"product_id":"planes-mistaken-for-stars-mercy-cd","title":"Planes Mistaken For Stars \"Mercy\" CD","description":"\u003cp\u003ePLANES MISTAKEN FOR STARS formed in Peoria, Illinois in 1997, and relocated to Denver Colorado in 1999. From the outset, they were an artistic anomaly; carrying both a worn rust belt heart a warm midwestern soul. Collectively the band combined different kinds of musical rebellion; hardcore aggression, punk energy, and gritty rock n’ roll spirit into their own special noise. Ultimately laying the blueprint for today’s emotional punk rock resurgence.\u003c\/p\u003e\n \u003cp\u003eFrom 1999 to 2006, Planes Mistaken For Stars released music on labels Deep Elm, Dim Mak, No Idea Records and more, before signing to Abacus\/Century Media in 2006. After countless tours in those years with the likes of Converge, Against Me!, The Dillinger Escape Plan, Hot Water Music, the band flamed out and announced an amicable split in 2007. During that time members went on to play in Git Some, Bull Of Heaven, Hawks and Doves, and Wovenhand. In 2010, PLANES MISTAKEN FOR STARS reunited for The Fest in Gainesville, Florida. In 2012, the band also reunited for a successful East Coast Tour. Since then, they have been quietly and persistently working on new music, due to surface on Deathwish sometime in the future.\u003c\/p\u003e\n \u003cp\u003eDeathwish is now proud to announce the reissue of “Mercy” from PLANES MISTAKEN FOR STARS, their much-beloved and highly influential 2006 album. Along with newly revamped packaging, this definitive version has also been remastered from the original 1\/2” tapes by Brad Boatwright at Audiosiege (Sunn O))), Modern Life Is War), sonically making it more powerful and textural than ever before. Produced by Matt Bayles (Mastodon, Cursive) “Mercy” is a beautifully dark and melodious masterwork that is affecting in ways rarely experienced. Each of its eleven songs is a haunting yet hopeful personal tale, vulnerable but vicious in tone. Genre bending and ground breaking in their ability to intimately connect with listeners from all walks of life.\"\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. One Fucked Pony \u003cbr\u003e02. Crooked Mile \u003cbr\u003e03. Widow: A Love Song \u003cbr\u003e04. Keep Your Teeth \u003cbr\u003e05. To Spit A Sparrow \u003cbr\u003e06. Never Felt Prettier \u003cbr\u003e07. Killed By Killers Who Kill Each Other \u003cbr\u003e08. Little Death \u003cbr\u003e09. Church Date \u003cbr\u003e10. Mercy \u003cbr\u003e11. Penitence\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Compact Disc","offer_id":52679432962312,"sku":"D01.PMF.DTH.12103.CD","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/planes-mistaken-for-stars-mercy-deathwish-inc.jpg?v=1761266300"},{"product_id":"cult-leader-lightless-walk-lp","title":"Cult Leader \"Lightless Walk\" LP","description":"\u003cp\u003eCULT LEADER are a chaotically aggressive band from Salt Lake City, Utah. \"Lightless Walk\" was recorded and engineered by Kurt Ballou at God City Studios (Converge, High On Fire, etc). From the first menacing thumps of \"Great I Am\", CULT LEADER unleash grinding musical fury. \"The Sorrower\" gallops before crashing into a wall of heaviness as they vocally declare \"...nothing will get better\". The pessimistic spiral continues in \"Sympathetic\" and \"Suffer Louder\", two tangles of cacophony that give birth to crushers of ending riffs. \"Broken Blades\" then emerges as a near constant barrage, showcasing the technical prowess thriving underneath CULT LEADER’s layers of grime. While \"A Good Life\" ushers in new dynamics, clawing through melodious dirt before taking flight again. \"Walking Wastelands\", \"Gutter Gods\", and \"Hate Offering\" are all metallic monsters in their own right, lurching towards the epically haunting pairing of \"How Deep It Runs\" and \"Lightless Walk\". Two songs that show CULT LEADER at their most depressive and powerful as they recede into introspective darkness.\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. Great I Am \u003cbr\u003e02. The Sorrower \u003cbr\u003e03. Sympathetic \u003cbr\u003e04. Suffer Louder \u003cbr\u003e05. Broken Blades \u003cbr\u003e06. A Good Life \u003cbr\u003e07. Walking Wastelands \u003cbr\u003e08. Gutter Gods \u003cbr\u003e09. Hate Offering \u003cbr\u003e10. How Deep It Runs \u003cbr\u003e11. 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Drenched in expressive guitar work, it tells the tale of life’s light overcoming death’s darkness. The race continues with “O-Dear” and “Weary”. Two musically infectious songs that are lyrically entangled in the complexity of love. “Worried” then wanders into view as a beautifully melodic piece, slowing to an introspective shuffle before the chaotic “Snakes” picks up the pace again. All of this leads to emotional closer “Marathon”. A song that serves as BIRDS IN ROW’s declaration of war on the world of ethical and emotional compromise.\"\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. Intro \u003cbr\u003e02. Torches \u003cbr\u003e03. O’Dear \u003cbr\u003e04. Weary \u003cbr\u003e05. Worried \u003cbr\u003e06. Snakes \u003cbr\u003e07. 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Opener “The Reverie” transports the listener to new dimensions through hypnotic repetition and layered instrumentation before taking a turn into stoner doom territory with “Heliopause”. Emotional instrumental ”Relancer” builds to a sonic crescendo while leading to the awesome “Kobe”. A song that shifts a multitude of gears before setting into one of the more chaotic hooks the band has ever produced. “Atom Smasher” then carries some of the heaviest moments of the album before beautifully disintegrating into the touching track “Nadir”. Lastly, BOSSK unveil “The Reverie II”, a brilliant ten minute reprise that shows the band at the peak of their creative powers. Solidifying “Audio Noir” as the best kind of masterpiece; a sea change that the music world never saw coming.\u003c\/p\u003e\n \u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. The Reverie \u003cbr\u003e02. Heliopause \u003cbr\u003e03. Relancer \u003cbr\u003e04. 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Never quite content with the original mix, “You Fail Me” Redux was remixed by guitarist Kurt Ballou at his God City studios. The release was also remastered by Alan Douches (Motorhead, Mastodon), and repackaged by vocalist\/artist Jacob Bannon.\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. First Light \u003cbr\u003e02. Last Light \u003cbr\u003e03. Black Cloud \u003cbr\u003e04. Drop Out \u003cbr\u003e05. Hope Street \u003cbr\u003e06. Heartless \u003cbr\u003e07. You Fail Me \u003cbr\u003e08. In Her Shadow \u003cbr\u003e09. Eagles Become Vultures \u003cbr\u003e10. Wolves At My Door \u003cbr\u003e11. Death King \u003cbr\u003e12. In Her Blood \u003cbr\u003e13. 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Ultimately laying the blueprint for today’s emotional punk rock resurgence. \u003cbr\u003e\u003cbr\u003e\"Prey\" is the long awaited new album from PLANES MISTAKEN FOR STARS. Produced and engineered by Sanford Parker (Wovenhand, Leviathan, Yob), \"Prey\" is a beautifully haunting return to form. In need of isolation to finish writing the album, founder Gared O’Donnell took to the road alone. Instead of finding a predictable muse, he found himself driving deep into the crumbling heart of middle America. There, Gared took up residence in decrepit motels, finding inspiration in the descending darkness surrounding him. \u003cbr\u003e\u003cbr\u003eChaotic opener \"Dementia Americana\" serves as a rude awakening with the lyrical crescendo of \"Wake Up!\" being shouted over and over again. It's as if the creators are fighting to emerge from the eternal tumble of a nightmare. From there, the next five songs are seemingly instant PLANES MISTAKEN FOR STARS classics; \"Til' It Clicks\", \"Riot Season\", \"F*cking Tenderness\", \"She Who Steps\", and \"Clean Up Mean\". All of them are multi-layered, melodic, and infectious in a way that only they can be. These lead to the touching \"Black Rabbit\"; a stark acoustic number that shows Gared at his most vulnerable. \"Pan In Flames\" and \"Enemy Blinds\" then creep into view. Two powerful songs explore almost apocalyptic musical territory. These usher in the jaw dropping closer \"Alabaster Cello\" which ends with the lyrical mantra of \"Now We Wake...\". Signaling that the figurative slumber is over for this off kilter and brilliant cult status band.\"\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. Dementia Americana \u003cbr\u003e02. Til' It Clicks \u003cbr\u003e03. Riot Season \u003cbr\u003e04. Fucking Tenderness \u003cbr\u003e05. She Who Steps \u003cbr\u003e06. 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Carrying an emotional vulnerability and honesty that few bands own in today’s music world.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Only Friend\u003cbr\u003e02. Fed Up\u003cbr\u003e03. Slow Drown\u003cbr\u003e04. Hey Mercy\u003cbr\u003e05. Subtle Thrill\u003cbr\u003e06. Ghost\u003cbr\u003e07. Dis s o c i a t i o n\u003cbr\u003e08. Can’t Relate\u003cbr\u003e09. Stray\/Burnt Sugar\u003cbr\u003e10. Wilt (I Won’t)\u003cbr\u003e11. Raw Blood\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Cloudy Bone \u0026 Clear","offer_id":52679433584904,"sku":"D01.GAB.DTH.34999.LPC","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Raw Blood","offer_id":52679433617672,"sku":"D01.GAB.DTH.45021.LPR","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Black","offer_id":52679433650440,"sku":"D01.GAB.DTH.13475.LPB","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Beer with Oxblood Splatter","offer_id":53124776231176,"sku":"D01.GAB.DTH.34999.LPC","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/GougeAwayLP_front_3000x3000_jpg.jpg?v=1761266308"},{"product_id":"cult-leader-a-patient-man-lp","title":"Cult Leader \"A Patient Man\" LP","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eCult Leader is a chaotic band from Salt Lake City, Utah. “A Patient Man” was recorded and engineered by Kurt Ballou at God City Studios (Converge, Nails, High On Fire). From the first hits of opener “I Am Healed” Cult Leader take listeners on a sonic rollercoaster ride. Much of the album follows this blueprint. Songs like “Curse of Satisfaction”, “Craft of Mourning”, and “Share My Pain” are driven by a weave work of unorthodox metallic riffing and fueled by hyper-aggressive percussion. While the tech- nical proficiency is impressive, it’s in their use of dynamics where they truly shine. The album contains four beautifully brooding epics; “To: Achlys”, “A World of Joy”, title track “A Patient Man”, and “The Broken Right Hand of God”. Each one of them carries a maturation and sense of melody that few “extreme” bands have within their arsenal. Proving that aggressive music still has much to offer the world in terms of originality, creativity, and emotion\u003c\/span\u003e.\u003c\/p\u003e\n \u003cp\u003e\u003cspan style=\"color: #454545;\" color=\"#454545\"\u003e\u003cspan style=\"color: #454545;\" color=\"#454545\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #454545;\" color=\"#454545\"\u003e\u003cspan style=\"color: #454545;\" color=\"#454545\"\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: #454545;\" color=\"#454545\"\u003e\u003cspan\u003e. I Am Healed\u003cbr\u003e02. Curse of Satisfaction\u003cbr\u003e03. Isolation in the Land of Milk and Honey\u003cbr\u003e04. To: Achlys\u003cbr\u003e05. A World Of Joy\u003cbr\u003e06. Craft of Mourning\u003cbr\u003e07. Share My Pain\u003cbr\u003e08. Aurum Reclusa\u003cbr\u003e09. A Patient Man\u003cbr\u003e10. The Broken Right Hand of God\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Red","offer_id":52679433748744,"sku":"D01.CLA.DTH.13569.LPB","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Black","offer_id":53058022375688,"sku":"D01.CLA.DTH.13569.LP","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/miniclapatientman3000px.jpg?v=1761266309"},{"product_id":"frail-body-a-brief-memoriam-lp","title":"Frail Body \"A Brief Memoriam\" LP","description":"\u003cp\u003e\u003cspan\u003eFrail Body is a hardcore\/punk band from Rockford, IL that embodies the spirit and soul of what many define as \"screamo\". \"A Brief Memoriam\" combines a new four-song recording session with their sought after \"At Peace\" session into one proper album. Both sessions were recorded by engineer Zack Farrar at Choir Room Audio.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA-side opener \"Pastel\" erupts with unhinged emotion driven by discordant guitars and hyper-speed drumming. This leads to the powerful \"Your Death Makes Me Wish Heaven Was Real\" a moving song of mourning and remembrance. \"Aperture\" then explores concepts of identity and growth amid a tangle of beautiful musical debris. Lastly, the poignant \"Tradition in Verses\" unfurls with a ground shaking emotion that is hard to capture in words. The B-side of \"A Brief Memoriam\" is comprised of their incredible \"At Peace\" session; a recording that shows Frail Body even in their earliest state was a heartfelt, creative force.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01. Pastel\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. 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The album was well received, with Pitchfork giving it a \"7.7\" rating and stating \"...This is a remarkably tuneful, forthright pop-rock band that just so happens to play six-minute songs at bradycardic tempos\".\u003cbr\u003e\u003cbr\u003e\"New Hell\" is the latest album from Greet Death. It was recorded by Nick Diener (The Swellers) at Oneder Studios. Additional recording was done by Jake Morse. It was all mastered by Jay Maas at Getaway Recording, and artwork for the release was created by illustrator Liam Rush. \u003cbr\u003e\u003cbr\u003eThe album as a whole is a creative intermingling of lush melodic atmosphere with melancholic lyrical content. Within that haze their personal subject matter is cleverly cloaked amid beautiful vocal deliveries and dreamy guitar work. This is the case in songs \"Circles of Hell\", \"Do You Feel Nothing\", \"Let It Die\", and \"You're Gonna Hate What You've Done\". This not-so-subtle vitriol continues to spread through self reflection in unforgettable songs like \"Entertainment\", \"Strange Days\", as well as the tone-soaked \"Strain\". While \"Crush\" plays as a complex outpouring disguised as a hook-laden pop number. All of this leads to \"New Hell\", a nearly ten minute epic of towering proportions. Lovingly constructed before ominously swaying in the wind and collapsing under its own emotional weight.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr\u003e01. Circles Of Hell\u003cbr\u003e02. Do You Feel Nothing?\u003cbr\u003e03. Let It Die\u003cbr\u003e04. You're Gonna Hate What You've Done\u003cbr\u003e05. Entertainment\u003cbr\u003e06. Strange Days\u003cbr\u003e07. Strain\u003cbr\u003e08. Crush\u003cbr\u003e09. New Hell\u003c\/p\u003e\n","brand":"Deathwish","offers":[{"title":"Gold","offer_id":52679434305800,"sku":"D01.GDN.DTH.14779.LPL","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/minigreetdeathnewhell1.png?v=1761266320"},{"product_id":"blood-from-the-soul-dsm-5-lp","title":"Blood From The Soul \"DSM-5\" LP","description":"\u003cdiv\u003eBlood From the Soul is the vision of legendary musician Shane Embury, longtime member of extreme pioneers Napalm Death. In the early 90's Embury partnered with Lou Koller (Sick Of It All) to create the Blood From The Soul debut \"To Spite the Hand That Breeds\" (Earache, 1993). The album was an experimental fusion of industrial, metal, hardcore, and punk. And along with Godflesh, Pitch Shifter, Meathook Seed, and Scorn, they helped spawn a new wave of industrial-metal. \u003cbr\u003e\u003cbr\u003eFast forward to 2020 and Blood From the Soul has awakened from hyper-sleep. Joining Embury on this new creative journey are now Dirk Verbeuren (Megadeth, Soilwork, Aborted, Tronos), Jacob Bannon (Converge, Wear Your Wounds, Umbra Vitae), and Jesper Liveröd (Nasum, Burst). \u003cbr\u003e\u003cbr\u003e\"DSM-5\" is a twelve song conceptual album from Blood From the Soul. Lyrically the album is written from the perspectives of human beings as well as sentient machines. Metaphorically it explores the relationship between consciousness and physical\/psychological deterioration amid a multitude of stresses. Reading as both dystopian science fiction as well as poignant editorial on the turbulent present and our uncertain future. \u003cbr\u003e\u003cbr\u003eVerbeuren's razor-sharp percussion propels the musical vessel as Embury and Liveröd's walls of strings and ambience infectiously build with imposing power. Vocally the material is vicious as they come with Bannon at the helm. Engineer Russ Russell (Napalm Death, At The Gates, The Haunted) also created soundscapes for the epic slo-burn closer \"DSM-5\", while John Cooke and Tom Dring (Venomous Concept, Corrupt Moral Altar) contributed additional ominous noise to this final transmission. \u003cbr\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n \u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Fang Tooth Claw \u003cbr\u003e02. Ascend the Spine \u003cbr\u003e03. Calcified Youth \u003cbr\u003e04. Debris of Dreams \u003cbr\u003e05. Dismantle the Titan \u003cbr\u003e06. Encephalon Escape \u003cbr\u003e07. Subtle Fragment \u003cbr\u003e08. Terminal Youth \u003cbr\u003e09. Sharpened Heart \u003cbr\u003e10. Self Deletion \u003cbr\u003e11. Lurch of Loss \u003cbr\u003e12. DSM-5 \u003c\/div\u003e","brand":"Deathwish","offers":[{"title":"Hot Pink \/ Ultra Clear Half \u0026 Half","offer_id":52679435256072,"sku":"D01.BFT.DTH.16010.LPH","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Electric Blue","offer_id":52679435288840,"sku":"D01.BFT.DTH.21853.LPL","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/mini.bfts.dsm-5.3000px.jpg?v=1761266317"},{"product_id":"converge-no-heroes-lp","title":"Converge \"No Heroes\" LP","description":"\u003cp\u003eEngineered by Kurt Ballou at the band's longtime studio\/practice spot Godcity, \"No Heroes\" shows the band exploring new sonic textures while still retaining the palpable energy they've become known for. While the album blazes out of the gate with the aptly titled \"Heartache,\" songs like \"Orphaned\" and the intense \"Plagues\" prove that breakneck speed and heaviness aren't necessarily interrelated, and when CONVERGE lower the tempo, they're able to effortlessly transcend traditional notions of \"heaviness.\" Devotees of Jane Doe will also be blown away by epic tracks like the nine-minute \"Grim Heart\/Black Rose,\" a doom masterpiece which features guest vocals from Only Living Witness' Jonah Jenkins. From Bannon's captivating artwork and introspective lyrics to Ballou's masterful production techniques, CONVERGE's artistic vision has always separated the band from their peers, and \"No Heroes\" is no exception. Simply a great album. \u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. Heartache \u003cbr\u003e02. Hellbound \u003cbr\u003e03. Sacrifice \u003cbr\u003e04. Vengeance \u003cbr\u003e05. Weight Of The World \u003cbr\u003e06. No Heroes \u003cbr\u003e07. Plagues \u003cbr\u003e08. Grime Heart \/ Black Rose \u003cbr\u003e09. Orphaned \u003cbr\u003e10. Lonewolves \u003cbr\u003e11. Versus \u003cbr\u003e12. Trophy Scars \u003cbr\u003e13. Bare My Teeth \u003cbr\u003e14. To The Lions\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Transparent Red \/ Beer Galaxy (DW Exclusive)","offer_id":52679435583752,"sku":"D01.CNH.DTH.30770.LPT","price":28.0,"currency_code":"EUR","in_stock":false},{"title":"Cloudy Clear \/ Black Galaxy","offer_id":52679435616520,"sku":"D01.CNH.DTH.30771.LPC","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/mini.dw57.1.high_800x_6b76abf6-388c-4020-8da5-922198394958.jpg?v=1761266319"},{"product_id":"chastity-suffer-summer-lp","title":"Chastity \"Suffer Summer\" LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrandon Williams makes resonant songs that capture isolation and resilience. As the songwriter behind Chastity, the Whitby, Ontario musician has made three unrelentingly perceptive albums culminating in the cathartic Suffer Summer, which is out January 13, 2022 via Deathwish and Dine Alone Records. The LP caps off an album trilogy that showcases both Williams’ emotional range as a lyricist but also his boundless love of outsider music. His 2018 debut Death Lust pulled from Unwound and The Smashing Pumpkins as he grappled with mortality while 2019’s Home Made Satan dealt in world-weary anxiety and Hum-like atmospherics. But Suffer Summer is a meditation on happiness, channeled through powerhouse riffs and undeniably potent choruses, sung with Mineral and Jimmy Eat World worn on his sleeve. It’s an album that shows how healing and staying content is hard but necessary work. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWilliams mostly wrote Suffer Summer throughout 2019 while he and his band joined acts like Fucked Up, DIIV, and Alexisonfire on tour. It was a fruitful and exciting period for Williams, who whittled down 24 new tracks to 10, taking several new creative leaps while penning these songs. Take “Happy Face,” the first song Williams wrote for Suffer Summer and his most autobiographical offering to date. Written as a tribute to his longtime friend who died of an overdose, Williams sings, “You and I were alive at the same time \/ I’m lucky for it \/ You showed me the Misfits and we sang Out 'Last Caress’ \/ I’m lucky for it.” It’s raw and gutwrenching in a way that Williams has never allowed himself to be but writing about grief proved to be cathartic for him. “Until now I’ve always tried to keep a safe arm's length away from the real-life content of my songs but on that song, I couldn't,” said Williams. “It was just a needed tribute to him.” \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor any artist, taking risks, trusting your intuition, and relinquishing control is a delicate balance but for these songs, Williams knew he needed to step out of his comfort zone by making his writing more collaborative. He enlisted one of Chastity’s earliest and most vocal supporters PUP frontman Stefan Babcock to co-write opener single “Real World” and LP highlight “When You Go Home I Withdrawal.” Both songs find Williams stretching his voice for surging choruses that are anthemic and immediate. “It was so great to work with Stefan: just his attention to detail, song structure, and everything,” said Williams. “He’s a legend and has pumped my tires so much in an actual practical way that has given me courage throughout Chastity.” \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBabcock isn’t the only surprise collaborator on this LP. Alexisonfire and City and Colour’s Dallas Green appears as a guest vocalist on “Vicious Circle,” the emotional centerpiece of Suffer Summer. The song, which Williams co-wrote with his partner Ellis’ Linnea Siggelkow, boasts some of his best writing (“Borrowing an old feeling to cover the pain \/ Can’t keep memories of only the good things,”) and when Green joins to sing the second verse, it makes for the most transcendent moment on the LP. “After we put strings on this song it was just too damn beautiful for my voice,” said Williams. “Dallas’ voice reached right into that beauty. Recording this was the single most surreal and sentimental moment of the project for me I think, with how formative Alexis was for me.” Green also collaborated on the shimmering single “Somersault” in an unexpected way. “He sent me a voice memo called ‘Pumpkins?’ and offered it as a Chastity riff,” said Williams. “It was sludgy but we sped that up into this up-tempo, brighter verse riff that'd become this song: it went from ‘Bullet With Butterfly Wings’ to ‘Today.’” \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSuffer Summer was recorded throughout 2020 in fits and starts, with Williams returning to the studio to hone the LP. One song that came together during this time was the single “Pummeling,” another exercise in Williams expanding his creative palate. “‘Pummeling’ was a place I was afraid to go,” said Williams. “I’ve been so focused on my music being challenging, technical, and correct. But on this, I wanted to allow myself to go simple, out of my comfort zone.” The result is undeniably accessible but look below the surface of the welcoming hooks and you’ll find some impossibly dark lyrics. “Same thing every day \/ I run from feeling fucked til it’s jumping me,” sings Williams. This juxtaposition is where Chastity thrives. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eChastity started as a way for Williams to find community in his suffocating and isolating suburban life, his songs serving as an outstretched hand for the like-minded people on the fringes. The long-lead single “Dying to Live,” encapsulates this ethos when Williams sings, “Another sick person just trying to get well \/ You, me, everyone I know.” Like all of his music, this song comes from his hometown, in these places graffitied with memories for him: pain, loss, grief, but ultimately acceptance. “We've all been sick this last year and a half: Everyone I know is feeling fucked,” said Williams. “We survive through each other, through being close with each other and finding community and a sense of purpose in our friendships.” Suffer Summer is both a validation and comfort that while the world might be irrevocably fucked, you’re not alone. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack Listing :\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e01. Real World \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02. Pummeling \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03. Dying To Live \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04. When You Go Home I Withdrawal \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05. The Barbed Wire Fence Around Happiness \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e06. Somersault \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e07. Happy Face \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08. Overstimulate \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e09. Vicious Circle \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. Smiling\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Deathwish","offers":[{"title":"Orange \/ Black Mix (DW Exclusive)","offer_id":52679435649288,"sku":"D01.CSS.DTH.23294.LPR","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Yellow","offer_id":52679435682056,"sku":"D01.CSS.DTH.23295.LPY","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/Chastity-SufferSummer-Cover.jpg?v=1761266322"},{"product_id":"greet-death-new-low-12ep","title":"Greet Death \"New Low\" 12\"EP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGreet Death is a four piece shoegaze band from Flint, Michigan.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"New Low\" is a new 5 song 12\"EP from Greet Death. The first four singles from this session were released digitally over a span of months in 2021 into 2022, leaving the title track exclusive to this final collection. With \"New Low\" Greet Death continue to explore the layered melancholic atmosphere they are known for while expanding into unconventional melodic territory.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack Listing :\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e01. New Low\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02. Panic Song\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03. Punishment Existence\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04. 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Well, the union of END \u0026amp; Cult Leader resulted in the 2022 split EP, Gather \u0026amp; Mourn [Closed Casket Activities \u0026amp; Deathwish Inc.]. \u003cbr\u003e\u003cbr\u003e\n \u003c\/div\u003e\n \u003cdiv\u003eThis four track-collection finds each of these each of luminaries firing at full blast with the kind of heavy music that simultaneously repulses as it enraptures, fusing grind, hardcore, and death metal with an ominous intensity befitting of a world on fire.\u003cbr\u003e\u003cbr\u003e\n \u003c\/div\u003e\n \u003cdiv\u003eThe project itself represents the strength of the underground community, marking an important joint release between arbiters of integrity Closed Casket Activities and Deathwish Inc. Converge guitarist and producer Kurt Ballou [Code Orange, High On Fire, KVELERTAK] notably mixed Cult Leader’s two tracks, while GRAMMY\u003cstrong\u003e®\u003c\/strong\u003e Award-nominated super producer and END guitarist Will Putney recorded, mixed, and mastered END in addition to mastering Cult Leader. Deathwish Inc. founder and Converge frontman Jacob Bannon also personally created the artwork and layout.\u003cbr\u003e\u003cbr\u003e\n \u003c\/div\u003e\n \u003cdiv\u003eBoth heads of this vicious sonic hydra have built an unshakable foundation, leaving fans and press in awe. Among widespread acclaim from Brooklyn Vegan, Invisible Oranges, and more, END’s 2020 full-length, Splinters from an Ever-Changing Face, earned a rare “5-out-of-5” star review from KERRANG! followed by “4-out-of-5” from Metal Hammer. \u003cbr\u003e\u003cbr\u003e\n \u003c\/div\u003e\n \u003cdiv\u003eHowever, END roar back with their first release since 2020 now. With an unimpeachable pedigree, the group consists of Will Putney (Graphic Nature Audio, Fit For An Autopsy) [guitar], Brendan Murphy (Counterparts) [vocals], Gregory Thomas (Ex-Misery Signales) [guitar], Jay Pepito (Reign Supreme, Ex-Blacklisted) [bass], and Billy Rymer [Drums] (ex-Dillinger Escape Plan). Drawing on the chemistry between these seasoned musicians, their first single from the split, “Eden Will Drown,” steamrolls forward at full speed fueled by bludgeoning rhythms, smart bomb-precise guitars, and a foreboding roar.\u003cbr\u003e\u003cbr\u003e\n \u003c\/div\u003e\n \u003cdiv\u003eMeanwhile, Cult Leader continues to fixate listeners with a different breed of darkness. Gather \u0026amp; Mourn picks up where they left on 2018’s A Patient Man. The latter landed highly coveted year-end spots on Consequence’s top 25 Metal and Hard Rock Albums (#19), Revolver’s Best Albums (#11) and more; it also generated millions of streams, highlighted by “to:Achlys” and “I am Healed.” Cult Leader unleash their first new music in four years now with the single “Ataraxis.” Clocking in at just under two minutes, it hinges on guttural growls, pummeling percussion, and chaotic guitars, speaking to the band’s mastery of cataclysmic intensity.\u003cbr\u003e\u003cbr\u003e\n \u003c\/div\u003e\n \u003cdiv\u003eGather \u0026amp; Mourn heralds a next era of heavy music, translating the pulse of the underground into an unshakable sonic storm.\u003c\/div\u003e\n \u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003e01. Eden Will Drown (END)\u003cbr data-mce-fragment=\"1\"\u003e02. The Host Will Soon Decay (END)\u003cbr data-mce-fragment=\"1\"\u003e03. Ataraxis (Cult Leader)\u003cbr data-mce-fragment=\"1\"\u003e04. 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With a population of just over four thousand people, Eudora may be a peculiar place for a punk band to go, but nestled in its rural isolation is acclaimed engineer Ed Rose and his Black Lodge Studios (formerly Redhouse Recording Studio). There under Rose's attentive ears, Touche Amore poured their patchwork soul into their latest work, \"Parting the Sea Between Brightness and Me\".\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn \"Parting the Sea Between Brightness and Me\", Touche Amore's creative formula is driven by emotional affect, not contemporary studio effects. In the purest form possible, raw shouted vocals and clean manic guitars fight for volume over roomy bass and percussion. Creating a sound that is shockingly simple as it is emotionally engaging. The serene and fragile opening notes of \"Tilde\" serve as the album's introductory serenade before Touche Amore pound and jangle into the hook-laden song. And seconds later, when vocalist\/lyricist Jeremy Bolm screams \"...I'm parting the sea between brightness and me...\", a tone of desperation sets in that resonates throughout the duration of the album. His straight forward cries convincingly tell his own personal story. To some, this lyrical writing could read as a diary based purely in self deprecation, but his words cut and pull from a much deeper place in the heart. Serving as an open window into his constant soul searching amid life's constant trials and tribulations. Songs like \"Home Away From Here\" and \"Sesame\" are great examples of this, infectious in their sound and moving lyrical spirit. While \"Method Act\" and the emotional \"Condolences\" show the band experimenting with epic leanings while maintaining their beloved trademark character. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01. ~\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Pathfinder\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. The Great Repetition\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Art Official\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Uppers\/Downers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Crutch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Method Act\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. Faceghost\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. Sesame\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Wants\/Needs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Condolences\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12. 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All serving as an artistic reflection for their personal growth amid the complex world that surrounds us all.\u003cbr\u003e\u003cbr\u003e\"Last\" was recorded by engineer Jack Shirley at Atomic Garden Studios (Deafheaven, Gouge Away). It is comprised of eleven songs which took shape amid the turbulence the world has collectively faced over the last number of years. The emotional tension within each is palatable. At times, unfurling contemplatively with delicate melody while at others, exploding with sonic violence. All giving voice to the manic nature of the modern human experience.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e \u003cbr\u003e01. Sequitur\u003cbr\u003e02. NSAIDs\u003cbr\u003e03. Sunglight\u003cbr\u003e04. Dose\u003cbr\u003e05. Fire in Black \u0026amp; White\u003cbr\u003e06. One-Off (Part 2)\u003cbr\u003e07. Circular Saw\u003cbr\u003e08. Symbios\u003cbr\u003e09. Dreamlessnessless\u003cbr\u003e10. Glare\u003cbr\u003e11. 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The exciting first chapter of a band destined to be part of the modern indie-rock lexicon for years to come.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAs opener \"Tuff's Last Stand\" emerges, we are transported into Mad Honey's lush world of musical melancholy. This leads to the hazy and hook laden \"Heavier Still\", \"Fold\", and \"Larkspur\". Unforgettable songs that showcase a sophistication deep within Mad Honey's multi-layered approach. At the midpoint where many albums meander, \"Satellite Aphrodite\" continues to ascend. \"Eileen\", \"E.T.Y.N\", \"R U Feeling It\", and \"Psycho\" all shimmer and sway with punk heart and pop sensibility unlike anything else out there today. The acoustic heavy \"Kamakura\" then playfully brings us to \"Concentration\" and poignant title track. Two infectious songs that show Mad Honey discovering their own youthful creative magic in real time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e01. Tuff’s Last Stand\u003cbr\u003e02. Heavier Still\u003cbr\u003e03. Fold\u003cbr\u003e04. Larkspur\u003cbr\u003e05. Eileen\u003cbr\u003e06. E.T.Y.N\u003cbr\u003e07. r u feeling it?\u003cbr\u003e08. Psycho\u003cbr\u003e09. 鎌倉市 (Kamakura)\u003cbr\u003e10. Concentration\u003cbr\u003e11. Satellite Aphrodite\u003cbr\u003e\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Pink \/ Bone Mix (Deathwish Exclusive)","offer_id":52679436337416,"sku":"D01.MHS.DTH.29810.PRD","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Neon Violet","offer_id":52679436370184,"sku":"D01.MHS.DTH.29811.PPR","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Aqua Blue","offer_id":52679436402952,"sku":"D01.MHS.DTH.29824.LPQ","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/505851128-mad-honey-satellite-aphrodite-cover-1.jpg?v=1761266328"},{"product_id":"touche-amore-is-survived-by-2023-anniversary-remix-remaster-lp","title":"Touché Amoré \"Is Survived By: Revived\" (Remixed \/ Remastered) LP","description":"\u003cp\u003eIt's not hyperbole to state that Touché Amoré's third album Is Survived By is the band's most pivotal album. Released 10 years ago on September 24th, 2013 via Deathwish Inc., Is Survived By tackles the complicated nature of leaving a lasting legacy and the uncertainty that surrounds that; ultimately resulting in a record about learning to find the validation and love within one’s self. Produced by the legendary Brad Wood (Sunny Day Real Estate, Liz Phair, mewithoutYou), the recording sessions were a lesson in growth for the Los Angeles quintet - vocalist Jeremy Bolm, guitarists Nick Steinhardt and Clayton Stevens, bassist Tyler Kirby, and drummer Elliot Babin - as the band transformed from a group of individuals who play hardcore songs to the established headlining act that Touché Amoré is today.\u003c\/p\u003e\n \u003cp\u003eIs Survived By received critical acclaim from the likes of Pitchfork, The A.V. Club, The Needle Drop, and more - resulting in the album being 13th highest rated album of 2013 per Metacritic. It was also the band's first record to chart on the U.S. Billboard 200, peaking at 85. But most importantly, Is Survived By is beloved by fans new and old. \"When the reviews started to come out for it - for example, Pitchfork was really kind about it - I was shocked,\" explains Bolm. \"I really didn't know how well we did. And then when it suddenly had such a positive response, I can't explain how taken aback I was.\" \u003c\/p\u003e\n \u003cp\u003eFor the past decade it's been bittersweet as the band has felt less than satisfied with the record's sound - a result of the band's overthinking and underpreparedness. \u003c\/p\u003e\n \u003cp\u003eSo a 10 year anniversary felt like the perfect time to tap Wood and Emily Lazar (the same team behind Stage Four) to remix and remaster Is Survived By. \"I've always had a really hard time with the way this record sounds,\" explains Bolm. \"I've unfortunately been oversharing and vocal about that for a number of years, but when we went to Brad to remix it, the main direction that I gave him was to make this sound more like Stage Four, and I think he killed it. He found that middle ground to where everything now compliments each other and there’s far more clarity overall.\"\u003c\/p\u003e\n \u003cp\u003eNo longer does Is Survived By feel claustrophobic as if each layer of sound is fighting one another. Instead, Bolm's signature vocals flow in unison with Stevens and Steinhardt's creative, thoughtful guitar work, while the stellar rhythm section of Kirby and Babin provide a fervent punch to each song. Side A favorites like \"Just Exist\" and \"DNA\" hit with a new intensity, while the lusciousness within \"Harbor\" feels more defined. The Side B tracks may benefit the most - the Interpol influence shines throughout \"Kerosene\", and the slow burn build on \"Non Fiction\" is heard with more definition than ever before. There is a new found sense of brightness throughout the album's twelve tracks without losing any of the character from the original recordings. The lessons Bolm has learned over the years were also applied to the remaster. \"I do feel a lot better about it,\" he says. “Everything kicks and everything pumps on this remix and remaster and I feel like 'Wow.' I almost feel like I'm hearing these songs for the first time again.\"\u003c\/p\u003e\n \u003cp\u003eIt wouldn't be an official Touché Amoré project without elaborate and immersive packaging courtesy of guitarist Nick Steinhardt. The now iconic artwork of the band standing in the shadow of the Los Angeles skyline is vibrant as ever, with 5 expanded colorways featuring a different essay about the album from each band member + a new \"wildfire\" orange with liner notes containing references to that era. Essays from Balance and Composure's Jon Simmons, Drug Church and Self Defense Family's Patrick Kindlon, producer Brad Wood, and more. Touché Amoré always give the full 100% to the visual medium as it does to the music, and this 10th anniversary reissue is no different.\u003c\/p\u003e\n \u003cp\u003eIs Survived By is a cathartic record about wanting to be heard and understood and how you'll be remembered. A perfect snapshot of understanding your past and looking towards the future. It's why this record remains incredibly cherished by so many listeners, achieving that legacy it set out for a decade ago. “When I hear people say that this is their favorite record, it honestly makes me feel really, really good because it reminds me that my ears are different from the listeners,\" Bolm reveals. \"That's important to remember. So to have something that you have felt down about, be praised, I mean, you can't ask for anything better.” \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Just Exist\u003cbr\u003e02. To Write Content\u003cbr\u003e03. Praise \/ Love \u003cbr\u003e04. Anyone \/ Anything \u003cbr\u003e05. DNA \u003cbr\u003e06. Harbor \u003cbr\u003e07. Kerosene \u003cbr\u003e08. Blue Angels \u003cbr\u003e09. Social Caterpillar \u003cbr\u003e10. Non Fiction \u003cbr\u003e11. Steps \u003cbr\u003e12. 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Efforts in the above may have kept them musically sharp, but it was the pressures and stresses of our present day dystopia that awoke The Hope Conspiracy. Serving as the catalyst for some of the most vicious songs they have ever created in their legendary career. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\"Confusion\/Chaos\/Misery\" is a four song EP by The Hope Conspiracy, engineered by Kurt Ballou and Zach Weeks at God City Studios. Artwork for the release was created by acclaimed artist Alexander Heir (Death\/Traitors). \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eThe title track is a sonically violent return to form for The Hope Conspiracy. Lyrically reading as scorched-earth policy for the sociopolitical nightmare that entangles us all. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\"A Struggle For Power\" is a near perfect D-Beat ripper, super-charged with palatable lyrical vitriol. While \"Nail In The Coffin\" ominously rumbles before bulldozing forward with immense power. The closer is a cover of the deep-cut classic \"Dogfight\", penned by Swedish crust legends Anti Cimex. A fitting track to revisit amid these turbulent modern times. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eWhen all is said and done, this new chapter of The Hope Conspiracy comes into focus. Time passing has stripped away the unnecessary to reveal a hardcore band in their most primal form yet. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd this is just the beginning...\u003c\/div\u003e\n \u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n \u003cdiv data-mce-fragment=\"1\"\u003e\n \u003cstrong data-mce-fragment=\"1\"\u003eTrack Listing :\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e01. Confusion\/Chaos\/Misery\u003cbr data-mce-fragment=\"1\"\u003e02. A Struggle for Power\u003cbr data-mce-fragment=\"1\"\u003e03. Nail In the Coffin\u003cbr data-mce-fragment=\"1\"\u003e04. Dogfight\u003c\/div\u003e\n \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Transparent Purple","offer_id":52679436763400,"sku":"D01.THC.DTH.34671.PTR","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Swamp Green","offer_id":52679436796168,"sku":"D01.THC.DTH.34938.PSW","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/559185572-mini-hopecon-ccm.png?v=1761266332"},{"product_id":"gouge-away-deep-sage-lp","title":"Gouge Away \"Deep Sage\" LP","description":"\u003cdiv data-mce-fragment=\"1\"\u003eDeep Sage, Gouge Away’s third studio album, started coming together in 2019 during sound checks and in small pockets of downtime between tours. In early 2020, they demoed with Brok Mende in an unassuming storage unit in Orlando. They pulled influence not only from the nostalgia of the bands they grew up listening to but also developed the sense of urgency, noise, and introspective lyrics they felt most represented them. Those demos helped shape the songs into the finished record that Deep Sage would become.\u003c\/div\u003e\n \u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n \u003cdiv data-mce-fragment=\"1\"\u003eThen everything came to a halt in 2020 when a full year of plans were canceled in an instant. With the rug pulled out from under them, their backs against the wall, and no way to change the situation they were in, the members of Gouge Away had no choice but to go on a hiatus. They moved to different parts of the country and focused on their personal lives, accepting that those songs were never going to see the light of day. \u003c\/div\u003e\n \u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n \u003cdiv data-mce-fragment=\"1\"\u003eBut the songs lived as files waiting to be rediscovered and every once in a while, they’d get the urge to listen to them again. On New Year's Eve just before 2022, they decided to reconnect and finish writing the album with Portland, OR becoming their new writing location. While everyone was in town for a writing session, Militarie Gun had a show down the street at Mano Oculta and invited Gouge Away to play a couple of songs during their set as a surprise. It was the first show the band had played in three years and the live debut of “Maybe Blue”. Energized by the reaction, the band finished writing. They had an overabundance of material, slashing songs from the final tracklist left and right. They not only elaborated on the urgent and abrasive qualities they were known for but broadened their melodic traits too. \u003c\/div\u003e\n \u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n \u003cdiv data-mce-fragment=\"1\"\u003eDeep Sage was recorded with Jack Shirley at Atomic Garden East in March 2023 completely analog and almost entirely live. The band recorded together in a live room while Christina was in an isolation booth. Her vocals projected from a monitor so the band could hear her. The goal of recording live was to sound like five friends playing in a room together, just like where they started in Florida. Unpolished and far from being over-produced, this is what the heart of Gouge Away has always been. \u003c\/div\u003e\n \u003cdiv data-mce-fragment=\"1\"\u003e\n \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack Listing :\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e01. Stuck in a Dream\u003cbr data-mce-fragment=\"1\"\u003e02. Maybe Blue\u003cbr data-mce-fragment=\"1\"\u003e03. Idealized\u003cbr data-mce-fragment=\"1\"\u003e04. Deep Sage\u003cbr data-mce-fragment=\"1\"\u003e05. A Welcome Change\u003cbr data-mce-fragment=\"1\"\u003e06. Overwatering\u003cbr data-mce-fragment=\"1\"\u003e07. No Release\u003cbr data-mce-fragment=\"1\"\u003e08. The Sharpening\u003cbr data-mce-fragment=\"1\"\u003e09. Spaced Out\u003cbr data-mce-fragment=\"1\"\u003e10. Newtau\u003cbr data-mce-fragment=\"1\"\u003e11. Dallas\u003cbr data-mce-fragment=\"1\"\u003e\n \u003c\/div\u003e","brand":"Deathwish","offers":[{"title":"Cloudy Clear","offer_id":52679436828936,"sku":"D01.GAD.DTH.35002.LPC","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Beer \/ Purple Galaxy","offer_id":52679436861704,"sku":"D01.GAD.DTH.37291.LPB","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"180 Gram Black","offer_id":52679436894472,"sku":"D01.GAD.DTH.37292.LPG","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/572327645-gouge-away-deep-sage-cover.jpg?v=1761266332"},{"product_id":"frail-body-artificial-bouquet-lp","title":"Frail Body \"Artificial Bouquet\" LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrail Body is a three piece band from Rockford, IL.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Artificial Bouquet\" is an eleven song album by Frail Body. Produced, engineered, and recorded by Pete Grossmann at Bricktop Recording, and mastered by Jack Shirley at The Atomic Garden (Deafheaven, Joyce Manor, Loma Prieta).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOpening track \"Scaffolding\" explodes out of the gate with dizzying speed before descending into a wash of discordant melody. \"Berth\" and \"Critique Programme\" then inject pulse-pounding tempo shifts and unorthodox heavy riffing into the fray. \"Devotion\" plays as a stunning ebb and flow epic that shows method to their musical chaos. \"Monolith\" and \"Refrain\" then blur the lines between post-hardcore and melodic black metal in their frantic approach. These lead to \"No Resolution\" and \"Runaway\"; two slow build numbers that showcase the otherworldly dynamics Frail Body possess. \"Horizon Line\" follows this path as it builds to bone-shaking crescendo. Lastly \"Another Year Removed\" serves as an instrumental bridge to closer \"A Capsule In The Sediment\". A song that empties the emotional tank for all to bear witness. All of it so raw and beautifully out of control.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWithout question, \"Artificial Bouquet\" establishes Frail Body as leaders within the modern \"screamo\" movement. A shining example that the once dormant sub-genre continues to evolve and thrive for all the world to see.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack Listing :\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e01. Scaffolding\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02. Berth\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03. Critique Programme\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04. Devotion\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05. Monolith\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e06. Refrain\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e07. No Resolution\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08. Runaway\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e09. Horizon Line\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. Another Year Removed\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11. A Capsule In The Sediment\u003c\/span\u003e\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Transparent Orange Crush","offer_id":52679437058312,"sku":"D01.FBA.DTH.36101.LPT","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/579950625-frail-body-artificial-bouquet-cover.jpg?v=1761266333"},{"product_id":"bossk-4-2xlp","title":"Bossk \".4\" 2xLP","description":"\u003cp\u003e\u003cspan\u003eOne of the shining beacons of the UK post-metal scene, Bossk have steadily built up an unrepentantly loyal following since 2005. Before they reach the big 20, the band are taking this opportunity to take pause and reflect on their past and all the hard graft that has led them to become one of the most lauded bands in the genre. .4, the latest in a series of numbered releases that presents material outside the remit of Bossk’s full-length album output, is a celebration of those 20 years and provides an enticing aperitif for their 3rd album proper, to be released sometime in 2025.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAs is tradition with these numbered releases, .4 is not a Bossk album in the conventional sense, instead forging a more experimental path by presenting re-worked versions of some old favourites, as well as a smattering of re-recorded songs that only the most obsessed Bossk fan will be familiar with.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOne deciding factor that emboldened Bossk to celebrate their past is the amicable departure of vocalist Sam Marsh due to his permanent relocation to the United States. The band wanted to give Sam an epic recorded send-off and the colossal 13-minute Events Occur in Real Time provides a fitting farewell for the vocalist, who’s guttural razor-wire screams have provided tectonic shifting textures to the band since their inception in 2005. Acting as the centrepiece of .4, this is the first studio take of the song ever recorded, conceived as it was in 2008, just months before the band went on temporary hiatus. The only version available prior was recorded live and released on a limited edition split 12” with long gone fellow post-metal band Rinoa. .4 gives Bossk the opportunity to record the song in a new and reimagined way, replete with mariachi-style trumpet work courtesy of Adam Faires.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe band were keen to re-visit Truth, a song they identify as one of the most important in their early repertoire. Plans to record an acoustic version of the song were soon abandoned when the band were tagged in a vocal cover of the song on Instagram by Dubai-based composer Sheenagh Murray. Her rendition galvanised Bossk to re-write the song entirely from the ground up with her vocals in mind, which has resulted in the rendition heard on .4, imaginatively titled Truth II, which sounds almost unrecognisable from the original, showing the growth the band have made in the past 14 years.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn a move that displays the band’s love of collaboration, this collection presents four classic Bossk tracks re-worked by their contemporaries, giving a new lease of life to songs that have become staples of Bossk’s set. First up is Manchester-based post metal project Pijn’s take on fan favourite Kobe, an interpretation that initially suggests a more sedate take on the song that gradually swells into a symphony of swirling strings and percussion that accelerando to an almighty climax. Japanese experimentalists in heavy music Endon previously collaborated for the second full-length album Migration released in 2021. White Stork, the song that opened that album, is presented here with the Bossk elements stripped back entirely, so it’s now possible for the listener to immerse themselves in the disquieting noise drone textures the band added to Migration without distraction. Matthew Daly and Robin Southby of British instrumental quintet Maybeshewill contributed a beautiful piano rendition of The Reverie for inclusion on .4, which echoes the ambient neo-classical works of Nils Frahm, Ólafur Arnaulds and Philip Glass. The last collaboration comes courtesy of Canadian prog-psych duo Crown Lands who add moog synths, Tool-esque percussion and soaring dynamics to their interpretation of The Reverie II that completely revitalises and enhances the epic concluding track to Bossk’s 2016 debut full-length Audio Noir.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnother lost treasure on .4 is Albert, a new song that has only been played once at ArcTanGent festival in 2019. Despite including it in that set, the band were never happy with it, until drummer Nick Corney completely reworked it into the version here, which displays the influence of electronic artists on Bossk such as Boards of Canada, Battles, Nine Inch Nails and DJ Shadow.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe remaining two tracks that make up this compilation were originally only available on 2008 live video .3. A remix of I by Twin Zero guitarist Reuben Gotto is the oldest song on .4, dating back to 2006 shortly after the band’s debut EP release of the same name. The other track is 181 to Beulah, a song written by Bossk guitarist Alex Hamilton which, like Events Occur in Real Time, has only previously been released as a live track. The song, which is played entirely on guitar, ends this 65-minute collection on a sombre note, as gently reverberant chords ring out across a mellow bed of harmonious feedback, recalling the more tranquil, ambient experimentation of bands like This Will Destroy You and Hammock. As a segue-way into whatever the future may hold, it’s about as laid-back and serene as Bossk has ever been.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith .4, Bossk fully intend to put a full stop on one era, before beginning a new chapter in 2026, a year which will see the release of a brand new full-length album of original material, their 3rd in total, and the recorded debut of vocalist Simon Wright, who has been playing with the band for the past 4 years and is now fully integrated into the band. - Remfry Dedman, March 2024\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e01. Kobe x Pijn\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Truth II\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Albert\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Events Occur In Real Time\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. White Stork x Endon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. I (Reuben Gotto 2006 Remix)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. The Reverie x Maybeshewill\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. The Reverie II x Crown Lands\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. 181 To Beulah\u003c\/span\u003e\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"White \/ Swamp Green Mix","offer_id":52679437091080,"sku":"D01.B4.DTH.35994.LPW","price":35.0,"currency_code":"EUR","in_stock":true},{"title":"Brown \/ Yellow Mix","offer_id":52679437123848,"sku":"D01.B4.DTH.35995.LPC","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/Bossk-.4-Cover.jpg?v=1761266334"},{"product_id":"umbra-vitae-light-of-death-lp","title":"Umbra Vitae \"Light Of Death\" LP","description":"\u003cp\u003e\u003cspan\u003e\"Light Of Death\" is the 15 song sophomore album from Umbra Vitae. Recorded by Kurt Ballou and Zach Weeks at God City Studios and mastered by Brad Boatright at Audiosiege.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Leave Of Absence\" emerges with a spine-chilling violin swell before erupting into duel guitar driven madness courtesy of Sean Martin (Twitching Tongues, ex-Hatebreed) and Mike McKenzie (The Red Chord). Umbra Vitae stay redlined with \"Belief Is Obsolete\" and \"Clear Cutter\", showcasing the electrifying rhythm section of Jon Rice (Uncle Acid, Tsjuder) and Greg Weeks (The Red Chord). Hook-laden \"Anti-Spirit Machine\" then takes center stage as a war cry for the downtrodden. From here Umbra Vitae continue to smash and thrash everything in sight. The discordant \"Reality In Retrograde\" races with a grinding blur into the lumbering \"Past Tense\" and darkly seductive \"Velvet Black\". Two songs that are metallic heaviness incarnate. \"Twenty-Twenty Vision\", \"Algorithm Of Fear\", and \"Empty Vessel\" then pick up the intensity, propelled by the poignant lyrical themes and inhuman vocal deliveries of Jacob Bannon (Converge). Lastly, the trinity of slow-crawl \"Cause \u0026amp; Effect\", ultra-violent \"Deep End\", and whirlwind \"Nature vs. Nurture\" continue to bludgeon, ushering in the interlinked \"Fatal Flaw\" and \"Light Of Death\" as the vicious finale to this modern metal masterpiece.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Leave Of Absence\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Belief Is Obsolete\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Clear Cutter\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Anti-Spirit Machine\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Reality In Retrograde\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Past Tense\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Velvet Black\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. Twenty-Twenty Vision\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. Algorithm Of Fear\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Empty Vessel\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Cause \u0026amp; Effect\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12. Deep End\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13. Nature vs. Nurture\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14. Fatal Flaw\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15. Light Of Death\u003c\/span\u003e\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Black \/ White Mix","offer_id":52679437156616,"sku":"D01.UVL.DTH.36288.LPB","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Transparent Blue \/ White Mix","offer_id":53122146926856,"sku":"D01.UVL.DTH.36288.LPB","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/601105338-umbra-vitae-light-of-death-cover.jpg?v=1761266333"},{"product_id":"eye-for-an-eye-omega-drone-who-lp","title":"Eye For An Eye \"Omega Drone \/ Who\" LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBoston has been at the center of Traditional Punk\/Hardcore since the genre's inception in the early 1980s. Often times the modern narrative stays with the primordial (FU's, Slapshot, SSD, Gang Green, etc.) However in the late 1980s an equally influential Melodic Hardcore scene emerged with new musical sounds and introspective ideas. The band at the heart of this generational shift was Eye For An Eye.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEye For An Eye formed in 1988. After dozens of legendary live shows they landed on the lineup of: Jason Grotrian, Kevin Norton, Lloyd Stanley, and Thos Niles. Soon after they released the 5 song \"Omega Drone\" EP on Blackout! Records (Killing Time, Outburst) in 1991. Recorded at Syncro Sound in Boston (The Cars, Bad Brains, etc), \"Omega Drone\" introduced Eye For An Eye to the underground on a larger level. Supporting the release, the band played alongside contemporaries BURN, Quicksand, SOIA, and Shelter all throughout the United States.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 1992, Eye For An Eye once again entered Syncro Sound, recording the 4 song \"Who\" EP for the Tribe Records label. This release also marks the addition of musician\/engineer Dean Baltulonis (Supertouch, Wrecking Crew, etc.) who joined the band on second guitar. \"Who\" is considered one of the greatest and under appreciated EPs of the time. Showing Eye For An Eye leaning more into their melodious and philosophical ideas more than ever before.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEye For An Eye disbanded later that year. Members went their separate ways with some playing in Shelter, 454 Big Block, Straight Faced, The Eulogy, La Gritona, Anodyne, 27, Windmills By The Ocean, and more. Others went onto be active behind-the-scenes with Grotrian excelling in graphic design work (Judge, etc.) and Baltulonis establishing himself as a respected audio engineer with his studio The Wild Arctic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Omega Drone \/ Who\" is both EPs from Eye For An Eye fully remixed and remastered by Alex Garcia-Rivera (Kingpin, American Nightmare, etc.) at Mystic Valley Studio. Presented as one LP collection, these nine songs encapsulate the moment when hardcore generationally began to evolve, influencing present and future creators alike. Changing the course of the Boston underground in soul and mind forever.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Eye For An Eye (2024 Remaster)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Signs Of The Pride (2024 Remaster)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Eye-Tro (2024 Remaster)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. All Stars (2024 Remaster)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Omega Drone (2024 Remaster)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Who (2024 Remaster)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Believe (2024 Remaster)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. What It Means (2024 Remaster)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. 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Chemo and radiation would not stop him from making this masterpiece, in which the band finds itself reeling from the gut-wrenching horrors of their leader’s unimaginable absence.\u003c\/p\u003e\n \u003cp\u003eWritten in Peoria amidst the forced isolation of a global pandemic and recorded by Sanford Parker in Chicago, these thirteen songs burn the ears to listen. Album opener “Matthew is Dead” wastes no time with niceties as Planes mourns the 2017 death of founding guitarist Matt Bellinger — Gared’s throat-shredded rasp seethes as if taunting himself: You’re dead, you’re dead, you’re dead— guttural human screams unbottled and broken glass shattered as transcendental meditation and musical catharsis, for band and listener alike. These acute and raw moments are found throughout the record, audible wounds you can hear, see, taste and almost touch. We’ve only got the night, as Gared knew and preached and lived. Just one last drink, shall we begin?\u003c\/p\u003e\n \u003cp\u003eDo You Still Love Me? carries forward Planes’ natural evolution beyond post-hardcore and metal-tinged rock n’ roll, unveiling new layers with each listen. Intertwined vocals and infectious melodies simmer beneath the surface and occasionally boil over, shards of guitar strike like lightning as the rhythm section pounds its marching orders. Whether pummeling mercilessly or tenderly relenting, Do You Still Love Me? shows a band unafraid to lose itself in the musical maelstrom. I don’t have the shakes, the shakes have me — it’s not an easy listen, yet offers immense rewards with time, alchemizing a unique beauty from the pain and tragedy of its creation. It’s an emotional bloodletting for Planes and their extended family around the world, a collective primal scream of coping with life and last breaths, and eternal proof that death is truly not the end.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Matthew is Dead\u003cbr\u003e02. Fix Me\u003cbr\u003e03. Further\u003cbr\u003e04. The Arrow\u003cbr\u003e05. Modern Logic\u003cbr\u003e06. Punch the Gauge\u003cbr\u003e07. Do You Still Love Me? No1\u003cbr\u003e08. Run Rabbit Run\u003cbr\u003e09. Peace\u003cbr\u003e10. Put Your Heart on the Fire\u003cbr\u003e11. The Calming\u003cbr\u003e12. In Hell\u003cbr\u003e13. Do You Still Love Me? 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It’s Texas, isn’t it?\u003c\/p\u003e\n \u003cp\u003eFormed in 2017 in Texas’ Rio Grande Valley, Glare aren’t so much genre traditionalists as they are painters of wide realms and intense moods. The four-piece band has already accumulated a large audience, both in the flesh with their reputation for sell-out shows, and on the internet, a place where people go to short-circuit feelings through their screens.\u003c\/p\u003e\n \u003cp\u003eSunset Funeral, the band’s debut LP, is a fog of dreamy grief, where feeling supersedes language. It’s music, as guitarist Toni Ordaz puts it, “for people who don’t know how to talk about how they feel.” An album that’s been years in the making, Sunset Funeral is a document of unspeakable grief, charting the process of mourning and how it travels through our subconscious and dreams.\u003c\/p\u003e\n \u003cp\u003eOne of the great charms of Sunset Funeral, and of Glare overall, is how they approach such a large, celestial sound with humble materials. Among the shoegaze revivalists, Glare come to the canvas with a more resourceful, DIY perspective than many of their peers. Glare’s music is too sublime, too huge to sound like it came from any kind of manmade instrument, tiny amp box or otherwise.\u003c\/p\u003e\n \u003cp\u003eOn first listen, Sunset Funeral—which scans as vast as desert sand—may overwhelm the senses. But look closer, and you’ll find a multiplicity of heavily crushed textures, treasures. ‘Guts’, with its sweetly chugging guitar line, dissolves the borders between bliss and despair. ‘2 Soon 2 Tell’, one of the album’s most gauzily romantic tracks, is both tense and transcendent. Nü Burn, a crunchy and lilting number, harkens back to the band’s grittier hardcore roots. But even when they deign to go hard, you can hear a softening in Glare’s sound compared to any of their previous releases, as well as an attempt to lean into more traditional pop song structures. The music drifts heavenward, to be sure, though it’s still tethered down by steady foundations. It’s beautiful. It’s humid. It’s delirious. It’s music made by people whose feelings speak louder than their words.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Mourning Haze\u003cbr\u003e02. Kiss the Sun\u003cbr\u003e03. Saudade\u003cbr\u003e04. 2 Soon 2 Tell\u003cbr\u003e05. Chlorinehouse\u003cbr\u003e06. Felt\u003cbr\u003e07. Nü Burn\u003cbr\u003e08. Turquoise Dreams\u003cbr\u003e09. Guts\u003cbr\u003e10. Sungrave\u003cbr\u003e11. Different Hue\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Nü Violet (Deathwish Exclusive)","offer_id":52679437418760,"sku":"D01.GSF.DTH.40158.LPN","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Sun Burn","offer_id":52679437451528,"sku":"D01.GSF.DTH.40159.LPS","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/Glare-SunsetFuneral-Cover.jpg?v=1761266341"},{"product_id":"greet-death-die-in-love-lp","title":"Greet Death \"Die In Love\" LP","description":"\u003cp\u003eGreet Death is a five-piece shoegaze band from Michigan.\u003c\/p\u003e\n \u003cp\u003e\"Die In Love\" is a beautifully melancholic album by Greet Death. The band's dizzying melodic nature shines throughout its nine tracks, featuring delicate acoustic shimmers, somber percussion, and high-volume post-everything fuzz.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Die In Love\u003cbr\u003e02. Same But Different Now\u003cbr\u003e03. Country Girl\u003cbr\u003e04. Red Rocket\u003cbr\u003e05. Emptiness is Everywhere\u003cbr\u003e06. August Underground\u003cbr\u003e07. Small Town Cemetery\u003cbr\u003e08. Motherfucker\u003cbr\u003e09. Love Me When You Leave\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Iceberg","offer_id":57947931640072,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Midnight Eye","offer_id":53170581897480,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":false},{"title":"Ritual","offer_id":52679437517064,"sku":"D01.GDD.DTH.44627.LPR","price":28.0,"currency_code":"EUR","in_stock":false},{"title":"Capricorn","offer_id":52679437549832,"sku":"D01.GDD.DTH.44630.LPH","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/GreetDeath-DieInLove-Cover.jpg?v=1761266339"},{"product_id":"boneflower-reveries-lp","title":"Boneflower \"Reveries\" LP","description":"\u003cp\u003eBoneflower are an emotionally charged post-hardcore band from Madrid, Spain, known for their raw, cathartic sound and intense live performances.\u003c\/p\u003e\n \u003cp\u003eSince their formation, Boneflower have embraced a hard-working DIY ethos, touring extensively across Europe and sharing the stage with bands like Touche Amore, Loma Prieta, State Faults, Trauma Ray, and others. Their commitment to their craft and the underground scene has earned them a loyal following.\u003c\/p\u003e\n \u003cp\u003eIn 2015, Boneflower released their debut Demo\/EP \"I'll Be the Bones, You'll be the Soul,\" which was later reissued on vinyl in 2016 through a collaboration between boutique labels Miss the Stars, Lifeisafunnything, and Dingleberry. Their follow-up, the LP \"Empty Rooms, Full Bodies,\" arrived in 2017, released through a partnership of eight underground labels. In 2018, the band dropped three digital singles before releasing their highly anticipated sophomore album, \"Armour,\" on Dog Knights Productions.\u003c\/p\u003e\n \u003cp\u003eIn 2022, Boneflower gained further recognition with their inclusion on the influential Balladeers, Redefined compilation album, released by Secret Voice, which introduced the band to a wider global audience.\u003c\/p\u003e\n \u003cp\u003eReveries (2025) is their most ambitious album to date, featuring 13 powerful tracks that capture the band's evolution. Recorded at Ultra Marinos with Borja Pérez, who also provides guest vocals on \"Sal En Mis Pestañas,\" the album also features a notable guest appearance from Jeremy Bolm of Touche Amore, who lends his voice to the poignant track \"Pomegranate.\" This album further solidifies Boneflower’s place in the post-hardcore landscape, with its atmospheric yet intense blend of emotion and musicality.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Reveries\u003cbr\u003e02. The Sun And The Moon\u003cbr\u003e03. Sal En Mis Pestañas\u003cbr\u003e04. Pomegranate (feat. Jeremy Bolm)\u003cbr\u003e05. Nocturnal\u003cbr\u003e06. Coup de Grâce\u003cbr\u003e07. Sad Bird\u003cbr\u003e08. Tears Return When Heartbreaks Don't Heal With Time\u003cbr\u003e09. Anniversary\u003cbr\u003e10. Lonely Meteor\u003cbr\u003e11. I Gazed At The Starred Night All Alone And Blood Tasted Like Honey In My Mouth, Lethargic\u003cbr\u003e12. Estrella\u003cbr\u003e13. The Void\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Bone White \/ Mustard Yellow (Deathwish Exclusive)","offer_id":52679437582600,"sku":"D01.BR.SCR.44711.XLP","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Sea Blue","offer_id":52679437615368,"sku":"D01.BR.SCR.44712.XLP","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/Boneflower-Reveries-Cover.jpg?v=1761266341"},{"product_id":"oathbreaker-eros-anteros-cd","title":"Oathbreaker \"Eros|Anteros\" CD","description":"\u003cp\u003e\"Eros|Anteros\" is the breathtaking follow up to OATHBREAKER's critically acclaimed \"Maelstrom\" album (Deathwish 2011). Where \"Maelstrom\" acted as individual fragments of aural shrapnel, \"Eros|Anteros\" is a monstrous shockwave of sound. It is OATHBREAKER's story of love and the anti-love (life and death), and the growth they have experienced through these trials.\u003cbr\u003e\u003c\/p\u003e\n \u003cp\u003eIn opener \"Beeltenis\" (Dutch for \"Portrait\") layers of melodious guitar cry out to one another through the blackness. Acting as a ghostlike warning before OATHBREAKER whips calm to chaos. \"No Rest for the Weary\" then abruptly crashes forward with breakneck speed and from there the floodgates of \"Eros|Anteros\" are open. As vocalist Caro Tanghe lets out the hair raising screams of \"I'll never know what it means - this deadly calm inside\", it's clear that this album is more potent and personal than most heavy music; this is a collective soul searching for the band. This is most apparent in brother and sister songs \"As I Look Into the Abyss\" and \"The Abyss Looks Into Me\". A stunning pairing that shows OATHBREAKER racing through razor sharp metallic riffing before erupting into a vicious emotional explosion. This quarrel continues throughout the \"Eros|Anteros\", finally coming to a head in the haunting closer \"Clair Obscur\". A brilliant eleven minute epic that carefully balances shoe-gaze leanings with their wounded post-metal heart.\u003c\/p\u003e\n \u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Beeltenis \u003cbr\u003e02. No Rest for the Weary \u003cbr\u003e03. Upheaval \u003cbr\u003e04. As I Look Into the Abyss \u003cbr\u003e05. The Abyss Looks Into Me \u003cbr\u003e06. Condor Tongue \u003cbr\u003e07. Offer Aan De Leegte \u003cbr\u003e08. Agartha \u003cbr\u003e09. Nomads \u003cbr\u003e10. 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It was all mastered by Jay Maas at Getaway Recording, and artwork for the release was created by illustrator Liam Rush. \u003cbr\u003e\u003cbr\u003eThe album as a whole is a creative intermingling of lush melodic atmosphere with melancholic lyrical content. Within that haze their personal subject matter is cleverly cloaked amid beautiful vocal deliveries and dreamy guitar work. This is the case in songs \"Circles of Hell\", \"Do You Feel Nothing\", \"Let It Die\", and \"You're Gonna Hate What You've Done\". This not-so-subtle vitriol continues to spread through self reflection in unforgettable songs like \"Entertainment\", \"Strange Days\", as well as the tone-soaked \"Strain\". While \"Crush\" plays as a complex outpouring disguised as a hook-laden pop number. All of this leads to \"New Hell\", a nearly ten minute epic of towering proportions. Lovingly constructed before ominously swaying in the wind and collapsing under its own emotional weight.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr\u003e01. Circles Of Hell\u003cbr\u003e02. Do You Feel Nothing?\u003cbr\u003e03. Let It Die\u003cbr\u003e04. You're Gonna Hate What You've Done\u003cbr\u003e05. Entertainment\u003cbr\u003e06. Strange Days\u003cbr\u003e07. Strain\u003cbr\u003e08. Crush\u003cbr\u003e09. 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If you were to tell vocalist Pierce Jordan and guitarist Ruben Polo that everything that they had spent their first month as a band joking about, playing shows with artists from punk vets Paint It Black to Kurt Cobain's favorites Flipper; from Memphis underground legend Tommy Wright III to platinum producer Pi'erre Bourne, were to actually happen, they might ask you if your hands were as fast as your jokes were. Despite the constant barrage of setbacks, from member changes, to financial strife, to run-ins with the law, Soul Glo has both repeatedly defied the kinds of odds that would fold lesser bands, not to mention their own standards for what they believed they could endure. Simultaneously, stopping or slowing down has never exactly been on the table for them, either. \u003c\/p\u003e\n\u003cp\u003e\"When we were stranded in Missouri, we started to weigh out the pros and cons of relocating there. We weren't just about to leave our mans,\" Jordan says. \"Songs started getting crafted out there that we still have in the chamber.\" \u003cbr\u003e\u003cbr\u003eThat said, their next release, Songs To Yeet At The Sun, serves as a perfect respite from the silence in between LP's and the current lull in live performances that the band has become known for nationwide. The five song blessing gives a further insight into the frankly deranged production of bassist\/producer Gianmarco Guerra, who served as the sole producer and one of three engineers for the record. Songs like \"(Quietly) Do The Right Thing\" and \"29\" continue to show Soul Glo's affinity for speed as a vehicle for their aggression and messages, while songs like \"I'm On Probation\" and the previously released \"Mathed Up\" shows the bands love of chaotic-yet-atmospheric noise and the most popular rhythmic vocal styles of today's current rap on top of the pummelling heaviness of the drums of TJ Stevenson. The band continues to showcase the rhythmic synergy existing between the entirety of the ensemble throughout the record, while the song \"2K\" features the straightforward rap production that peeked through on crowd-favorite songs \"31\" and \"32\" on the bands previous record The Nigga In Me Is Me, and also features a verse with instantly quotable lines from Richmond, VA artist Archangel. \u003cbr\u003e\u003cbr\u003eAll things considered, in a year where it feels as though quite literally anything could happen at any given moment, a record like the one that Soul Glo shorthandledly refers to as Yeet, one that features a violent and compelling sonic fusion that only they are capable of, is deeply necessary to times in which we currently find ourselves. 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Featuring new and unreleased tracks “Balladeers, Redefined” was originally going to be a small handful of bands but before long we found ourselves with 30+ who were all bringing their originality and brilliance to a genre held special by those who’ve found it. Every band recommended another band. The DIY network behind screamo and scream-adjacent indie or hardcore is like few others and that alone is a wonderful inspiration. This compilation brings together bands from all over, older and newer. From bands comprised of musicians who’ve been spearheading the sound like Jeromes Dream, Zeta, Gillian Carter, Hundreds of AU (members of You and I), Nø Man (members of Majority Rule) and Terminal Bliss (members of Pg.99) to younger bands like Soul Glo, Record Setter, Infant Island, Boneflower, For Your Health, Slow Fire Pistol, Nuvolascura, Frail Body, Thirdface, Senza, Massa Nera, and many more.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e01. Nuvolascura - Myriad\u003cbr\u003e02. Hundreds of AU - New Arsenals\u003cbr\u003e03. Record Setter - Outdated Wallpaper\u003cbr\u003e04. Massa Nera - Fractures\u003cbr\u003e05. Hawak - Newton\u003cbr\u003e06. Thirdface - Trap Revealed\u003cbr\u003e07. Closer - Lake Of Shells\u003cbr\u003e08. Frail Body - Titus\u003cbr\u003e09. NØ MAN - Can't Kill Us\u003cbr\u003e10. Coma Regalia - FloorFourSeven\u003cbr\u003e11. For Your Health - Twenty Dollar Enucleation (Love Is Blind)\u003cbr\u003e12. Amitié - I Blame You\u003cbr\u003e13. Elle - Whelm\u003cbr\u003e14. Heavenly Blue - Certain Distance\u003cbr\u003e15. Meth - Blind Animal\u003cbr\u003e16. Soul Glo - Cum to Play\u003cbr\u003e17. Jeromes Dream - Reminders to Parallel\u003cbr\u003e18. Boneflower - Pyrrhic Victories\u003cbr\u003e19. Gillian Carter - Bastard of Light\u003cbr\u003e20. Lord Snow - In Between\u003cbr\u003e21. Joliette - Pilates con Poncio\u003cbr\u003e22. Carrion Spring - Supervisionary\u003cbr\u003e23. Zeta - Cascabel\u003cbr\u003e24. Frail Hands - Reprieve\u003cbr\u003e25. Slow Fire Pistol - Stolen\u003cbr\u003e26. Crowning - Artifice\u003cbr\u003e27. Senza - Due Glutton\u003cbr\u003e28. Eyelet - Cinders\u003cbr\u003e29. Terminal Bliss - Trapped In A Snow Globe\u003cbr\u003e30. Hazing Over - 2022\u003cbr\u003e31. Infant Island - Aurora\u003c\/div\u003e","brand":"Secret Voice","offers":[{"title":"Mustard with Red Splatter","offer_id":52688556163336,"sku":"D01.VAB.SCR.29460.XLP","price":36.0,"currency_code":"EUR","in_stock":true},{"title":"Coke Bottle Green","offer_id":52688556196104,"sku":"D01.VAB.SCR.29461.XLP","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/497274673-various-artist-balladeers-cover.jpg?v=1761478165"},{"product_id":"infant-island-obsidian-wreath-lp","title":"Infant Island \"Obsidian Wreath\" LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFury in mourning. This is the emotional world in which Infant Island’s third album, Obsidian Wreath, wraps itself and its listener. It is an album about trudging through the end of the world: where climate catastrophe, the acceleration of capitalist extractive exploitation, the apathy towards social health which has emerged from the pandemic, and an endless stream of ongoing crises too numerable to be named, constantly haunt the edges of our vision, like a rot that sets in on the borders of being. Obsidian Wreath is an album about the hopelessness of the slow violent decay of the world, about reckoning with a totalizing, impossible condition of reality which never stops confronting you with the question: how do we continue?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is the question which Infant Island contends with throughout this record, a question they meet with fervor, with ferocity, with a determination and clarity marked – sustained, even – by grief. Lyrically, musically, the album shifts between light and darkness, using such tropes and their accompanying affects not in their cliché forms as opposing forces, but as mutually determined states of being which implicate and deterritorialize the Other. There must be something beautiful that can emerge from something terrible – this kind of impossible hope, an optimism that only emerges only from the condition of absolute pessimism, guides the album’s thematic considerations. Perhaps this impossible faith has something to do with Obsidian Wreath being a pandemic record – written in 2020 but releasing in 2024, the record’s slow birth reflects a force of will which was required to survive a global event which threatened the music industry and the people in it at every level.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis contradictory pessimistic optimism is realized as well in Infant Island’s singular songwriting, which filters Virginia screamo through the melancholic furor of American Black Metal acts like Panopticon and Deafheaven. Obsidian Wreath continues and advances the band’s masterful weaving of heavy genres, combining screamo and black metal with a deft movement between the sweeping emotionality of shoegazing post-metal, the hard-hitting grooviness of new-school grindcore, and the searing feedback of noise rock. Each composition flows seamlessly into the next, making this fluidity of sound feel not like an oscillation between styles, but instead like the tracing of the contours of a scene, as though Infant Island are tracing their own artistic singularity through the historicity and creative multiplicity of American extreme metal. One cannot shake the feeling that this is music born from a desire for community – where we are accompanied through this world not only by our friends and family but by the ghosts, the historical presences we feel but remain forever out of sight, that we unwittingly follow every day. Produced again by Virginia legend Matthew Michel (Majority Rule, Nø Man); with guest spots from Harper Boyhtari and Logan Gaval (Greet Death) on “Kindling,” Andrew Schwartz (.gif from god) on “Another Cycle”; and with contributions from members of Undeath, King Yosef, For Your Health, Senza, Malevich, Mikau, and more – one can’t help but feel that sense of community. Infant Island invites you into a scene, welcoming despite all its aesthetic harshness.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn this way, Obsidian Wreath is the kind of heavy music that would feel most proper to hear shuddering through the red clay bricks of rural Virginia, its place of birth. It is music that carries in its melodic intensity the materiality and contradictions of its Southern home, so geographically near, yet so culturally and economically far from the centers of American hegemonic power. The album art, from Virginian folk artist Sarah Bachman, captures this social rootedness, contrasting the ethereality of an Appalachian night with the chaotic obliterating power of a wildfire. Silhouetted figures, between ash and shadow, are imprinted on the ground, absently present, ghosts which cling to the land and to each other. Bachman’s art expertly captures the political and emotional stakes of Infant Island’s songwriting: a refusal to let go of this world.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eObsidian Wreath is the culmination of Infant Island’s entire discography, synthesized into one LP and turned up to 11. As begun with 2020’s Beneath and Sepulcher, four years later it continues the band’s artistic direction to darker, harsher moods and sounds while also putting them in contrast with their most delicate and experimental Infant Island arrangements to date. It is a relentless, furious, and ever-shifting composition which coheres around expert composition and a single-minded interrogation of how we can possibly continue living in the state of this planet. In “Veil” at the midpoint of the record, all members of Infant Island, as well as many guests, chant together in unison to insist that “this world is enough.” Standing in community, Infant Island insists not that the conditions of the world in which we live are adequate. No, they insist that this world contains within it already what is needed to transform it into something better and freer, something which will sustain the lives we cling to.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Another Cycle\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Fulfilled\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Found Hand\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Clawing Still\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Veil\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Amaranthine\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. With Shadow\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. Unrelenting\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. Kindling\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Vestigian\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Secret Voice","offers":[{"title":"Purple \/ Black Galaxy","offer_id":52688556753160,"sku":"D01.IIO.SCR.35105.LPP","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/cover_square.jpg?v=1761478169"},{"product_id":"heavenly-blue-we-have-the-answer-lp","title":"Heavenly Blue \"We Have The Answer\" LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHeavenly Blue are unwavering in their deep punk roots. The artists responsible for crafting a sound now over 25 years old are not only reemerging, but sharing the stage with influenced younger musicians who thought they would never get the opportunity. Heavenly Blue’s maximalist approach shows through their 7 member ensemble’s composition, their emotional sound and communal style of songwriting across miles and various locations captures the spirit that bands from their era and those past are championed on a philosophical level. In other words, Heavenly Blue are a modern update to an overlooked form, and the title of their debut LP, We Have The Answer, is an apt and promising description of the period in which the sound now finds itself.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Detroit, MI based septet consists of vocalists Juno Parsons and Mel Caren, guitarists Kris Lane, Maya Chun, and Mac Porter, and a rhythm section consisting of bassist Jon Riley and drummer Andrew Coughlin. From the end of Chun’s and Riley’s previous band Youth Novel, the pair enlisted a number of Michigan musicians of varying levels of experience, exchanging demos with each other over the course of a year. From there, Heavenly Blue toured with bands like Frail Body, Venus Twins, Blind Girls, and Touché Amoré. Through their connection to Touché Amoré’s vocalist Jeremy Bolm, the band produced their first track, “Certain Distance,” for a compilation on Bolm’s imprint Secret Voice Records. On Heavenly Blue’s collaborative spirit and how it has led them to this point, Riley asserts,\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“The title invokes an unquestionable certainty, yet without thinking about exactly who or what “we” is, you may miss the point. The process of making this record involved a deeply collaborative process where every single member of the group put their whole selves into the music. The result is a statement I feel is deeply personal of what I want out of a record. Something loud and blistering, but hopefully still visceral.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHeavenly Blue’s style is earmarked by screamo’s familiar dynamics of harmony and dissonance played both to complement and work against each other. For them, it’s about bringing screamo sensibilities to noise rock and post-hardcore. On We Have The Answer, they explore the traditional pairing of heavy\/ugly and soft\/pretty, but additionally approaches the concept’s inverse, playing melodies violently and fast complex passages softly. Heavenly Blue also mixes in hardcore influence with mid-song breakdowns as verses.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe Have The Answer continually begs the same emotional analysis that aggressive music has demanded and rarely received for decades. Tracks like “We Have The Answer” and “Davos” carry the spirit of the band’s past while other tracks, like “Heat Death Parade” and “Pando” sit in the realm of Heavenly Blue’s noise rock contemporaries. Heavenly Blue demonstrates it can do a more traditional structure, with songs like album single “Static Voice Speaks To Static Me” and the pensive “…And Just Like That A Year Had Passed,” while the unexpectedly danceable yet deeply melodic “A Part Of Me, A Part Of You” all offer refreshing takes on the chorus-verse mode of songwriting, while also challenging listeners to contemplate their repurposing of otherwise straightforward rhythms.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe Have The Answer’s release through Jeremy Bolm’s Secret Voice Records also highlights the intergenerational cooperation that has come to be one of the most exciting aspects of punk in the 2020’s. In its own way, it highlights the statement that Heavenly Blue are making with the title of their work. The sense of community within the artists involved suggests a shared idea of purpose that is not common enough in music. If you have to ask what “the answer” is, Heavenly Blue insists upon listening and attending a show near you. Look for the answer within. Hopefully the seed is sown and you’ll understand.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Davos\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. We Have The Answer\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Pando\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Glass So Clear\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Certain Distance\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Static Voice Speaks to Static Me\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. ...And Like That, A Year Had Passed\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. A Part Of Me, A Part Of You\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. Looming\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Heat Death Parade\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. All Of The Piece Break\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Secret Voice","offers":[{"title":"Oxblood  \/ Gold \/ Bone Twist","offer_id":52688556818696,"sku":"D01.HB.BRT.35647.LPC","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/HeavenlyBlue-WeHaveTheAnswer-Cover.jpg?v=1761478166"},{"product_id":"deafheaven-sunbather-10th-anniversary-remix-remaster-2xlp","title":"Deafheaven \"Sunbather: 10th Anniversary Remix \/ Remaster\" 2xLP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDeafheaven’s monolithic second LP Sunbather, was not only a massive success in 2013, it created a radical shift in heavy music culture, an acceptance of the genre by previous outsiders, and a trailblazing sound that heretofore hadn’t been heard outside of learned circles. It was a reville introducing the changing of the guard in metal, featuring phenomenal reviews across the board, and breaking the mold used by buttoned-up indie types and false-flag musical dilettantes intent on keeping the status quo. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA maverick release in every facet, the cornerstone for the triumph that is Sunbather truly lies in its world class songwriting. From the opening anthem “Dream House,'' it's clear to see that Deafheaven was soaring triumphantly into the unknown, through the emotional highs and lows, the fire and rain, and onto the unseen road ahead. Lyrically, Sunbather examines themes of existentialism, diving headfirst into the abyss, and the pursuit of self-discovery. The album's title itself is similar in scope, representing the embrace of the light and movement out of the dark unknown.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSunbather takes influence from the majesty of early Emperor and underground US heroes Weakling, the dark beauty of France’s Alcest, the introspective nature of post-rock and shoegaze gods like Mogwai and Slowdive, as well as the DIY spirit of punk ranging from Fugazi to Man is the Bastard to create a new realm for their emotional and expansive epics. The result is the nihilism and icy darkness found in black metal melding perfectly with the pensive, ethereal nature of shoegaze and the expansive dramatics of post-rock to create a new landscape. By juxtaposing propulsive and harsh blast beats and riffs against soaring melody, Deafheaven had refocused the blind-hate nature found at the kernel of black metal into a melancholic and singular journey to explore the unknown.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eConsidering metal’s staunchly negative relationship with the press, Deafheaven’s Sunbather was nothing less than a true triumph. An immediate success at the time of it’s release, Sunbather blasted through the glass ceiling that limited so many other heavy music bands before them. Lauded by virtually every major critical outlet, Sunbather is the picture perfect ideal of a music darling– leading to sold out shows around the globe in increasing numbers. Sunbather would eventually become a year end favorite, repeatedly named one of the best albums of 2013 and landing on top 10 lists that were previously alien to heavy music– outlets like Pitchfork, Rolling Stone, the New York Times and the like. And while the critics were dogpiling on the compliments, the conservative nature of heavy metal could not help but spin things in the opposite direction. As the saying goes, ‘the first one through the door catches all the bullets.’\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e “The easy answer was it was totally positive and overwhelming,” says founding guitarist Kerry McCoy with a bit of a chuckle when asked about his feelings about the response to Sunbather. “But in actuality it was also kind of frustrating. We were grateful for the positive notes, but there were people who thought we were the worst thing to ever happen to metal and others who thought that we claimed to invent the genre. Neither were true.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn addition to the game-changing musical approach, the band’s aesthetics were nothing if not utterly controversial as well. Designer Nick Steinhardt’s striking cover with use of a highly stylized font and a pale pink as the chosen color is not only a masterstroke in contemporary design, it was a true middle finger to the black metal establishment– one that prided itself on a lo-fi black and white aesthetic. The bright and easily recognizable cover openly positioned the album as a true outsider unafraid to duck genre boundaries.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFormed in 2010 in San Francisco, California with the core duo of George Clarke and McCoy, the pair completed their debut demo with Jack Shirley, who would eventually helm Sunbather, releasing it on limited cassette. The cassette became an underground phenomenon, leading to a record deal with Deathwish Inc who released the cassette in limited numbers on seven-inch.  After recruiting a live band, the five piece recorded their debut LP Roads to Judah and embarked on a series of shorter tours to promote the release. When the time came for the follow-up, the band slimmed back down to the original duo and added drummer Daniel Tracey– creating what many believe to be one of the most important musical statements of the ‘10s. The release would be their third with Jack Shirley. “Honestly, Sunbather gave us a career,” says McCoy with candor. “Before then we were working jobs and had these grandiose dreams, but that was the record that turned us into a real band. Because of that record, we ended up meeting a lot of people around the world that changed our lives and set us on the path we’re on now.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTen years later, Deafheaven is nothing less than a mammoth and live touring juggernaut, with fans across the far reaches of the earth and a flawless live lineup of Shiv Mehra on guitar (joined in 2013) and Chris Johnson on bass (2017) in addition to Clarke, McCoy and Tracey. One of the most important and original rock bands of the past fifteen years, the long-awaited reissue of this pivotal release celebrates its tenth anniversary with a fresh shine and coat of paint– a newly remixed and remastered sound by original producer Jack Shirley with available spacial audio, an updated look to the packaging in all formats courtesy of the album’s original designer Nick Steinhardt, and deluxe color vinyl that includes a gatefold jacket with spot UV printing and 2 full-color printed inner sleeves. Whether a newbie to this colossal record or a familiar party, the anniversary edition is a crucial addition to the collection of any erudite music fan.\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTrack Listing : \u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e01. Dream House\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Irresistible\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Sunbather\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Please Remember\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Vertigo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Windows\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. The Pecan Tree\u003c\/span\u003e\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Vertigo Mix","offer_id":52734288822536,"sku":"D01.DS1.DTH.30545.XLP","price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/SunbatherCover_Sticker.jpg?v=1762106313"},{"product_id":"converge-the-dusk-in-us-deluxe-2xlp","title":"Converge \"The Dusk In Us\" Deluxe 2xLP","description":"\u003cp\u003eThe ninth full-length from the Boston-based heavy-music innovators--vocalist Jacob Bannon, guitarist Kurt Ballou, bassist Nate Newton, and drummer Ben Koller--The Dusk In Us proves to be both dark and hopeful, abrasive and melodic, devastating and powerfully cathartic.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-style: normal;\"\u003eIn recording The Dusk In Us, Converge once again worked in Ballou's renowned Godcity Studios in Salem, Massachusetts. Produced by the band and mixed by Ballou, the album matches its raw energy with a subculture-crossing inventiveness that's earned Converge longtime reverence within the punk, metal, and hardcore scenes. One of Converge's most dynamic and avant-garde albums to date, The Dusk In Us unfolds with an uncompromising honesty born from \"writing about experiences in my life and working through the complexities of those things through song,\" as Bannon explains.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-style: normal;\"\u003eOn the album-opening \"A Single Tear,\" pummeling drums and caustic riffs form the backdrop to strikingly vulnerable lyrics like \"When I held you for the first time\/I knew I had to survive.\" (\"'A Single Tear' is about becoming a parent, and the perspective and strength it can give,\" Bannon notes.) With its abrasive guitar work and menacing undertones, \"Under Duress\" brings a tortured howl to lyrics channeling what Bannon describes as \"my emotional reaction to the complex world in which we live.\" A frenzied blast of pure fury, \"I Can Tell You About Pain\" offers what NPR recently hailed as \"hardcore-fueled extreme music that simultaneously elevates and destroys.\" And on the seven-minute-plus title track to The Dusk in Us, Converge deliver a slow-building, quietly haunting epic of ethereal beauty. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-style: normal;\"\u003eConverge formed in Massachusetts in 1990, then made their debut with 1994's Halo in a Haystack. Soon regarded as pioneers within the aggressive music arena, the band had a major breakthrough with their landmark album Jane Doe--a 2001 release praised as \"iconic\" by the A.V. Club (who also noted that Jane Doe \"reaches canonical status with every re-listen\"). The Dusk In Us arrives as the follow-up to 2012's All We Love We Leave Behind, an album that Consequence Of Sound called \"as skull-cleaving as it is beautiful\" and that made its way onto Pitchfork's Best New Music list.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-style: normal;\"\u003eWhile The Dusk In Us finds Converge defying boundaries and pushing into new sonic terrain, it's also a natural progression for a band that's long thrived on making music that both challenges and connects. \"Our only goal is to create something that moves us and resonates with us emotionally,\" says Bannon. \"For us, it's simply a new album about new chapters in our lives. We are a very 'human' band--always have been--and our songs are all rooted in our real-life experiences. The Dusk In Us is that new chapter, just as previous records were before that.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-style: normal;\"\u003e01. Single Tear\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Eye Of The Quarrel\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Under Duress\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. Arkhipov Calm\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. I Can Tell You About Pain\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. The Dusk In Us\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Wildlife\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. Murk \u0026amp; Marrow\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e09. Trigger\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e10. Broken By Light\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e11. Cannibals\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e12. Thousands Of Miles Between Us\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e13. Reptilian\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e14. Permanent Blue\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e15. Churches and Jails\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e16. Melancholia\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e17. Beautiful Ruin\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e18. Eve\u003c\/span\u003e\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Transparent Yellow with Black Splatter","offer_id":52817715593480,"sku":"DW231v-5","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/mini.con.tdiu.deluxe.2.png?v=1763480424"},{"product_id":"the-hope-conspiracy-tools-of-oppression-rule-by-deception-lp","title":"The Hope Conspiracy \"Tools Of Oppression \/ Rule By Deception\" LP","description":"\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Tools of Oppression \/ Rule by Deception\" is the new full length album by The Hope Conspiracy. The album was engineered by Kurt Ballou and Zach Weeks at God City Studios. Artwork for the release was created by acclaimed artist Alexander Heir (Death\/Traitors).\u003c\/p\u003e\n\u003cp\u003eThis is true sonic violence aimed at political division, economic manipulation, war profiteering, media propaganda and other vile forms of global oppression.\u003c\/p\u003e\n\u003cp\u003eAir raid sirens wail as the foreboding \"Those Who Gave Us Yesterday\" and \"The Prophets and Doom\" explode forth like burning shrapnel. The hell ride continues with \"A Struggle For Power\" and \"Live In Fear\", two vicious blasts supercharged with malice and contempt. \"Shock By Shock\" and \"Of A Dying Nation\" introduce doom and gloom heaviness, grinding down the tempo to a mid-paced barrage. \"Confusion\/Chaos\/Misery\" picks up the pace, going scorched-earth policy on the sociopolitical nightmares that ensnare us all while \"Broken Vessels\" plows into overdrive about mental illness and addiction as a whole. This leads to \"The West Is Dead\" a dystopian hook laden hardcore anthem, and epic closer \"The Specter Looms\"; An ominous soundtrack to the steady decline of our modern age.\u003c\/p\u003e\n\u003cp\u003eThere is no question, The Hope Conspiracy is back to make a cold hard statement about existence in the end times.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01. Those Who Gave Us Yesterday\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e02. The Prophets and Doom\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e03. A Struggle for Power\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e04. Live in Fear\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e05. Shock by Shock\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e06. Of a Dying Nation\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e07. Confusion\/Chaos\/Misery\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e08. Broken Vessels\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e09. The West is Dead\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e10. The Specter Looms\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Deathwish","offers":[{"title":"Silver \/ Sea Blue Mix","offer_id":53122167865608,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/598745349-hope-con-toorbd-cover_1200x_41eeb5d2-a667-4393-b3a4-7872e0d73fd3.webp?v=1768079251"},{"product_id":"frameworks-smother-lp","title":"Frameworks \"Smother\" LP","description":"\u003cp\u003eSince their 2011 inception, Gainesville’s FRAMEWORKS have become a favorite of many in the emotional hardcore scene. Creating music in the vein of Touché Amore, Explosions in the Sky, Modern Life Is War, and other uniquely powerful artists.\u003c\/p\u003e\n \u003cp\u003e“Smother” is the highly anticipated sophomore album from FRAMEWORKS, and their first for the Deathwish label. The album was recorded by Matt McClellan (Being As An Ocean, O’ Brother, etc) at Glow In The Dark Studios and mastered by Brad Boatright (Converge, Self Defense Family, etc) at Audiosiege Mastering. “Smother” as a whole is a massive leap forward for FRAMEWORKS. The album dynamically pulses with hook-laden melodious riffs and moving emotional crescendos. All of it gushing with a rare creative beauty and maturity that will appeal to listeners from all corners of the underground music world.\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. Fear of Missing Out \u003cbr\u003e02. Smother \u003cbr\u003e03. Peculiar People \u003cbr\u003e04. Purge \u003cbr\u003e05. 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