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Their collective control of their dynamics is masterful work. \"You, Me, \u0026amp; The Violence\" and \"Grey Hair\" are near perfect examples of this, naturally shifting between searing and serene in tone. If you weren't in awe of BIRDS IN ROW in the first eleven songs, the twelve minute closer \"Lovers Have Their Say\" will leave you floored, as it is an ominous epic that artistically unwinds in truly spectacular fashion.\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTrack \u003cmeta charset=\"utf-8\"\u003eListing : \u003c\/strong\u003e\u003cbr\u003e01. Pilori \u003cbr\u003e02. There Is Only One Chair In This Room \u003cbr\u003e03. Cages \u003cbr\u003e04. Guillotine \u003cbr\u003e05. Walter Freeman \u003cbr\u003e06. Last Last Chance \u003cbr\u003e07. You, Me, \u0026amp; The Violence \u003cbr\u003e08. Grey Hair \u003cbr\u003e09. Cold War Everyday \u003cbr\u003e10. The Illusionist \u003cbr\u003e11. Police \u0026amp; Thieves \u003cbr\u003e12. Lovers Have Their Say\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/r7ZQoVFm3lc\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Yellow \/ Mustard Mix","offer_id":52180733559048,"sku":"D01.BIR.DTH.33519.LPB","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Cloudy Clear","offer_id":53011229409544,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/a0578655901_10.jpg?v=1755131896"},{"product_id":"birds-in-row-we-already-lost-the-world-lp","title":"Birds In Row \"We Already Lost The World\" LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBirds In Row are a melodic\/abrasive band from Laval, France. Blurring the lines between hardcore, punk, and related sub-genres, Birds In Row offer something of substantial weight to their listeners. Collectively carrying somber hearts and poignant souls, they navigate through melancholic seas to shape beautifully hook-laden songs unlike anything else out there today.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“We Already Lost the World” is their latest, a stunning nine song album that blends post punk and angular rock influences into something emotional and electric. Recorded and mixed by Amaury Sauve at The Apiary, and mastered by Thibault Chaumont at Deviant Lab.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack \u003cmeta charset=\"utf-8\"\u003eListing :\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e01. We Count So We Don't Have To Listen\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Love Is Political\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. 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From the first moments of haunting feedback in the opener \"Fulminate of Mercury\", it's apparent that something wicked has been unfurled. Just two minutes in, ROT IN HELL sonically rips their world wide open, galloping forth into musical blackness. Songs like \"Traitor's Gate\" and \"Lucius Ferre\" are played with such violent ferocity it seems as though the band are simply collapsing in on themselves. The frenzied attack subsides slightly with the grim instrumental \"Darkness Calls\", acting as the foreboding eye of their storm. However the bloodbath soon kicks off again in songs like \"Behavioral Resistance MMIX\" and \"Coyotenia\". All of them leading us to a Hellmouth of a closer in their sprawling \"Twilight Tongues\".\u003c\/p\u003e\n \u003cp\u003eWithout a doubt, ROT IN HELL are truly as grim as they come. And their \"As Pearls Before Swine\" proves that there is still something wild, untamable, and truly dangerous lurking in the shadows of today's hardcore\/punk community. It's time to welcome their brand of darkness with open arms.\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. Fulminate of Mercury \u003cbr\u003e02. Traitor’s Gate \u003cbr\u003e03. Rotting Hell \u003cbr\u003e04. Hallways Of The Always (Instrumental) \u003cbr\u003e05. Lucius Ferre \u003cbr\u003e06. Ishtar’s Descent\/ Between Iron Teeth \u003cbr\u003e07. Darkness Calls (Instrumental) \u003cbr\u003e08. Behavioural Resistance \u003cbr\u003e09. Coyotenia \u003cbr\u003e10. Ars Sina Scienta Nihil Est \u003cbr\u003e11. 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Opting to be heavy in emotional rather than heavy in sound.\u003c\/p\u003e\n \u003cp\u003eAfter first gaining attention through a full-length on seminal hardcore label Revelation Records, End of a Year took to the 7”EP format with a rare zeal. The result was EP’s and splits from a dozen labels in half-a-dozen countries. Genuinely uninterested in genres and expectations, End of a Year released these records on a wide variety of labels while touring the world over.\u003c\/p\u003e\n \u003cp\u003eBuilding on the post everything sound they’ve continued to pioneer, End of a Year returns to the full-length format with boundless creative energy. “You Are Beneath Me” is the band’s most focused work to date. Expanding greatly on the recent 7\"EP material they’ve built their name on. Dense and anxiety-ridden, “You Are Beneath Me” approaches punk in a hyper-personal and singularly artistic manner. Not afraid to be confrontational, honest, and pure in every way. Proving that End of a Year continue to be a true breath of fresh air in today's independent music world.\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. Composite Character \u003cbr\u003e02. Charles Ewert \u003cbr\u003e03. Marissa Wendolovske \u003cbr\u003e04. Fred Dekker \u003cbr\u003e05. Louis Slotin \u003cbr\u003e06. Eric Hall \u003cbr\u003e07. Sara Hayden \u003cbr\u003e08. Jeni Leigh \u003cbr\u003e09. Bo Diaz \u003cbr\u003e10. Eddie Antar \u003cbr\u003e11. 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The U.S. Department of Immigration recently denied entry to Cox, forcing the recruitment of temporary guitarist Mark Holcomb (Aeges, Undertow, Shift) for NARROWS' 2011 tour with Helms Alee. While the global nature of the band already limited their opportunities for touring, this additional roadblock further exacerbated the difficulties of writing and recording an album with members spread across the United Stated and Europe.\u003c\/p\u003e\n \u003cp\u003eDespite the difficulties of recording across two hemispheres, Painted sounds like a band locked into a singular vision. Matt Bayles (Mastodon, ISIS, Minus The Bear) recorded the album at Red Room Studios with Cox’s guitar overdubs tracked by Wayne Pennell at Bunker Studios in Brentford, England during late night Skype sessions with the stateside members of the band. Due in part to the constraints of time and distance, Painted is a streamlined record. With eight songs clocking in at just over 27 minutes, the album wastes no time exorcising its demons. And while part of New Distances’ allure stemmed from it’s marriage of primal metallic hardcore with the effects-laden art rock approach of guitarists Cox and Frederiksen, Painted harnesses power from curtailing more of their experimental moments in favor of big meaty riffs and voracious tempos.\u003c\/p\u003e\n \u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Under The Guillotine \u003cbr\u003e02. TB Positive \u003cbr\u003e03. Absolute Betrayer \u003cbr\u003e04. Greenland \u003cbr\u003e05. « It’s The Water » \u003cbr\u003e06. Face Paint \u003cbr\u003e07. Final Mass \u003cbr\u003e08. 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Taking no time to set a tone, opener \"Secular Front\" crawls through a wreckage of noise before breaking into a D-Beat stride. Other songs \"Brick and Mortar\", \"Trembling and Alone\", and \"Human Filth\" carry this same bombastic quality, but also introduce subtle hooks into the fray. These dynamics make WHIPS\/CHAINS not only powerful, but also uniquely listenable. Creating a mesmerizing push and pull throughout the grime and fury.\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. Secular Front \u003cbr\u003e02. Brick and Mortar \u003cbr\u003e03. Trembling and Alone \u003cbr\u003e04. Master\/Salve \u003cbr\u003e05. 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A stomper start to finish.\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. Who WIll Remain? \u003cbr\u003e02. Condemned \u003cbr\u003e03. Show Me Blood \u003cbr\u003e04. Bring Out The Fight \u003cbr\u003e05. Craven Dictators \u003cbr\u003e06. Penance \u003cbr\u003e07. Destroyed Again \u003cbr\u003e08. Dismissed In Time \u003cbr\u003e09. Contender \u003cbr\u003e10. Whose Call? \u003cbr\u003e11. Pushing Back\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"White","offer_id":52679432372488,"sku":"D01.LEW.DTH.11844.LPW","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/living-eyes-who-will-remain-deathwish-inc.jpg?v=1761266292"},{"product_id":"oathbreaker-eros-anteros-lp","title":"Oathbreaker \"Eros|Anteros\" LP","description":"\u003cp\u003e\"Eros|Anteros\" is the breathtaking follow up to OATHBREAKER's critically acclaimed \"Maelstrom\" album (Deathwish 2011). Where \"Maelstrom\" acted as individual fragments of aural shrapnel, \"Eros|Anteros\" is a monstrous shockwave of sound. It is OATHBREAKER's story of love and the anti-love (life and death), and the growth they have experienced through these trials.\u003cbr\u003e\u003c\/p\u003e\n \u003cp\u003eIn opener \"Beeltenis\" (Dutch for \"Portrait\") layers of melodious guitar cry out to one another through the blackness. Acting as a ghostlike warning before OATHBREAKER whips calm to chaos. \"No Rest for the Weary\" then abruptly crashes forward with breakneck speed and from there the floodgates of \"Eros|Anteros\" are open. As vocalist Caro Tanghe lets out the hair raising screams of \"I'll never know what it means - this deadly calm inside\", it's clear that this album is more potent and personal than most heavy music; this is a collective soul searching for the band. This is most apparent in brother and sister songs \"As I Look Into the Abyss\" and \"The Abyss Looks Into Me\". A stunning pairing that shows OATHBREAKER racing through razor sharp metallic riffing before erupting into a vicious emotional explosion. This quarrel continues throughout the \"Eros|Anteros\", finally coming to a head in the haunting closer \"Clair Obscur\". A brilliant eleven minute epic that carefully balances shoe-gaze leanings with their wounded post-metal heart.\u003c\/p\u003e\n \u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Beeltenis \u003cbr\u003e02. No Rest for the Weary \u003cbr\u003e03. Upheaval \u003cbr\u003e04. As I Look Into the Abyss \u003cbr\u003e05. The Abyss Looks Into Me \u003cbr\u003e06. Condor Tongue \u003cbr\u003e07. Offer Aan De Leegte \u003cbr\u003e08. Agartha \u003cbr\u003e09. Nomads \u003cbr\u003e10. 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A true story of their collective coming of age, \"Fever Hunting\" plays and reads as an open diary of their last five years. Exposing every frayed nerve and internal struggle that it's creators carried deep within their hearts. Impassioned, embattled, and forever resilient to the world outside.\u003c\/p\u003e\n \u003cp\u003eFrom the first strikes of the anthemic opener \"Old Fears, New Frontiers\" it's apparent that Modern Life Is War have not lost a step in absence, but have quickened pace on their own path. From there, the outpouring is overwhelming as eleven songs unfurl with equal and unmatched emotional weight. All of them bravely moving forward rather than resting on past laurels. Recorded by Kurt Ballou at God City Studios (Converge, etc) and Mastered by Brad Boatwright at Audiosiege Engineering (From Ashes Rise, etc).\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. Old Fears, New Frontiers \u003cbr\u003e02. 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Their strangely tense guitar-work framed within otherwise hook laden songs lends the band an unmistakable sound. Opting to be heavy in emotion rather than heavy in sound.\u003c\/p\u003e\n \u003cp\u003eLed by vocalist, lyricist, and personality Patrick Kindlon, SELF DEFENSE FAMILY have extended their branches to organically include touring and session musicians. Allowing them to evolve into a musical collective with more than ten active members at any given time. Interestingly enough, no member of the assemblage has played every show or played on every recording by the collective.\"\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. Tithe Pig \u003cbr\u003e02. Nail House Music \u003cbr\u003e03. Turn The Fan On \u003cbr\u003e04. Mistress Appears At A Funeral \u003cbr\u003e05. Apport Birds \u003cbr\u003e06. Angelique One \u003cbr\u003e07. Aletta \u003cbr\u003e08. Fear Of Poverty In Old Age \u003cbr\u003e09. Weird Fingering \u003cbr\u003e10. 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Successfully melding progressive musicianship, hardcore fervor, and vital social awareness into one constantly evolving artistic vision.\u003c\/p\u003e\n \u003cp\u003eOver the last decade COLISEUM have released music on a host of labels including; Temporary Residence, Relapse, Level Plane, Auxiliary (Ryan’s own label), and Deathwish.\u003c\/p\u003e\n \u003cp\u003e“Anxiety’s Kiss” is the new album from COLISEUM, recorded at The Magpie Cage by producer\/engineer J. Robbins (Jawbox, Burning Airlines). “Anxiety’s Kiss” is a hook-laden maturation of the Coliseum sound. Nods to their early D-Beat leanings are there, but it is their willingness to embrace Post-Punk melody and explore the space between notes that make “Anxiety’s Kiss” so alluring. Confidently growing within the punk world, without ever leaving it behind.\u003c\/p\u003e\n \u003cp\u003e“We Are The Water” kicks things off with a synth-driven stomp while lyrically serving as a poignant social awakening and call for human empathy. Amidst a tangle and twang of melody, “Course Correction” and “Wrong\/Goodbye” then emerge to tackle the ripe subjects of class division and police brutality. “Drums \u0026amp; Amplifiers” picks up pace, taking on those who reflect on their punk past rather than absorb the spirit that still charges the air around us. It’s not all social and subcultural commentary though. The dizzying “Dark Light Of Seduction” and sultry “Sharp Fangs, Pale Flesh” (where J. Robbins guests performing the BulBul Tarang) are darkly provocative narratives about the power of lust and love. In soul and tone, they both interject an emotional underbelly to it all. Robbins also adds bass on “Comedown”, an industrial-tinged romp led by Vaziri’s baritone guitar and Wilson’s booming toms. Coincidentally, it is also the first COLISEUM song ever recorded to not feature Patterson on guitar. “Sunlight in a Snowstorm” is the band at their most melodic, with a snow-covered New York City as its lyrical backdrop. The high beam lit, cinematic noir of “Driver at Dusk” and infectious, fuzzed-out “Escape Yr Skull” lastly descend to close out the album. A flawless, yin and yang pairing that is Coliseum at the peak of their experimental and anthemic powers.\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. We Are The Water \u003cbr\u003e02. Course Correction \u003cbr\u003e03. Wrong\/Goodbye \u003cbr\u003e04. Drums \u0026amp; Amplifiers \u003cbr\u003e05. Dark Life Of Seduction \u003cbr\u003e06. Sharp Fangs, Pale Flesh \u003cbr\u003e07. Comedown \u003cbr\u003e08. Sunlight In A Snowstorm \u003cbr\u003e09. Driver At Dusk \u003cbr\u003e10. 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Widening the gap between them and everyone else with their inspiring originality, vulnerability, and power.\u003c\/p\u003e\n \u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. Insularized \u003cbr\u003e02. Turn In The Pike \u003cbr\u003e03. Riptide \u003cbr\u003e04. Deeper Kind \u003cbr\u003e05. Gossamer \u003cbr\u003e06. Burnt Palms \u003cbr\u003e07. Foreign Observer (w\/ Nick WOJ of Cold World) \u003cbr\u003e08. Calendars \u003cbr\u003e09. Wooder Ice \u003cbr\u003e10. Bottle Rockets \u003cbr\u003e11. 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Successfully melding progressive musicianship, hardcore fervor, and vital social awareness into one constantly evolving artistic vision.\u003c\/p\u003e\n \u003cp\u003eOver the last decade COLISEUM have released music on a host of labels including; Temporary Residence, Relapse, Level Plane, Auxiliary (Ryan’s own label), and Deathwish.\u003c\/p\u003e\n \u003cp\u003e“Anxiety’s Kiss” is the new album from COLISEUM, recorded at The Magpie Cage by producer\/engineer J. Robbins (Jawbox, Burning Airlines). “Anxiety’s Kiss” is a hook-laden maturation of the Coliseum sound. Nods to their early D-Beat leanings are there, but it is their willingness to embrace Post-Punk melody and explore the space between notes that make “Anxiety’s Kiss” so alluring. Confidently growing within the punk world, without ever leaving it behind.\u003c\/p\u003e\n \u003cp\u003e“We Are The Water” kicks things off with a synth-driven stomp while lyrically serving as a poignant social awakening and call for human empathy. Amidst a tangle and twang of melody, “Course Correction” and “Wrong\/Goodbye” then emerge to tackle the ripe subjects of class division and police brutality. “Drums \u0026amp; Amplifiers” picks up pace, taking on those who reflect on their punk past rather than absorb the spirit that still charges the air around us. It’s not all social and subcultural commentary though. The dizzying “Dark Light Of Seduction” and sultry “Sharp Fangs, Pale Flesh” (where J. Robbins guests performing the BulBul Tarang) are darkly provocative narratives about the power of lust and love. In soul and tone, they both interject an emotional underbelly to it all. Robbins also adds bass on “Comedown”, an industrial-tinged romp led by Vaziri’s baritone guitar and Wilson’s booming toms. Coincidentally, it is also the first COLISEUM song ever recorded to not feature Patterson on guitar. “Sunlight in a Snowstorm” is the band at their most melodic, with a snow-covered New York City as its lyrical backdrop. The high beam lit, cinematic noir of “Driver at Dusk” and infectious, fuzzed-out “Escape Yr Skull” lastly descend to close out the album. A flawless, yin and yang pairing that is Coliseum at the peak of their experimental and anthemic powers.\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. We Are The Water \u003cbr\u003e02. Course Correction \u003cbr\u003e03. Wrong\/Goodbye \u003cbr\u003e04. Drums \u0026amp; Amplifiers \u003cbr\u003e05. Dark Life Of Seduction \u003cbr\u003e06. Sharp Fangs, Pale Flesh \u003cbr\u003e07. Comedown \u003cbr\u003e08. Sunlight In A Snowstorm \u003cbr\u003e09. Driver At Dusk \u003cbr\u003e10. 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Over a two year period, it was recorded and constructed at Electrical Audio, Key Club Studios, and Candle Studios. Title track “Year of the Hare” is a 21 minute epic that frantically mixes traditional instrumentation, piano\/synths, flutes and sax, experimental editing\/soundscapes, and guest vocals from great Isla Craig into one dizzying experience. While B-Side “California Cold” slowly builds and deconstructs over an 8 and a half minute stretch. Organically shifting from jangly melodic-punk anthem into a fuzzed out psychedelic jam session. Eclectically blending musical styles and voices in the most, well, Fucked Up way possible.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e \u003cbr\u003e01. Year of the Hare\u003cbr\u003e02. California Cold\n \u003c\/p\u003e\n ","brand":"Deathwish","offers":[{"title":"Black \/ Gold Galaxy","offer_id":52679432831240,"sku":"D01.FUY.DTH.36713.LPB","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/fucked-up-year-of-the-hare-deathwish-inc.jpg?v=1761266298"},{"product_id":"self-defense-family-heaven-is-earth-cd","title":"Self Defense Family \"Heaven Is Earth\" CD","description":"\u003cp\u003eSELF DEFENSE FAMILY are one of the most prolific Punk bands out there today. Through countless releases and as many musical contributors (they have had more than ten active members at any given time), the collective has grown in both sound and vision.\u003c\/p\u003e\n \u003cp\u003e“Heaven Is Earth” was recorded at four classic indie\/punk studios by a diverse group of engineers: Will Killingsworth at Dead Air Studios (Mind Eraser, etc), Kurt Ballou at God City Studios (Converge, etc), Mark Millar at Sone Lab (Dinosaur Jr, etc), and Jon Low at Miner Street Recordings (Kurt Vile, etc). Each engineer leaving their own distinct audio fingerprint on the collection of songs.\u003c\/p\u003e\n \u003cp\u003eOpener “In My Defense Self Me Defend” percussively wanders as warped guitars weave a pillow for Patrick Kindlon’s introspective prose.“Talia” introduces both piano and harmonica to the formula, all of it swirling and dancing around a throbbing bass line. “Ditko” exists in a similar sonic place as well, but utilizes textural guitars and subtle effects to set the pensive mood. It’s not all sad clown music though. “Prison Ring” picks things up in the middle of the album with a Mekons like urgency. While “Everybody Wants a Prize for Feeling” welcomes a whimsical stomp akin to The Fall. These reluctantly upbeat songs lead to the title track “Heaven Is Earth”. A song that descends with a delicate airiness while dealing out some of the heaviest moments of lyrical personal reflection. “Basic Skills” fills a similar space as well. A beautiful construct of a song, rich in melancholia but built on some of the most memorable melody ever from the band. Never leaving quietly, SELF DEFENSE FAMILY then offer the closer “Dave Sim”. Kicking the door open for one last high volume, pessimistic hurrah.\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. In My Defens Self Me Defend \u003cbr\u003e02. Talia \u003cbr\u003e03. Prison Ring \u003cbr\u003e04. Ditko \u003cbr\u003e05. Everybody Wants A Prize For Feeling \u003cbr\u003e06. Heaven Is Earth \u003cbr\u003e07. Basic Skills \u003cbr\u003e08. 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Ultimately laying the blueprint for today’s emotional punk rock resurgence.\u003c\/p\u003e\n \u003cp\u003eFrom 1999 to 2006, Planes Mistaken For Stars released music on labels Deep Elm, Dim Mak, No Idea Records and more, before signing to Abacus\/Century Media in 2006. After countless tours in those years with the likes of Converge, Against Me!, The Dillinger Escape Plan, Hot Water Music, the band flamed out and announced an amicable split in 2007. During that time members went on to play in Git Some, Bull Of Heaven, Hawks and Doves, and Wovenhand. In 2010, PLANES MISTAKEN FOR STARS reunited for The Fest in Gainesville, Florida. In 2012, the band also reunited for a successful East Coast Tour. Since then, they have been quietly and persistently working on new music, due to surface on Deathwish sometime in the future.\u003c\/p\u003e\n \u003cp\u003eDeathwish is now proud to announce the reissue of “Mercy” from PLANES MISTAKEN FOR STARS, their much-beloved and highly influential 2006 album. Along with newly revamped packaging, this definitive version has also been remastered from the original 1\/2” tapes by Brad Boatwright at Audiosiege (Sunn O))), Modern Life Is War), sonically making it more powerful and textural than ever before. Produced by Matt Bayles (Mastodon, Cursive) “Mercy” is a beautifully dark and melodious masterwork that is affecting in ways rarely experienced. Each of its eleven songs is a haunting yet hopeful personal tale, vulnerable but vicious in tone. Genre bending and ground breaking in their ability to intimately connect with listeners from all walks of life.\"\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. One Fucked Pony \u003cbr\u003e02. Crooked Mile \u003cbr\u003e03. Widow: A Love Song \u003cbr\u003e04. Keep Your Teeth \u003cbr\u003e05. To Spit A Sparrow \u003cbr\u003e06. Never Felt Prettier \u003cbr\u003e07. Killed By Killers Who Kill Each Other \u003cbr\u003e08. Little Death \u003cbr\u003e09. Church Date \u003cbr\u003e10. Mercy \u003cbr\u003e11. Penitence\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Compact Disc","offer_id":52679432962312,"sku":"D01.PMF.DTH.12103.CD","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/planes-mistaken-for-stars-mercy-deathwish-inc.jpg?v=1761266300"},{"product_id":"cult-leader-lightless-walk-lp","title":"Cult Leader \"Lightless Walk\" LP","description":"\u003cp\u003eCULT LEADER are a chaotically aggressive band from Salt Lake City, Utah. \"Lightless Walk\" was recorded and engineered by Kurt Ballou at God City Studios (Converge, High On Fire, etc). From the first menacing thumps of \"Great I Am\", CULT LEADER unleash grinding musical fury. \"The Sorrower\" gallops before crashing into a wall of heaviness as they vocally declare \"...nothing will get better\". The pessimistic spiral continues in \"Sympathetic\" and \"Suffer Louder\", two tangles of cacophony that give birth to crushers of ending riffs. \"Broken Blades\" then emerges as a near constant barrage, showcasing the technical prowess thriving underneath CULT LEADER’s layers of grime. While \"A Good Life\" ushers in new dynamics, clawing through melodious dirt before taking flight again. \"Walking Wastelands\", \"Gutter Gods\", and \"Hate Offering\" are all metallic monsters in their own right, lurching towards the epically haunting pairing of \"How Deep It Runs\" and \"Lightless Walk\". Two songs that show CULT LEADER at their most depressive and powerful as they recede into introspective darkness.\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. Great I Am \u003cbr\u003e02. The Sorrower \u003cbr\u003e03. Sympathetic \u003cbr\u003e04. Suffer Louder \u003cbr\u003e05. Broken Blades \u003cbr\u003e06. A Good Life \u003cbr\u003e07. Walking Wastelands \u003cbr\u003e08. Gutter Gods \u003cbr\u003e09. Hate Offering \u003cbr\u003e10. How Deep It Runs \u003cbr\u003e11. Lightless Walk\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Silver","offer_id":52679432995080,"sku":"D01.CLL.DTH.28577.LPS","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/cult-leader-lightless-walk-deathwish-inc.jpg?v=1761266299"},{"product_id":"birds-in-row-personal-war-cd","title":"Birds In Row \"Personal War\" CD","description":"\u003cp\u003eBIRDS IN ROW are a melodic and abrasive band from Laval, France. Blurring the lines between hardcore, punk, and related sub-genres, BIRDS IN ROW offer something of substantial weight to their listeners. Collectively carrying somber hearts and poignant souls, they navigate through melancholic seas to shape beautifully hook-laden songs unlike anything else out there today.\u003c\/p\u003e\n \u003cp\u003e“Personal War” is a seven track outpouring from BIRDS IN ROW. First proper song “Torches” breaks into a sprint from the get go. Drenched in expressive guitar work, it tells the tale of life’s light overcoming death’s darkness. The race continues with “O-Dear” and “Weary”. Two musically infectious songs that are lyrically entangled in the complexity of love. “Worried” then wanders into view as a beautifully melodic piece, slowing to an introspective shuffle before the chaotic “Snakes” picks up the pace again. All of this leads to emotional closer “Marathon”. A song that serves as BIRDS IN ROW’s declaration of war on the world of ethical and emotional compromise.\"\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. Intro \u003cbr\u003e02. Torches \u003cbr\u003e03. O’Dear \u003cbr\u003e04. Weary \u003cbr\u003e05. Worried \u003cbr\u003e06. Snakes \u003cbr\u003e07. 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Opener “The Reverie” transports the listener to new dimensions through hypnotic repetition and layered instrumentation before taking a turn into stoner doom territory with “Heliopause”. Emotional instrumental ”Relancer” builds to a sonic crescendo while leading to the awesome “Kobe”. A song that shifts a multitude of gears before setting into one of the more chaotic hooks the band has ever produced. “Atom Smasher” then carries some of the heaviest moments of the album before beautifully disintegrating into the touching track “Nadir”. Lastly, BOSSK unveil “The Reverie II”, a brilliant ten minute reprise that shows the band at the peak of their creative powers. Solidifying “Audio Noir” as the best kind of masterpiece; a sea change that the music world never saw coming.\u003c\/p\u003e\n \u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. The Reverie \u003cbr\u003e02. Heliopause \u003cbr\u003e03. Relancer \u003cbr\u003e04. 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He has also served as touring drummer for Cold Cave, Saves The Day, Shelter, and many others.\u003c\/p\u003e\n \u003cp\u003eAfter years of playing in traditional multi-member bands, Alex set out to do something that was 100% of his creation and control. Chrome Over Brass takes the traditional approach to songwriting and flips it upside down. Alex Garcia-Rivera's thunderous drum-riffs serve as the epicenter of everything rather than typical guitar-riffing\/melody. The end result is a proto prog-punk mix that combines a High On Fire toughness with Don Caballero-like proficiency and swagger, all propelled by an urge for late 60s \/ early 70s inspired artistic exploration.\u003c\/p\u003e\n \u003cp\u003eIn a live setting CHROME OVER BRASS is an impressive sight. Alex Garcia-Rivera performs all percussion alongside his pre-recorded instrumentation, without breaks, making Chrome Over Brass a one-man experience unlike anything else out there.\u003c\/p\u003e\n \u003cp\u003eA true DIY project, the debut album from CHROME OVER BRASS was recorded in a 100% analog process on 2 inch tape at Alex Garcia-Rivera’s own Mystic Valley Studio, a fully analog studio he built with his own hands. Each song is comprised of one complete drum performance on a simple 5 piece drum set (made by Alex himself), with no digital editing. Even guitar and bass tracks were recorded in singular takes; a true rarity in today's cut and paste music world.\u003c\/p\u003e\n \u003cp\u003eSide-A opener \"Elephants Never Forget\" stomps out of the gate as a phased out exercise in post-everything heavy. While \"Bear Attack\", \"Crush On The Derbyshire\", and \"Here Come The Stukas\" all collectively pick up the pace, introducing technical speed and simple riffing with epic results. Side-B begins with even more impressive musicality in \"Black Rainbow\" and \"Fighting With Tooth And Nailgun\". While synth drenched psychedelic jam \"Moogs for Moderns\" grants some moments of sonic serenity. That’s not all, \"Jeeps On Safari\" cleverly emerges from the haze with a hook laden bounce, leading to wild closer “One Night In St. Regis”. A hyper speed percussive blast that needs to be heard to be believed.\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. Elephants Never Forget \u003cbr\u003e02. Bear Attack \u003cbr\u003e03. Crush On The Derbyshire \u003cbr\u003e04. Here Come The Stukas \u003cbr\u003e05. Black Rainbow \u003cbr\u003e06. Fighting With Tooth And Nailgun \u003cbr\u003e07. Moogs For Moderns \u003cbr\u003e08. Jeeps On Safari \u003cbr\u003e09. 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Merging a violence, honesty, and emotional outpouring into one untamable and inspiring hardcore machine.\u003c\/p\u003e\n \u003cp\u003eBLACKLISTED \"We're Unstoppable\" is a collection of sorts for the band, but also serves as an introduction to those who missed the train the first time. \"We're Unstoppable\" features their highly praised \"Our Youth Is Wasted\" recordings (originally released by Stillborn Records, now out of print) as well as their hard to find demo recordings, together in one quality collection.\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. Long Way Home \u003cbr\u003e02. Finding Faith \u003cbr\u003e03. That Ain't Real Much \u003cbr\u003e04. Crossed Fingers \u003cbr\u003e05. 3800 (We're Unstoppable) \u003cbr\u003e06. Transparent\/Opaque \u003cbr\u003e07. My Advice \u003cbr\u003e08. Back and Forth \u003cbr\u003e09. Left Alone \u003cbr\u003e10. 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Where the debut album (Deathwish, 2013) was primarily built on the singer\/songwriter experience, “Hijrah” introduces a wash of stark instrumentation with Jon Nean of Blacklisted on Bass and engineer\/musician Arthur Rizk (Inquisition, Prurient) on Percussion backing G. Hirsch as he performs all vocal, guitar, and harmonica duties. Altogether they have created a dark and emotional atmosphere that is more fully realized than ever before.\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. Descend, I've Been Waiting \u003cbr\u003e02. Matryoshka \u003cbr\u003e03. Put The Kettle On (They've All Gone Away) \u003cbr\u003e04. Stray Dog \u003cbr\u003e05. Warm Snow \u003cbr\u003e06. Survivor Guilt \u003cbr\u003e07. Welcome Home Our Sister \u003cbr\u003e08. 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Ultimately laying the blueprint for today’s emotional punk rock resurgence. \u003cbr\u003e\u003cbr\u003e\"Prey\" is the long awaited new album from PLANES MISTAKEN FOR STARS. Produced and engineered by Sanford Parker (Wovenhand, Leviathan, Yob), \"Prey\" is a beautifully haunting return to form. In need of isolation to finish writing the album, founder Gared O’Donnell took to the road alone. Instead of finding a predictable muse, he found himself driving deep into the crumbling heart of middle America. There, Gared took up residence in decrepit motels, finding inspiration in the descending darkness surrounding him. \u003cbr\u003e\u003cbr\u003eChaotic opener \"Dementia Americana\" serves as a rude awakening with the lyrical crescendo of \"Wake Up!\" being shouted over and over again. It's as if the creators are fighting to emerge from the eternal tumble of a nightmare. 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Together they have created a powerful album that is unlike anything they have ever individually worked on. The album is contains ten emotional songs that call to the slower, more epic leanings of Converge, as well as his previous work in Supermachiner. Bringing to mind the multi-layered approach of Swans and early Pink Floyd, while being as vulnerable as influences Sparklehorse, Songs: Ohia, other like minded artists. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr\u003e01. Wear Your Wounds\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e02. Giving Up\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e03. Iron Rose\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e04. Hard Road to Heaven\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e05. Best Cry of Your Life\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e06. Breaking Point\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e07. 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After an EP release on the Bridge 9 label, the lineup was rounded out by the incredible rhythm section of Tyler Krupsky on bass and Abbas Muhammad on drums. “Do or Die” is the highly anticipated new album from Burn. The album was engineered by Kurt Ballou (Converge) at God City Studios and mastered by Howie Weinberg (Slayer, Public Enemy, Sonic Youth). As a whole this 10 song album is a melding of infectious melody, hook laden groove, and raw hardcore emotion. An invigorating modernization and continuation down the path these visionaries forged alone two decades earlier.\u003c\/p\u003e\n \u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. Fate\u003cbr\u003e02. Ill Together\u003cbr\u003e03. Flame \u003cbr\u003e04. Beauty \u003cbr\u003e05. Dead Identity \u003cbr\u003e06. Do or Die \u003cbr\u003e07. Last Great Sea \u003cbr\u003e08. New Morality \u003cbr\u003e09. Unfuck Yourself \u003cbr\u003e10. 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Carrying an emotional vulnerability and honesty that few bands own in today’s music world.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Only Friend\u003cbr\u003e02. Fed Up\u003cbr\u003e03. Slow Drown\u003cbr\u003e04. Hey Mercy\u003cbr\u003e05. Subtle Thrill\u003cbr\u003e06. Ghost\u003cbr\u003e07. Dis s o c i a t i o n\u003cbr\u003e08. Can’t Relate\u003cbr\u003e09. Stray\/Burnt Sugar\u003cbr\u003e10. Wilt (I Won’t)\u003cbr\u003e11. 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From the first hits of opener “I Am Healed” Cult Leader take listeners on a sonic rollercoaster ride. Much of the album follows this blueprint. Songs like “Curse of Satisfaction”, “Craft of Mourning”, and “Share My Pain” are driven by a weave work of unorthodox metallic riffing and fueled by hyper-aggressive percussion. While the tech- nical proficiency is impressive, it’s in their use of dynamics where they truly shine. The album contains four beautifully brooding epics; “To: Achlys”, “A World of Joy”, title track “A Patient Man”, and “The Broken Right Hand of God”. Each one of them carries a maturation and sense of melody that few “extreme” bands have within their arsenal. 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This not-so-subtle vitriol continues to spread through self reflection in unforgettable songs like \"Entertainment\", \"Strange Days\", as well as the tone-soaked \"Strain\". While \"Crush\" plays as a complex outpouring disguised as a hook-laden pop number. All of this leads to \"New Hell\", a nearly ten minute epic of towering proportions. Lovingly constructed before ominously swaying in the wind and collapsing under its own emotional weight.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr\u003e01. Circles Of Hell\u003cbr\u003e02. Do You Feel Nothing?\u003cbr\u003e03. Let It Die\u003cbr\u003e04. You're Gonna Hate What You've Done\u003cbr\u003e05. Entertainment\u003cbr\u003e06. Strange Days\u003cbr\u003e07. Strain\u003cbr\u003e08. Crush\u003cbr\u003e09. 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Blood Blossom \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Shadow of Life\u003c\/span\u003e\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Green \/ Black \/ White Twister","offer_id":52679435125000,"sku":"D01.UVS.DTH.22589.LPG","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/a2123712630_10.jpg?v=1761266317"},{"product_id":"blood-from-the-soul-dsm-5-lp","title":"Blood From The Soul \"DSM-5\" LP","description":"\u003cdiv\u003eBlood From the Soul is the vision of legendary musician Shane Embury, longtime member of extreme pioneers Napalm Death. In the early 90's Embury partnered with Lou Koller (Sick Of It All) to create the Blood From The Soul debut \"To Spite the Hand That Breeds\" (Earache, 1993). The album was an experimental fusion of industrial, metal, hardcore, and punk. And along with Godflesh, Pitch Shifter, Meathook Seed, and Scorn, they helped spawn a new wave of industrial-metal. \u003cbr\u003e\u003cbr\u003eFast forward to 2020 and Blood From the Soul has awakened from hyper-sleep. Joining Embury on this new creative journey are now Dirk Verbeuren (Megadeth, Soilwork, Aborted, Tronos), Jacob Bannon (Converge, Wear Your Wounds, Umbra Vitae), and Jesper Liveröd (Nasum, Burst). \u003cbr\u003e\u003cbr\u003e\"DSM-5\" is a twelve song conceptual album from Blood From the Soul. Lyrically the album is written from the perspectives of human beings as well as sentient machines. Metaphorically it explores the relationship between consciousness and physical\/psychological deterioration amid a multitude of stresses. Reading as both dystopian science fiction as well as poignant editorial on the turbulent present and our uncertain future. \u003cbr\u003e\u003cbr\u003eVerbeuren's razor-sharp percussion propels the musical vessel as Embury and Liveröd's walls of strings and ambience infectiously build with imposing power. Vocally the material is vicious as they come with Bannon at the helm. Engineer Russ Russell (Napalm Death, At The Gates, The Haunted) also created soundscapes for the epic slo-burn closer \"DSM-5\", while John Cooke and Tom Dring (Venomous Concept, Corrupt Moral Altar) contributed additional ominous noise to this final transmission. \u003cbr\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n \u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Fang Tooth Claw \u003cbr\u003e02. Ascend the Spine \u003cbr\u003e03. Calcified Youth \u003cbr\u003e04. Debris of Dreams \u003cbr\u003e05. Dismantle the Titan \u003cbr\u003e06. Encephalon Escape \u003cbr\u003e07. Subtle Fragment \u003cbr\u003e08. Terminal Youth \u003cbr\u003e09. Sharpened Heart \u003cbr\u003e10. Self Deletion \u003cbr\u003e11. Lurch of Loss \u003cbr\u003e12. DSM-5 \u003c\/div\u003e","brand":"Deathwish","offers":[{"title":"Hot Pink \/ Ultra Clear Half \u0026 Half","offer_id":52679435256072,"sku":"D01.BFT.DTH.16010.LPH","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Electric Blue","offer_id":52679435288840,"sku":"D01.BFT.DTH.21853.LPL","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/mini.bfts.dsm-5.3000px.jpg?v=1761266317"},{"product_id":"blunt-razors-early-aught-lp","title":"Blunt Razors \"Early Aught\" LP","description":"\u003cp\u003eBlunt Razors is Gared O'Donnell and Neil Keener, known for their work in Planes Mistaken For Stars.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003csection class=\"push--ends\"\u003e\n\u003cdiv class=\"formatted_content\"\u003e\n\u003cdiv\u003eWhile quarantined together throughout 2020 in Peoria, IL they wrote and recorded a plethora of incredible songs. Sonically some were enough of a departure from PMFS that the pair felt it deserved a different name. With that, Blunt Razors was born.\u003cbr\u003e\u003cbr\u003e\"Early Aught\" is comprised of five heart wrenching originals that have the grit and beauty the two are known for creating in PMFS. However there is something musically unique creeping below the surface in Blunt Razors. An undercurrent of delicate melody carries their familiar voices and instrumentation downstream. Tumbling freely before cascading into a stunning rendition of the Kate Bush classic \"Under Ice\".\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Begging Calming\u003cbr\u003e02. Speeding\u003cbr\u003e03. Unspoken\u003cbr\u003e04. Around You\u003cbr\u003e05. Amber Waves \u003cbr\u003e06. Under Ice\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv class=\"push--top u-hide-on-template\"\u003e\n\u003cdiv class=\"boosts metadata avatar-group--tiny push--bottom\" data-controller=\"boosts\" data-action=\"keydown-\u0026gt;boosts#toggleFormOnEscOrEnter\" data-boosts-adding-class=\"boosts--adding\" data-boosts-deleting-class=\"boost--deleting\" style=\"box-sizing: border-box; display: inline-flex; flex-wrap: wrap; max-width: 100%; position: relative; font-size: 0.8em; margin-bottom: 1.25em !important; background: #faf8f7; padding: 0.5rem; border-radius: 2.5rem;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Deathwish","offers":[{"title":"Beer with Black Smoke","offer_id":52679435485448,"sku":"D01.BRE.DTH.16036.LPB","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Gold with Silver \u0026 Blue Heavy Splatter","offer_id":52679435518216,"sku":"D01.BRE.DTH.16037.LPG","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/mini.bluntrazors.earlyaught.3000px_1200x_8cc56975-da54-4d06-92f8-0cdb9d74dd6b.png?v=1761266319"},{"product_id":"bossk-migration-lp","title":"Bossk \"Migration\" LP","description":"\u003cp\u003eBossk are a metallic post-everything band from Ashford, Kent, England. \u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn many ways all of us are migrating. To who, or from, is unique to the individual. \"Migration\" from Bossk is a soundtrack to that herculean journey we all take. Opener \"White Stork\" is a haunting swirl of analog synth noise and guitars, painting an ominous and fantastic atmosphere. \"Menhir\" then kicks open the door as a sludge-metal giant of a track, featuring guest vocalist Johannes Persson of Cult Of Luna. Machine-like \"Iter\" serves as an otherworldly interlude, a pathway to the post-metal masterpiece \"HTV-3\". Featuring Palm Reader vocalist Josh Mckeown, the song conjures the spirit of Tool and even late-era Faith No More in its sonic twists and turns. Experimental \"Kibo\" offers a deeper glimpse before fading into the horizon. \"Lira\" then emerges, a towering giant of a song (nearly 10 minutes in length) that contains one of their most unforgettable riffs to date. All of this leads to the epic \"Unberth\". A beautiful slow-build closer that brings to mind Pink Floyd in its vast sonic expanse\u003c\/span\u003e.\u003c\/p\u003e\n \u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e0\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1. White Stork \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Mehir \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Iter \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. HTV-3 \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Kibo \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Lira \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. 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While the album blazes out of the gate with the aptly titled \"Heartache,\" songs like \"Orphaned\" and the intense \"Plagues\" prove that breakneck speed and heaviness aren't necessarily interrelated, and when CONVERGE lower the tempo, they're able to effortlessly transcend traditional notions of \"heaviness.\" Devotees of Jane Doe will also be blown away by epic tracks like the nine-minute \"Grim Heart\/Black Rose,\" a doom masterpiece which features guest vocals from Only Living Witness' Jonah Jenkins. From Bannon's captivating artwork and introspective lyrics to Ballou's masterful production techniques, CONVERGE's artistic vision has always separated the band from their peers, and \"No Heroes\" is no exception. Simply a great album. \u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. Heartache \u003cbr\u003e02. Hellbound \u003cbr\u003e03. Sacrifice \u003cbr\u003e04. Vengeance \u003cbr\u003e05. Weight Of The World \u003cbr\u003e06. No Heroes \u003cbr\u003e07. Plagues \u003cbr\u003e08. Grime Heart \/ Black Rose \u003cbr\u003e09. Orphaned \u003cbr\u003e10. Lonewolves \u003cbr\u003e11. Versus \u003cbr\u003e12. Trophy Scars \u003cbr\u003e13. Bare My Teeth \u003cbr\u003e14. To The Lions\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Transparent Red \/ Beer Galaxy (DW Exclusive)","offer_id":52679435583752,"sku":"D01.CNH.DTH.30770.LPT","price":28.0,"currency_code":"EUR","in_stock":false},{"title":"Cloudy Clear \/ Black Galaxy","offer_id":52679435616520,"sku":"D01.CNH.DTH.30771.LPC","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/mini.dw57.1.high_800x_6b76abf6-388c-4020-8da5-922198394958.jpg?v=1761266319"},{"product_id":"chastity-suffer-summer-lp","title":"Chastity \"Suffer Summer\" LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrandon Williams makes resonant songs that capture isolation and resilience. As the songwriter behind Chastity, the Whitby, Ontario musician has made three unrelentingly perceptive albums culminating in the cathartic Suffer Summer, which is out January 13, 2022 via Deathwish and Dine Alone Records. The LP caps off an album trilogy that showcases both Williams’ emotional range as a lyricist but also his boundless love of outsider music. His 2018 debut Death Lust pulled from Unwound and The Smashing Pumpkins as he grappled with mortality while 2019’s Home Made Satan dealt in world-weary anxiety and Hum-like atmospherics. But Suffer Summer is a meditation on happiness, channeled through powerhouse riffs and undeniably potent choruses, sung with Mineral and Jimmy Eat World worn on his sleeve. It’s an album that shows how healing and staying content is hard but necessary work. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWilliams mostly wrote Suffer Summer throughout 2019 while he and his band joined acts like Fucked Up, DIIV, and Alexisonfire on tour. It was a fruitful and exciting period for Williams, who whittled down 24 new tracks to 10, taking several new creative leaps while penning these songs. Take “Happy Face,” the first song Williams wrote for Suffer Summer and his most autobiographical offering to date. Written as a tribute to his longtime friend who died of an overdose, Williams sings, “You and I were alive at the same time \/ I’m lucky for it \/ You showed me the Misfits and we sang Out 'Last Caress’ \/ I’m lucky for it.” It’s raw and gutwrenching in a way that Williams has never allowed himself to be but writing about grief proved to be cathartic for him. “Until now I’ve always tried to keep a safe arm's length away from the real-life content of my songs but on that song, I couldn't,” said Williams. “It was just a needed tribute to him.” \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor any artist, taking risks, trusting your intuition, and relinquishing control is a delicate balance but for these songs, Williams knew he needed to step out of his comfort zone by making his writing more collaborative. He enlisted one of Chastity’s earliest and most vocal supporters PUP frontman Stefan Babcock to co-write opener single “Real World” and LP highlight “When You Go Home I Withdrawal.” Both songs find Williams stretching his voice for surging choruses that are anthemic and immediate. “It was so great to work with Stefan: just his attention to detail, song structure, and everything,” said Williams. “He’s a legend and has pumped my tires so much in an actual practical way that has given me courage throughout Chastity.” \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBabcock isn’t the only surprise collaborator on this LP. Alexisonfire and City and Colour’s Dallas Green appears as a guest vocalist on “Vicious Circle,” the emotional centerpiece of Suffer Summer. The song, which Williams co-wrote with his partner Ellis’ Linnea Siggelkow, boasts some of his best writing (“Borrowing an old feeling to cover the pain \/ Can’t keep memories of only the good things,”) and when Green joins to sing the second verse, it makes for the most transcendent moment on the LP. “After we put strings on this song it was just too damn beautiful for my voice,” said Williams. “Dallas’ voice reached right into that beauty. Recording this was the single most surreal and sentimental moment of the project for me I think, with how formative Alexis was for me.” Green also collaborated on the shimmering single “Somersault” in an unexpected way. “He sent me a voice memo called ‘Pumpkins?’ and offered it as a Chastity riff,” said Williams. “It was sludgy but we sped that up into this up-tempo, brighter verse riff that'd become this song: it went from ‘Bullet With Butterfly Wings’ to ‘Today.’” \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSuffer Summer was recorded throughout 2020 in fits and starts, with Williams returning to the studio to hone the LP. One song that came together during this time was the single “Pummeling,” another exercise in Williams expanding his creative palate. “‘Pummeling’ was a place I was afraid to go,” said Williams. “I’ve been so focused on my music being challenging, technical, and correct. But on this, I wanted to allow myself to go simple, out of my comfort zone.” The result is undeniably accessible but look below the surface of the welcoming hooks and you’ll find some impossibly dark lyrics. “Same thing every day \/ I run from feeling fucked til it’s jumping me,” sings Williams. This juxtaposition is where Chastity thrives. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eChastity started as a way for Williams to find community in his suffocating and isolating suburban life, his songs serving as an outstretched hand for the like-minded people on the fringes. The long-lead single “Dying to Live,” encapsulates this ethos when Williams sings, “Another sick person just trying to get well \/ You, me, everyone I know.” Like all of his music, this song comes from his hometown, in these places graffitied with memories for him: pain, loss, grief, but ultimately acceptance. “We've all been sick this last year and a half: Everyone I know is feeling fucked,” said Williams. “We survive through each other, through being close with each other and finding community and a sense of purpose in our friendships.” Suffer Summer is both a validation and comfort that while the world might be irrevocably fucked, you’re not alone. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack Listing :\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e01. Real World \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02. Pummeling \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03. Dying To Live \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04. When You Go Home I Withdrawal \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05. The Barbed Wire Fence Around Happiness \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e06. Somersault \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e07. Happy Face \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08. Overstimulate \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e09. Vicious Circle \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. Smiling\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Deathwish","offers":[{"title":"Orange \/ Black Mix (DW Exclusive)","offer_id":52679435649288,"sku":"D01.CSS.DTH.23294.LPR","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Yellow","offer_id":52679435682056,"sku":"D01.CSS.DTH.23295.LPY","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/Chastity-SufferSummer-Cover.jpg?v=1761266322"},{"product_id":"converge-bloodmoon-i-2xlp","title":"Converge \"Bloodmoon: I\" 2xLP","description":"\u003cp\u003e\u003cspan\u003e“We wanted to do something grander than the typical four-piece Converge music.”\u003c\/span\u003e\u003c\/p\u003e\n \u003cp\u003e\u003cspan\u003eThat’s Converge vocalist Jacob Bannon talking about the seed of inspiration that eventually bloomed into Bloodmoon: I, the new collaborative album created by the legendary hardcore band alongside dark songstress Chelsea Wolfe, her bandmate\/writing partner Ben Chisholm and Cave In vocalist\/guitarist Steve Brodsky.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“I’ve been a fan of Chelsea and Ben’s work for some time,” Bannon says. “I bought the Apokalypsis record from Aquarius Records in San Francisco, and Ben and I started communicating here and there. He had roots in this world of music, so it started to make sense that we could all work together in some way.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Ben introduced me to Converge when we started playing music together in 2009,” Wolfe says. “A couple of years later, we saw that Converge had put Apokalypsis on a year-end list, so we were totally fanning out about that. When they reached out to Ben about performing some Converge songs with new arrangements, I said, ‘I want in on that...’ And it seems like they were happy to have me along.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFast forward to a 2016 European tour and a rapturously received appearance at Roadburn that saw all seven musicians performing revamped Converge material. Overnight, what had started as a mutual admiration society had become one of the most formidable musical constellations in recent memory. “We felt like there was enough energy in the live collaboration to actually create new music together,” Converge guitarist and Bloodmoon: I producer Kurt Ballou explains. “It just took a few years to free up the time to get together.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe musicians descended upon Ballou’s God City Studios in Salem, Massachusetts, to work on material in late 2019. Future sessions were planned for 2020, but then the pandemic hit. The rest of Bloodmoon: I was recorded remotely, though you’d never know it. “I wanted a record that breathed like a band playing together in a room, even if it wasn’t possible during this time period,” Ballou says. “It feels like we achieved that.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHarrowing and atmospheric, triumphant and melodious, Bloodmoon: I is Converge as you’ve never heard them before. It’s Chelsea Wolfe and Ben Chisholm as you’ve never heard them before. It’s Steve Brodsky as you’ve almost never heard him before—after all, he was a member of Converge in the late ’90s and played bass on 1998’s When Forever Comes Crashing.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“It’s been a real treat to see one of my favorite bands continue to do cool stuff and break the molds of what’s considered hardcore and punk,” Brodsky says of Bloodmoon: I. “It’s a very rare thing in this kind of music to go an experimental route and challenge the quote-unquote ‘rules’ of what’s been laid out beforehand—and do it successfully.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAs Bannon points out, Bloodmoon: I has been a long time coming—longer, even, than the 2016 shows would indicate. The members of Converge—Ballou, Bannon, bassist Nate Newton, and drummer Ben Koller—tipped their hand ever so slightly with the release of 2009’s Axe To Fall, which featured a lengthy list of guest musicians, including members of Neurosis, Entombed, and Genghis Tron—not to mention Brodsky and some of his Cave In bandmates.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Kurt and I have been talking about trying to do something more collaborative even prior to the Axe To Fall album,” Bannon reveals. “For years, there was talk of doing ‘Con-Cave’ or ‘Verge-In,’ a Converge and Cave In supergroup, and some versions of those songs ended up on Axe To Fall. But this is different.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThrilling in its apocalyptic grandeur, Bloodmoon: I is a collaborative work in every way—to the point where Wolfe, Bannon, and Brodsky found themselves writing lyrics for each other. “That’s one of the keys to the album,” Ballou points out. “Sometimes when there’s a collaborative group, it just sounds like such-and-such a person doing the thing they do in their band while the other people are doing the things they do in their bands. So for Jake to write lyrics for Chelsea or for Chelsea to write lyrics for Steve, it forces each person to approach the vocals in a way that’s unique to the project.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHolding down the fort at GodCity while tracks came in from across the country, Ballou and Bannon were often surprised by the songs Wolfe chose to sing on. “I was surprised as well,” she confirms. “The project stretched my vocals in new ways. It’s so different than what I normally sing over that I was able to open up and be vulnerable with my vocals. I feel like I also heard that with Jake and Steve. It became one of the most fun recording experiences I’ve had in a long time.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“As someone who’s been making loud music with the same guys for a long time, adding new elements to what we’re doing and having a new version of the band is very exciting,” Bannon enthuses. “Our dynamics are pushing and pulling in all different directions on this record, and I find that to be creatively rewarding.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIndeed, the more hectic and seemingly Converge-esque material like “Lord of Liars” or the Cave In-like “Failure Forever” quickly veer into unexpected territory as Bannon trades vocal parts with Wolfe on the former and Brodsky on the latter. And even those tracks are outliers on an album that can’t be pinned down as the work of any one of its creators. Epic opener “Blood Moon” and the profoundly haunting “Coil” might be the best examples of this. They mark an indelible and climactic collision of artists working at the height of their collective powers.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“With a project like this, egos could have really flared up,” Brodsky says with a laugh. “But I feel like everyone just kept the music in mind and wanted to do what’s best for the song. We’ve all done this enough to know that if we don’t get our way every time a decision needs to be made, we’ll be okay. We’ll get our time in the sun at some point.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“It’s hard to find new ways to be creative, but I think we’ve been good at sort of forcing ourselves to do that,” Ballou says. “And this project is no exception. Getting Steve and Chelsea and Ben to contribute with us, we were kind of playing musical Cupid with all of them. But we had a feeling that if we got this group of people together, something powerful would come out of it.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Blood Moon \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Viscera of Men \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Coil \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Flower Moon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Tongues Playing Dead\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Lord of Liars \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Failure Forever\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. Scorpion’s Sting\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. Daimon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Crimson Stone \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Blood Dawn\u003c\/span\u003e\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Neon Orange \/ Black Mix (DW Exclusive)","offer_id":52679435714824,"sku":"D01.CBI.DTH.21217.XLP","price":35.0,"currency_code":"EUR","in_stock":true},{"title":"Transparent Red \/ Transparent Blue","offer_id":52679435747592,"sku":"D01.CBI.DTH.21218.XLP","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/48165f9c-1c96-11ec-b9bb-4ada3520e438.png?v=1761266326"},{"product_id":"the-hope-conspiracy-death-knows-your-name-deluxe-lp","title":"The Hope Conspiracy \"Death Knows Your Name\" Deluxe LP","description":"\u003cdiv data-mce-fragment=\"1\"\u003eThe Hope Conspiracy are a legendary hardcore band from Boston, MA.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\"Death Knows Your Name\" is their landmark album originally released in 2006. Recorded by Kurt Ballou at God City Studios, it is a powerful chapter in the band's recorded legacy. From the haunting first notes of \"They Know Not\" to the Earth shaking \"Stolen Days\", the unrelenting rage of the album is undeniable. From musicianship to presentation, \"Death Knows Your Name\" still stands as a high watermark for the genre.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThe \"Deluxe\" edition features the classic eleven song album along with the song \"Eurohell\". A track previously available on their \"Hang Your Cross\" EP (now out of press). The physical packaging has also been revamped, featuring a special \"Black on Black\" printing of Aaron Horkey's incredible artwork for the release.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e01. They Know Not (Remastered)\u003cbr data-mce-fragment=\"1\"\u003e02. Deadtown Nothing (Remastered)\u003cbr data-mce-fragment=\"1\"\u003e03. A Darkness In The Light (Remastered)\u003cbr data-mce-fragment=\"1\"\u003e04. Animal Farm (Remastered)\u003cbr data-mce-fragment=\"1\"\u003e05. Curse Of The Oil Snakes (Remastered)\u003cbr data-mce-fragment=\"1\"\u003e06. Hang Your Cross (Remastered)\u003cbr data-mce-fragment=\"1\"\u003e07. Suicide Design (Remastered)\u003cbr data-mce-fragment=\"1\"\u003e08. Leech Bloody Leech (Remastered)\u003cbr data-mce-fragment=\"1\"\u003e09. So Many Pigs So Few Bullets (Remastered)\u003cbr data-mce-fragment=\"1\"\u003e10. Sadistic Sacred Whore (Remastered)\u003cbr data-mce-fragment=\"1\"\u003e11. Stolen Days (Remastered)\u003cbr data-mce-fragment=\"1\"\u003e12. Eurohell (Bonus, Remastered)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFirst Press:\u003cbr data-mce-fragment=\"1\"\u003e100 - Clear w\/ White \u0026amp; Grey Splatter (Friends \u0026amp; Family)\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e300 - Beer \/ Gold \/ Black w\/ White Heavy Splatter (Deathwish Exclusive)\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e500 - Black in Beer Indie Exclusive Exclusive)\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e500 - Gold \/ Grey Mix\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003e∞ - Black\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Beer \/ Gold \/ Black with White Splatter","offer_id":53122162163976,"sku":"D01.THC.DTH.20733.LPB","price":28.0,"currency_code":"EUR","in_stock":false},{"title":"Gold \/ Grey Mix","offer_id":53122162229512,"sku":"D01.THC.DTH.20733.LPB","price":28.0,"currency_code":"EUR","in_stock":false},{"title":"Black","offer_id":52679435813128,"sku":"D01.THC.DTH.20733.LPB","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/HopeCon-DKYN-Cover_e480b3cc-55e7-4389-9882-afc9eded0815.jpg?v=1761266321"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/collections\/logo_7daa3ef7-c4ea-40d0-872f-eb8a30f5a73c.webp?v=1755435768","url":"https:\/\/forcemajeure.bzh\/en\/collections\/deathwish.oembed?page=6","provider":"Force Majeure","version":"1.0","type":"link"}