{"title":"Kowloon Walled City","description":null,"products":[{"product_id":"kowloon-walled-city-piecework-cd","title":"Kowloon Walled City \"Piecework\" CD","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the world of heavy music, few bands embrace dynamics and negative space like Kowloon Walled City. Since forming 15 years ago, the band has increasingly refined its deconstructed approach to noise rock, math rock, and doom, landing them on stages with similar boundary-pushing bands like Neurosis, Yob, Sleep, Sumac, and Thou.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNow, with Piecework (Neurot Recordings\/Gilead Media), the band’s fourth album and first in six years, Kowloon Walled City reaches new levels of restraint. Songs are bleak and slow, but also shorter and more concise. (Seven songs clock in at about 30 minutes.) There are stretches of near silence. While the band has always operated under the MO that less is more, it has doubled down on that ethos for Piecework. Singer\/guitarist Scott Evans and guitarist Jon Howell, the main songwriters, self-imposed restrictions to push themselves creatively—“restraining ourselves into oblivion,” as Howell put it. Songs are written in more straightforward time signatures. Evans and Howell also changed their guitar rigs to sound more “clean and clanky.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith the gristle stripped away, bone and muscle remain: drums decaying in a room, bass strings rattling, a lonely guitar chord. Sometimes, it’s almost uncomfortably barren. But the negative space also amplifies the ruptures of heady aggressiveness that anchor Piecework. Angular guitar notes from Howell skew off the neck, dissolving into space. Ian Miller’s bass lines churn in the muck. Drums and cymbal smashing by Dan Sneddon punctuate dead air. (Sneddon, formerly of Early Graves, makes his recording debut with the band five years after joining.) There’s sadness and anger in Evans’ shouted vocals, but also a desire for something better.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThrough the resignation and regret, Piecework also hints at perseverance and hope. On “Utopian,” inspired in part by Kim Stanley Robinson’s sci-fi book Red Mars, Evans declares, “now we’re weightless, left for dead \/ there’s no sorry songs left”—a statement of fatalism or perhaps a rallying cry, as if to say, we get it, things are fucked—now what?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEvans was dealing with the loss of his father during the writing of the album. He found strength in the women in his life, especially his maternal grandmother, who worked at a shirt factory in Kentucky for 40 years while raising five kids. The album name (and title track) is a nod to her line of work—and her quiet resilience. Lyrics aren’t obviously personal, however; they mix references to family, friends, music (Low, Willie Nelson, The Breeders, The Court and Spark, Radiohead), books (by Kim Stanley Robinson, historian Howard Zinn, English poet Thomas Hood), computer science pioneer Ken Thompson, and some early ’70s computer security analysis papers.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe themes of absence and death, surrendering to aging, and familial strength and love are all encapsulated in album artwork by photographer Melyssa Anishnabie—the tattered beauty of an abandoned home reveals the faint edges of where life used to be. Evans likens it to watching a grandparents’ house fall into disrepair.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs with all previous KWC releases, Evans recorded and mixed Piecework. (His recording credits include Yautja, Thrice, Great Falls, Ghoul, Town Portal, and many others.) And like previous albums Container Ships (2012) and Grievances (2015), the tracks were recorded live at Oakland’s Sharkbite Studios, with minor overdubs. “There’s not a lot of artifice,” Evans said. “You don’t have to ‘produce in’ excitement or special. Let what’s there be exciting and special.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOn that front, the band has clearly succeeded. Piecework feels not only like an artistic accomplishment but a triumph of perseverance and vision.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack Listing :\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e01. Piecework\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02. Utopian\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03. Oxygen Tent\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04. You Had A Plan\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05. Splicing\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e06. When We Fall Through The Floor\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e07. Lampblack\u003c\/span\u003e\u003c\/p\u003e","brand":"Neurot Recordings","offers":[{"title":"Compact Disc","offer_id":52732800762120,"sku":"D01.KWC.NRT.20336.CD","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/kwcpieceworkcover5000_1dd117a4-6525-44be-9394-cc6d0cb8c10e.jpg?v=1762086324"},{"product_id":"kowloon-walled-city-piecework-lp","title":"Kowloon Walled City \"Piecework\" LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the world of heavy music, few bands embrace dynamics and negative space like Kowloon Walled City. Since forming 15 years ago, the band has increasingly refined its deconstructed approach to noise rock, math rock, and doom, landing them on stages with similar boundary-pushing bands like Neurosis, Yob, Sleep, Sumac, and Thou.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNow, with Piecework (Neurot Recordings\/Gilead Media), the band’s fourth album and first in six years, Kowloon Walled City reaches new levels of restraint. Songs are bleak and slow, but also shorter and more concise. (Seven songs clock in at about 30 minutes.) There are stretches of near silence. While the band has always operated under the MO that less is more, it has doubled down on that ethos for Piecework. Singer\/guitarist Scott Evans and guitarist Jon Howell, the main songwriters, self-imposed restrictions to push themselves creatively—“restraining ourselves into oblivion,” as Howell put it. Songs are written in more straightforward time signatures. Evans and Howell also changed their guitar rigs to sound more “clean and clanky.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith the gristle stripped away, bone and muscle remain: drums decaying in a room, bass strings rattling, a lonely guitar chord. Sometimes, it’s almost uncomfortably barren. But the negative space also amplifies the ruptures of heady aggressiveness that anchor Piecework. Angular guitar notes from Howell skew off the neck, dissolving into space. Ian Miller’s bass lines churn in the muck. Drums and cymbal smashing by Dan Sneddon punctuate dead air. (Sneddon, formerly of Early Graves, makes his recording debut with the band five years after joining.) There’s sadness and anger in Evans’ shouted vocals, but also a desire for something better.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThrough the resignation and regret, Piecework also hints at perseverance and hope. On “Utopian,” inspired in part by Kim Stanley Robinson’s sci-fi book Red Mars, Evans declares, “now we’re weightless, left for dead \/ there’s no sorry songs left”—a statement of fatalism or perhaps a rallying cry, as if to say, we get it, things are fucked—now what?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEvans was dealing with the loss of his father during the writing of the album. He found strength in the women in his life, especially his maternal grandmother, who worked at a shirt factory in Kentucky for 40 years while raising five kids. The album name (and title track) is a nod to her line of work—and her quiet resilience. Lyrics aren’t obviously personal, however; they mix references to family, friends, music (Low, Willie Nelson, The Breeders, The Court and Spark, Radiohead), books (by Kim Stanley Robinson, historian Howard Zinn, English poet Thomas Hood), computer science pioneer Ken Thompson, and some early ’70s computer security analysis papers.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe themes of absence and death, surrendering to aging, and familial strength and love are all encapsulated in album artwork by photographer Melyssa Anishnabie—the tattered beauty of an abandoned home reveals the faint edges of where life used to be. Evans likens it to watching a grandparents’ house fall into disrepair.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs with all previous KWC releases, Evans recorded and mixed Piecework. (His recording credits include Yautja, Thrice, Great Falls, Ghoul, Town Portal, and many others.) And like previous albums Container Ships (2012) and Grievances (2015), the tracks were recorded live at Oakland’s Sharkbite Studios, with minor overdubs. “There’s not a lot of artifice,” Evans said. “You don’t have to ‘produce in’ excitement or special. Let what’s there be exciting and special.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOn that front, the band has clearly succeeded. Piecework feels not only like an artistic accomplishment but a triumph of perseverance and vision.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack Listing :\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e01. Piecework\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02. Utopian\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03. Oxygen Tent\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04. You Had A Plan\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05. Splicing\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e06. When We Fall Through The Floor\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e07. Lampblack\u003c\/span\u003e\u003c\/p\u003e","brand":"Gilead Media","offers":[{"title":"White","offer_id":52734396039432,"sku":null,"price":24.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/kwcpieceworkcover5000_1dd117a4-6525-44be-9394-cc6d0cb8c10e.jpg?v=1762086324"},{"product_id":"kowloon-walled-city-container-ships-lp","title":"Kowloon Walled City \"Container Ships\" LP","description":"\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;San Francisco's KOWLOON WALLED CITY are set to release their much anticipated sophomore album, Container Ships, via Brutal Panda Records. Their first record in three years was recorded at Sharkbite Studios in Oakland, CA, this past August with guitarist\/vocalist Scott Evans handling the production duties.  Led by poignant guitar melodies soaked in malaise and a powerful rhythm section, Container Ships flawlessly combines elements of sludge, post-rock and indie rock to create a truly unforgettable, heavy as an oil tanker, listening experience.   The album comes in a gatefold jacket featuring the stunning photography of Roy Zipstein\u0026quot;}\"\u003eSan Francisco's KOWLOON WALLED CITY are set to release their much anticipated sophomore album, Container Ships, via Brutal Panda Records. Their first record in three years was recorded at Sharkbite Studios in Oakland, CA, this past August with guitarist\/vocalist Scott Evans handling the production duties. Led by poignant guitar melodies soaked in malaise and a powerful rhythm section, Container Ships flawlessly combines elements of sludge, post-rock and indie rock to create a truly unforgettable, heavy as an oil tanker, listening experience. The album comes in a gatefold jacket featuring the stunning photography of Roy Zipstein\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;01. The Pressure Keeps My Alive 02. 50s Dad 03. Beef Cattle 04. Container Ships 05. Cornerstone 06. Wrong Side of History 07. You Don't Have Cancer\u0026quot;}\"\u003e01. The Pressure Keeps My Alive\u003cbr\u003e02. 50s Dad\u003cbr\u003e03. Beef Cattle\u003cbr\u003e04. Container Ships\u003cbr\u003e05. Cornerstone\u003cbr\u003e06. Wrong Side of History\u003cbr\u003e07. You Don't Have Cancer\u003c\/span\u003e\u003c\/p\u003e","brand":"Brutal Panda","offers":[{"title":"Ice Blue","offer_id":53170588254472,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/KWC_1200x_a9e7da61-2f51-4f9a-9819-ce0e26e9fdf5.webp?v=1769033090"},{"product_id":"kowloon-walled-city-container-ships","title":"Kowloon Walled City \"Container Ships\" LP","description":"\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;San Francisco's KOWLOON WALLED CITY are set to release their much anticipated sophomore album, Container Ships, via Brutal Panda Records. Their first record in three years was recorded at Sharkbite Studios in Oakland, CA, this past August with guitarist\/vocalist Scott Evans handling the production duties.  Led by poignant guitar melodies soaked in malaise and a powerful rhythm section, Container Ships flawlessly combines elements of sludge, post-rock and indie rock to create a truly unforgettable, heavy as an oil tanker, listening experience.   The album comes in a gatefold jacket featuring the stunning photography of Roy Zipstein\u0026quot;}\" data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}' data-mce-fragment=\"1\"\u003eSan Francisco's KOWLOON WALLED CITY are set to release their much anticipated sophomore album, Container Ships, via Brutal Panda Records. Their first record in three years was recorded at Sharkbite Studios in Oakland, CA, this past August with guitarist\/vocalist Scott Evans handling the production duties. Led by poignant guitar melodies soaked in malaise and a powerful rhythm section, Container Ships flawlessly combines elements of sludge, post-rock and indie rock to create a truly unforgettable, heavy as an oil tanker, listening experience. The album comes in a gatefold jacket featuring the stunning photography of Roy Zipstein\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;01. The Pressure Keeps My Alive 02. 50s Dad 03. Beef Cattle 04. Container Ships 05. Cornerstone 06. Wrong Side of History 07. You Don't Have Cancer\u0026quot;}\" data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}' data-mce-fragment=\"1\"\u003e01. The Pressure Keeps My Alive \u003cbr\u003e02. 50s Dad \u003cbr\u003e03. Beef Cattle \u003cbr\u003e04. Container Ships \u003cbr\u003e05. Cornerstone \u003cbr\u003e06. Wrong Side of History \u003cbr\u003e07. You Don't Have Cancer\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Brutal Panda","offers":[{"title":"Icy Blue","offer_id":57876741128456,"sku":"BPR017v-2","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/KWC.jpg?v=1779538571"},{"product_id":"kowloon-walled-city-gambling-on-the-richter-scale-1","title":"Kowloon Walled City \"Gambling on the Richter Scale\" LP","description":"\n            \u003cp\u003eIn the world of heavy music, few bands embrace dynamics and negative space like Oakland, CA’s Kowloon Walled City. Since forming 17 years ago, the band has increasingly refined its deconstructed approach to noise rock, math rock, and sludge.\u003c\/p\u003e\n\u003cp\u003eCelebrating its 15th anniversary this year, Persistent Vision is proud to present a much needed reissue of Kowloon Walled City’s first album, \"Gambling on the Richter Scale\". Initially released in 2009, the album laid the groundwork for a series of subsequent albums over the years including Container Ships, Grievances, and Piecework, released via labels such as Neurot Recordings, Gilead Media, and Brutal Panda Records. \u003c\/p\u003e\n\u003cp\u003eThis early album is a snapshot of the band’s sound in a much dirtier, noisier, sludgier environment. Kowloon Walled City have always been a band focused on tone and atmosphere with their unique style of heaviness, and the very intentional grit on this album shows another face to a band that has grown to embrace a cleaner, overdriven sound in recent years.\u003c\/p\u003e\n\u003cp\u003eGambling on the Richter Scale was recorded and mixed by guitarist\/vocalist Scott Evans, whose engineering work includes Sumac, Great Falls, Old Man Gloom, and many others. The record comes packaged in a full color matte finish jacket with two color vinyl variants, Ice Blue \u0026amp; Black Galaxy and Violet \u0026amp; Black Galaxy, each limited to 150 copies.\u003c\/p\u003e\n            \n          \n          \u003cli id=\"tab2\" class=\"\" style=\"display: none;\"\u003e\n            \u003cdiv\u003e\n            \u003cp\u003eFirst Press:\u003cbr\u003e\u003cspan style=\"font-style: normal;\"\u003e150 x Ice Blue \u0026amp; Black Galaxy\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e150 x Violet \u0026amp; Black Galaxy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n            \u003c\/p\u003e\n            \u003c\/div\u003e\n          \u003c\/li\u003e\n          \u003cli id=\"tab3\" class=\"\" style=\"display: none;\"\u003e\n            \u003cdiv\u003e\n            \u003cp\u003eTab 3 content\n            \u003cbr\u003e\n            Need a new paragraph? Try using Shift + Enter\n            \u003cbr\u003e\u003cbr\u003e\n            \u003c\/p\u003e\n            \u003c\/div\u003e\n          \u003c\/li\u003e\n        \n    ","brand":"Persistent Vision","offers":[{"title":"Sea Blue \u0026 White Galaxy","offer_id":57876741226760,"sku":"VIS020v-3","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/KowloonWalledCity-GamblingontheRichterScale-Cover.png?v=1779538575"},{"product_id":"kowloon-walled-city-turk-street-1","title":"Kowloon Walled City \"Turk Street\" LP","description":"\u003cp\u003eIn the world of heavy music, few bands embrace dynamics and negative space like Oakland, CA’s Kowloon Walled City. Since forming 18 years ago, the band has increasingly refined its deconstructed approach to noise rock, math rock, and sludge.\u003c\/p\u003e\n\u003cp\u003eOut of print for the past several years, Persistent Vision is proud to present a much needed and overdue reissue of Kowloon Walled City’s first release, “Turk Street.” Originally released in 2008, the five song EP captures the band at their heaviest, grittiest and most pummeling. Where the band later explored quieter, minimalist dynamics, “Turk Street” finds them leaning hard into their noise rock and sludge roots, taking inspiration from bands such as Shallow North Dakota, Unsane and Neurosis.\u003c\/p\u003e\n\u003cp\u003e“Turk Street” was engineered and mixed by guitarist Scott Evans, whose engineering work includes Sumac, Great Falls, and others. The 12\" release comes packaged in a full color jacket with matte finish, and is available on two color variants, Red Cloudy and Grey Cloudy, each limited to 250 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTRACK LISTING:\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-style: normal;\"\u003e01. Turk, Taylor, and Jones\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. My Hands Are Turning To Bricks\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Another Corporate Takeover\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. Inheritance\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. Make Us Pay\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli id=\"tab2\" class=\"\" style=\"display: none;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e150 x Red Cloudy\u003cbr\u003e\u003cspan style=\"font-style: normal;\"\u003e150 x Grey Cloudy\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Persistent Vision","offers":[{"title":"Red Cloudy","offer_id":57876741390600,"sku":"VIS025v-1","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/KowloonWalledCity-TurkStreet-Cover.jpg?v=1779538573"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/collections\/Kowloon_Walled_City_1.webp?v=1784551426","url":"https:\/\/forcemajeure.bzh\/collections\/kowloon-walled-city.oembed","provider":"Force Majeure","version":"1.0","type":"link"}