{"title":"Cassette","description":"","products":[{"product_id":"midwife-and-vyva-melinkolya-orbweaving-cs","title":"Midwife \u0026 Vyva Melinkolya \"Orbweaving\" CS","description":"\u003cdiv\u003eMadeline Johnston and Angel Diaz became close friends in 2020, regarding each other as a lifeline when things were difficult in their personal lives. This friendship was born from music but quickly became so much more than that. The two met in person in 2021, when Angel came for a recording residency at Madeline’s studio in New Mexico. It was during this session that they wrote and recorded Orbweaving, in the heat of summer in the arid Chihuahuan Desert. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOrbweaving combines the best parts of Midwife’s Heaven Metal and Vyva Melinkolya’s sentimental, classic shoegaze in a way that distinctively elevates both artists. The record explores themes hopelessness, calling on a higher power, being alone, and the sublime horror of the natural world. Orbweaving seeks to thematically and sonically create a web like structure - a gauze of sorrow and visceral connective thread.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt night, Angel and Madeline went Herping (a term used by herpetologists to describe looking for snakes and amphibians) along the empty roads near Las Cruces. The asphalt retains heat from the day, and the snakes absorb the warmth by writhing across the pavement. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThey found rattlesnakes, roadkill, and orb-weaver spiders. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe track “Plague X” was inspired by the lifecycle of cicadas; whose 17 year periodical cycle took place in 2021. The group of cicadas that emerged are known as Brood X. In a post-covid world, we are no strangers to living in a plague year. The violent arrival of Brood X cicadas alluded to the Plague of Locusts written about in the book of Exodus. “Plague X,” and the record in full, takes a look at an internal, emotional environment in the context of this bleak and terrifying event. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe locusts covered the face of the land and swallowed up every crop and all the fruits of the trees. Afterwards there was nothing green in the trees, and all the crops in the fields had been destroyed. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Miss America\u003cbr data-mce-fragment=\"1\"\u003e2. Hounds of Heaven\u003cbr data-mce-fragment=\"1\"\u003e3. NMP \u003cbr data-mce-fragment=\"1\"\u003e4. Plague X\u003cbr data-mce-fragment=\"1\"\u003e5. Orbweaving\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e","brand":"The Flenser","offers":[{"title":"Cassette","offer_id":52319065768200,"sku":"D01.MAV.THF.29575.CSS","price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/Orbweavingcover1500px.jpg?v=1756849493"},{"product_id":"have-a-nice-life-the-unnatural-world-cs","title":"Have A Nice Life \"The Unnatural World\" CS","description":"\u003cp class=\"m_-7170707172117470444gmail-p1\"\u003eHave a Nice Life “The Unnatural World” pressing five. This is a new better sounding cut of 2014’s “The Unnatural World.” This version should be louder and have a more transparent sound with less noise than the original cut of the album. The album is a single LP in a gatefold jacket. The repress jacket has a different rougher stock than the original album.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr\u003e01. Guggenheim Wax Museum \u003cbr\u003e02. Defenestration Song \u003cbr\u003e03. Burial Society \u003cbr\u003e04. Music Will Untune The Sky \u003cbr\u003e05. Cropsey \u003cbr\u003e06. Unholy Life \u003cbr\u003e07. Dan and Tim, Reunited By Fate \u003cbr\u003e08. Emptiness Will Eat The Witch\u003c\/p\u003e","brand":"The Flenser","offers":[{"title":"Cassette","offer_id":52319098110216,"sku":"D01.HAN.THF.29577.CSS","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/have-a-nice-life-the-unnatural-world-the-flenser_f507c7f1-67c6-4b12-89a7-78e9c2ecc485.jpg?v=1756849569"},{"product_id":"wreck-and-reference-stay-calm-cs","title":"Wreck And Reference \"Stay Calm\" CS","description":"\u003cp\u003eWreck and Reference's fifth full-length is a meditation on the horror of modern life.\u003c\/p\u003e\n\u003cp\u003eHow can one stay calm when it is inherently terrifying to be alive in the first place? For Felix Skinner and Ignat Frege, staying calm means facing the void head-on. Hey, at least it’s something.\u003c\/p\u003e\n\u003cp\u003eFifteen years ago, two men emerged from an overheated garage in the harrowing wastelands of California with a singular vision for the future of dark, intense music: tortured samples, blasted acoustic drums, and a distinct lack of guitars. They walked straight past the orthodoxies of metal music and into the weird new dawn of electronic experimentalism. Since then, heavy music has evolved – yet Wreck and Reference's vision remains fresh, transgressive, and undeniably existential in its pressure against the current breed.\u003c\/p\u003e\n\u003cp\u003eA lot has happened in the world since Wreck and Reference's last full-length, Absolute Still Life. Between a global pandemic, swirling political environment, and the rise of artificial intelligence, Stay Calm is over five years in the making. It is in constant flux, a record that refuses to be inoculated, assimilated, or inured to the atrocities of daily life. It asks: is it fruitless to stake a claim in the all-too-fleeting ordeal of existence? Whatever the answer, embrace the implications.\u003c\/p\u003e\n\u003cp\u003eStay Calm is anything but. A wild ride that never loses its focus. Seatbelts off, please.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr\u003e1. Healthy Instinct\u003cbr\u003e2. Burning\u003cbr\u003e3. The Cup\u003cbr\u003e4. A Cure\u003cbr\u003e5. Nill Arm\u003cbr\u003e6. All That I Want\u003cbr\u003e7. Dogtracking\u003cbr\u003e8. The Flood\u003cbr\u003e9. Be Careful\u003c\/p\u003e","brand":"The Flenser","offers":[{"title":"Cassette","offer_id":52319099027720,"sku":"D01.WAR.THF.45239.CSS","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/wreck-and-reference-stay-calm-lp-pre-order-1181830926_2048x_29ddb325-7a96-40fb-af4f-2e5da32c5a8c.webp?v=1756849595"},{"product_id":"agriculture-the-spiritual-sound-cs","title":"Agriculture \"The Spiritual Sound\" CS","description":"\u003cp\u003eThere’s a kind of quiet violence in how music is consumed today—flattened into background noise, sonic perfume fed into algorithms, sold as lifestyle. It’s entertainment as anesthesia. Sound without the weight. The Spiritual Sound, the new full-length from Los Angeles–based band Agriculture, stands as a pointed refusal of this condition. This is not a playlist. This is not a vibe. It is a demand.\u003c\/p\u003e\n\u003cp\u003eAcross its runtime, The Spiritual Sound traces a narrative arc through extremes: searing, sky-cracking catharsis on side A; a slow-burning, devotional undercurrent on side B. The album is largely a fusing of the visions of its two principal songwriters, Dan Meyer and Leah Levinson: distinct voices, deeply complementary.\u003c\/p\u003e\n\u003cp\u003eDan writes like someone clawing toward the divine through noise, channeling Zen Buddhism, historical collapse, ecstatic grief. Leah’s songs move differently: grounded in queer history and AIDS-era literature, amid the suffocating fog of the present, they carry the weight of survival as daily ritual. Her writing asks how to honor queer community and collective struggle without turning it into identity branding or personal mythmaking: how to stay honest, how to stay present. Though distinct, their voices converge in a singular spiritual grammar—one that defines the totality of The Spiritual Sound, not as separate parts, but as one unified expression.\u003c\/p\u003e\n\u003cp\u003eAgriculture’s formation mirrors this duality. What began as a loose collaboration between Kern Haug and Dan Meyer in the Los Angeles noise scene evolved into a shared pursuit of the sublime through heavy music. With the additions of Richard Chowenhill and Leah Levinson, the project solidified into the band’s current form. The ecstatic black metal foundation was laid on 2022’s The Circle Chant, expanded into something more precise and far-reaching on their 2023 self-titled full-length, and deepened further with 2024’s Living Is Easy: a record that embraced devotional intensity and radiant heaviness in equal measure.\u003c\/p\u003e\n\u003cp\u003eAgriculture’s writing process is built on dismantling and revision of self. Dan and Leah bring songs to the band and then allow them to be pulled apart and rebuilt communally: reshaped through conflict, repetition, and deep trust. Richard adds guitar melodies and solos, and Kern constructs rhythms which are sometimes familiar but often unconventional. Finally, with Richard producing, the final form of each song is realized through intense collaborative work in the studio. Although a time consuming and ego-frustrating process, this allows the band to find the spirit of the songs not through inspiration, but through persistence.\u003c\/p\u003e\n\u003cp\u003eYet, even in its most ambitious moments, The Spiritual Sound remains rooted in the ordinary and in the day-to-day relationships between the people who made it. Gas station snacks. Inside jokes. Sleeping on floors. Playing shows in rooms that smell like mildew. The spirit here isn’t abstract, it's live. This is spiritual music that starts with imperfect gear and a long-in-the-tooth tour van.\u003c\/p\u003e\n\u003cp\u003eAgriculture doesn’t offer salvation. The Spiritual Sound isn’t a map out of the fire. What it offers instead is presence: a confrontation with the moment, however unbearable, however divine. It insists that meaning is still possible, even in a world hell-bent on reducing everything to content, and where suffering itself can be conducive to recovery. As the Buddhist saying goes “the only way out is in.”\u003c\/p\u003e\n\u003cp\u003eWhen the founder of Chinese Zen, Bodhidharma, was asked by the emperor of China “What is the true meaning of the holy truth?” He replied, “Vast emptiness. Nothing holy.” This is not background music. This is not for vibe. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr\u003e01. My Garden\u003cbr\u003e02. Flea\u003cbr\u003e03. Micah (5:15am)\u003cbr\u003e04. The Weight\u003cbr\u003e05. Serenity\u003cbr\u003e06. The Spiritual Sound\u003cbr\u003e07. Dan's Love Song\u003cbr\u003e08. Bodhidharma\u003cbr\u003e09. Hallelujah\u003cbr\u003e10. The Reply\u003c\/p\u003e","brand":"The Flenser","offers":[{"title":"Cassette","offer_id":52319099388168,"sku":"D01.ATS.THF.44969.CSS","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/Cover_HIRES.png?v=1756849595"},{"product_id":"faetooth-labyrinthine-cs","title":"Faetooth \"Labyrinthine\" CS","description":"\u003cp\u003eLos Angeles trio Faetooth’s sophomore album Labyrinthine is a deeply felt exploration of emotional weight: grief, memory, uncertainty, and the quiet work of growing around your own wounds.\u003c\/p\u003e\n\u003cp\u003eFollowing their 2022 debut Remnants of the Vessel, which introduced the band’s signature blend of heaviness and mysticism, Labyrinthine pushes further inward. True to its name, the album winds through a maze of feeling and form, where meaning is never handed over easily. It’s rooted in self-discovery through disorientation, the idea that understanding comes not from escape, but from getting lost.\u003c\/p\u003e\n\u003cp\u003eAri May (guitars and vocals), Jenna Garcia (bass and vocals), and Rah Kanan (drums) manage to stay grounded in the immediate in parallel with fantasy themes of the band's namesake. Labyrinthine holds space for this contradiction; tenderness and intensity, restraint and release. The band's self-branded “fairy doom” sound fits between shoegaze, doom, and grunge. It isn’t just texture; it’s a framework for navigating the unsaid.\u003c\/p\u003e\n\u003cp\u003eLike the myth that inspired its title, Labyrinthine doesn’t end in victory, but in confrontation—not with escape, but with the Minotaur. Only here, the Minotaur isn’t a monster. It’s something quiet and more familiar: unresolved feelings, old memories, and sadness that refuse to stay buried. The album winds like a maze, sometimes heavy, sometimes hushed, always intentional.\u003c\/p\u003e\n\u003cp\u003eFaetooth isn’t chasing catharsis. They’re creating space to reflect, to feel, and maybe to get a little lost along the way.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr\u003e1. Iron Gate\u003cbr\u003e2. Death of Day\u003cbr\u003e3. It Washes Over\u003cbr\u003e4. Hole\u003cbr\u003e5. White Noise\u003cbr\u003e6. Eviscerate\u003cbr\u003e7. October\u003cbr\u003e8. Mater Dolorosa\u003cbr\u003e9. The Well\u003cbr\u003e10. Meet Your Maker\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/t9nFicK_n5E\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"The Flenser","offers":[{"title":"Cassette","offer_id":52319099650312,"sku":"D01.FL.THF.44830.CSS","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/coverart1500px.jpg?v=1756849592"},{"product_id":"planning-for-burial-its-closeness-its-easy-cs","title":"Planning For Burial \"It's Closeness, It's Easy\" CS","description":"\u003cdiv\u003e\u003cspan\u003ePlanning for Burial is the solo project of Thom Wasluck, emerging from Wilkes-Barre, Pennsylvania. It’s Closeness, It’s Easy, his fourth album, arrives on May 30th via The Flenser.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIt’s Closeness, It’s Easy is the long-awaited follow-up to 2017’s Below the House.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIf Below the House was about returning home, following in the footsteps of your father and joining a union, and leaving behind youth’s wild days, It’s Closeness, It’s Easy embraces what comes next—the weight of all years, the quiet shifts, the reckoning with what remains. This record is many things. It captures the slow drift of time, the unnoticed shifts in a loved one—the creeping changes in mental health, the quiet pull of addiction, the kind of grief that settles in the bones rather than announces itself.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAt its core, It’s Closeness, It’s Easy is about stepping into middle age and taking stock. It confronts the reality of living with the hand that’s been dealt and searching for meaning in what remains. It speaks to loss—the crushing weight of saying goodbye to a beloved 17 year old cat, the slow-motion grief of watching friends self-destruct, the inescapable passage of time as it bears down on aging parents and the self. But it also reflects the warmth of reconnection, the kind of love that never burns out but instead deepens. The feeling of picking up where things left off, untouched by the years in between.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWhile written over the course of two years, the recording process reflects a sense of immediacy. Rather than assembling songs piece by piece over time, the album took shape in singular, immersive sessions—less an act of construction, more an unveiling of something already waiting to take shape.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRooted in a staunch DIY ethos, Wasluck handles every aspect of Planning For Burial project himself—recording the music, designing the artwork, and performing live as a one-man band. He books his own tours, ever and independent creative. This hands-on approach has led Planning for Burial to play hundreds of shows solidifying his place in the underground music scene. A defining moment came in 2018 when he performed at the Meltdown Festival in London, curated by Robert Smith of The Cure.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAs of 2025 Planning For Burial has existed for 20 years. Wasluck’s debut full-length, Leaving (2009), was released on Enemies List Home Recordings, the in-house label of Have a Nice Life. In 2014, he joined The Flenser with Desideratum, becoming a cornerstone for the label’s connection to community and ethos. The follow-up, Below the House (2017), was met with widespread acclaim, further establishing Planning for Burial as a voice that's singular and unique.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1. You Think\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2. Movement Two\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3. (blueberry pop)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4. A Flowing Field Of Green\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5. With Your Sunglasses On Like A Ghoul\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6. Grivo\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7. Twenty-Seventh of February\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8. Fresh Flowers For All Time\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9. Farm Cat, Watching\u003c\/span\u003e\u003c\/div\u003e","brand":"The Flenser","offers":[{"title":"Cassette","offer_id":52319100371208,"sku":"D01.PFB.THF.44516.CSS","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/planning-for-burial-it-s-closeness-it-s-easy-lp-pre-order-1146808608_5000x_d0280ce4-5809-4fd3-b782-c27028c775da.webp?v=1756849591"},{"product_id":"chat-pile-cool-world-cs","title":"Chat Pile \"Cool World\" CS","description":"\u003cdiv\u003e\u003cspan\u003eLike the towering mounds of toxic waste from which it gets its namesake, the music of Oklahoma City noise rock quartet Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has struck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile’s music is a poignant reminder of that shift – a portrait of an American rock band molded by a society defined by its cold and cruel power systems.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBesides being the name of a largely forgotten (and panned) 90s film, Cool World makes for an apt title of Chat Pile’s sophomore full-length record. In the context of a Chat Pile record, the words are steeped in a grim double entendre that not only evokes imagery of a dying planet but a progression from the band’s previous work, moving the scope of its depiction of modern malaise from just “God’s country” to the entirety of humankind. “Cool World covers similar themes to our last album, except now exploded from a micro to macro scale, with thoughts specifically about disasters abroad, at home, and how they affect one another,” says vocalist Raygun Busch.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThough very much on-brand with Chat Pile’s signature flavor of cacophonous, sludgy noise rock, the band’s shift to a global thematic focus on Cool World not only compliments the broader experimentations it employs with their songwriting but also how they dissect the album’s core theme of violence. Melded into the band’s twisted foundational sound are traces of other eclectic genre stylings, with examples of gazy, goth-tinged dirges to abrasive yet anthemic alt\/indie-esque hooks and off-kilter metal grooves only scratching the surface of what can be heard in the album’s ten tracks. “While we wanted our follow-up to God’s Country to still capture the immediate, uncompromising essence of Chat Pile, we also knew that with Cool World, we’d want to stretch the definition of our “sound” to reflect our tastes beyond just noise rock territory,” reflects bassist Stin. “Now that we had some form of creative comfort zones in place after hitting that milestone of putting out a full-length record, album #2 felt like the perfect opportunity to challenge those limits.” Besides stylistically stretching the boundaries of the Chat Pile sound, Cool World is also the band’s first record to have someone else handle mixing duties, with Ben Greenberg of Uniform (Algiers, Drab Majesty, Metz) capturing and further amplifying the quartet’s unmistakably outsider and folk-art edge.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe proverbial thread tying all of the experimentation on Cool World together is the depth to which Chat Pile dissects the album’s theme of violence. Whether it be the cycle of creating and passively consuming literal and figurative violence on sister tracks “Camcorder” and “Tape”, the diminishment of crimes against humanity by way of foreign policy and colonialism on “Shame”, or the mental anguish of hopelessness on “The New World”, Cool World is an apocalyptically bleak record. Sure, Chat Pile’s debut album was plenty disturbing with its B-movie-inspired interpretation of a “real American horror story”; what Chat Pile depicts on Cool World is unsettling not just from its visceral noise rock onslaught, but from depicting how all sorts of atrocities are pretty much standard parts of modern existence. In film terms, think something like a Criterion arthouse film by way of schlocky grindhouse splatterfest: undeniably gratuitous and thrilling in the moment but leaving a looming dread in the back of one’s mind for how close the horrors depicted mirror reality.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e“If I had to describe the album in one sentence,” explains Busch, “It’s hard not to borrow from Voltaire, so I won’t resist – Cool World is about the price at which we eat sugar in America.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1. I Am Dog Now\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2. Shame\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3. Frownland\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4. Funny Man\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5. Camcorder \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6. Tape\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7. The New World\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8. Masc\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9. Milk of Human Kindness\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10. No Way Out\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003c!-- split --\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xvvBnmR_ClQ\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"The Flenser","offers":[{"title":"Cassette","offer_id":52319100829960,"sku":"D01.CPC.THF.37516.CSS","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/coverart3000px_1.jpg?v=1756849584"},{"product_id":"uboa-impossible-light-cs","title":"Uboa \"Impossible Light\" CS","description":"\u003cdiv\u003e\u003cspan\u003eUboa’s fifth album Impossible Light almost never made it out of the dark. From its initial conception in 2018, this record went to hell and back, dragging its immensity and too-big-to-hold emotion through the torturous process of translation to sound and returned triumphantly as a full-bodied record in a distinct new style.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eImpossible Light begins where Uboa's 2019 breakout album The Origin of My Depression left off — and ends somewhere entirely different. The Origin stunned with its methodical use of doom, harsh noise, and ambient soundscapes while documenting a raw, unhindered account of Xandra Metcalfe’s experiences with her transition and her struggles with mental health. Over time The Origin steadily grew a cult-like following which developed into a full-fledged internet community focused around noise, neurodiversity and transness. While Uboa’s signature style of highly polished, cinematic ‘hypernoise' is front and center in Impossible Light, there is also a daring departure into the genres of industrial metal\/rock, setting it apart from any other Uboa release thus far and distinguishing it from other contemporary noise records.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMetcalfe kept the lyrical content of this record as a time capsule of the catastrophic ups and downs and rapidly changing environments within herself and in the world from 2018-2023. Key collaborators include Blood of a Pomegranate, Otay:onii, Charlie Looker and Haela Hunt-Hendrix of Liturgy. Impossible light dives fearlessly into queer sexuality, trans embodiment, grief for those who couldn't make it, solidarity for those facing unimaginable discrimination, the toxic spread of transphobic hatred and misinformation, and the ultimate hope of recovery from trauma and mental anguish. This is a record about the light at the end of the tunnel and the power it takes to keep moving towards it.  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1. Phthalates\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2. Endocrine Disruptor\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3. A Puzzle\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4. Gordian Worm (ft. Blood of a Pomegranate)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5. Pattern Screamers\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6. Jawline\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7. Weaponised Dysphoria\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8. Sleep Hygiene\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9. Impossible Light \/ Golden Flower (ft. Otay:onii)\u003c\/span\u003e\u003c\/div\u003e","brand":"The Flenser","offers":[{"title":"Cassette","offer_id":52319101026568,"sku":"D01.UIL.THF.37469.CSS","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/coverart3000px.jpg?v=1756849584"},{"product_id":"ragana-desolations-flower-cs","title":"Ragana \"Desolation's Flower\" CS","description":"\u003cdiv\u003eRagana is a duo whose members alternate duties on drums, guitar, and vocals to produce some of the most unique and affecting dark music in metal today. The two-piece came together in 2011 in the DIY punk scene of Olympia, WA and are now based in Olympia and Oakland, CA. In their time together so far, Ragana have self-released 5 albums and teamed up with genre-favourite Thou for a split release in 2018. The following year, Ragana released their heralded We Know That the Heavens Are Empty EP and have quietly been working on new music ever since. The band signed with The Flenser in late 2022 and now announce their forthcoming debut LP for the label, Desolation’s Flower.\u003cbr\u003e\u003cbr\u003eOn Desolation’s Flower, Ragana draws upon a number of influences from the flora and fauna of their Pacific Northwest origins to the darkly nostalgic folk of Mt. Eerie and, yes, their Olympian forebears Wolves In The Throne Room, synthesizing them into an experimental, highly idiosyncratic take on black metal. Held together by an intense focus on raw emotion and haunting atmospherics, Ragana shifts seamlessly from tender, mesmerizing vocal harmonies to piercing, heart-ripping screams and back again, yielding music that is heavy, beautiful and punishing all at once.\u003cbr\u003e\u003cbr\u003eWritten over the past few tumultuous years, Desolation’s Flower is the band’s most devastating effort to date, containing seven incantations of loss, rage, pain and hope. Expertly engineered by the masterful Nicholas Wilbur at the Unknown Studio in Anacortes, Washington (Planning For Burial, drowse, Divide and Dissolve, Have a Nice Life), the album serves as the culmination of the past decade plus of the band's ethos and execution. \u003cbr\u003e\u003cbr\u003eThe album’s eponymous album opener sets the theme for the record and embodies the spirit of Ragana: “a hymn of gratitude for queer and trans ancestors, known or unknown, by blood or affinity, whose joy and survival make our lives possible, and whose memory inspires and helps us resist the tide of increasingly visible hatred and oppression,” the band explains. Pain mourns and celebrates a childhood best friend lost to an overdose, excavating beneath shame and sadness, to stand in the pain and the joy together. Side B opener “DTA,” an acronym for “Death To America,” starts as a questioning whisper and ends in a crying scream. The song fuses together the sounds of a riot unfolding in the streets of Oakland, emphasizing the message that this song is a zeitgeist of the times. Death is an inspiration for the album from start to finish and the Desolation’s Flower examines all facets of it; “Death is a new beginning, just a word to inspire a different vision of a future,” Ragana comments. Album closer “In the Light of the Burning World” brings Desolation’s Flower all together: the final lyric laments “We live in the light of the burning world,” cascading from rage and survival into catharsis and compassion.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr\u003e1. Desolation's Flower\u003cbr\u003e2. Woe\u003cbr\u003e3. Ruins\u003cbr\u003e4. DTA\u003cbr\u003e5. Winter's Light Pt. 2\u003cbr\u003e6. Pain\u003cbr\u003e7. In the Light of the Burning World\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e","brand":"The Flenser","offers":[{"title":"Cassette","offer_id":52319102075144,"sku":"D01.RDF.THF.30923.CSS","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/Raganacover3000px.jpg?v=1756849581"},{"product_id":"agriculture-agriculture-cs","title":"Agriculture \"Agriculture\" CS","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFor something to be “ecstatic,” the feelings and emotions it evokes must transcend what we tend to experience most regularly in our lives. Ecstatic joy isn’t just happiness; it’s a feeling of jubilation which impacts us emotionally and in a metaphysical, arguably spiritual sense too. Although it has long been associated with connotations of the dark and macabre, extreme music has the ability to be a powerful mode of expression for these feelings of absolute bliss, overwhelming love, and awe-inspiring sublimity. Extreme emotions no less and those which black metal quartet Agriculture evokes with its ecstatic subversion of the subgenre’s tropes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhat was initially a meeting and subsequent series of jam sessions between Kern Haug and Daniel Meyer, two musicians in the Los Angeles underground noise scene, would eventually manifest as a shared vision to portray the sublimity of the human experience through the vehicle of heavy music. Following the additions of veteran guitarist Richard Chowenhill and bassist\/vocalist Leah Levinson to the band’s lineup, this idea would crystalize into the “ecstatic black metal” backbone of Agriculture’s music, first heard on the band’s 2022 debut EP, The Circle Chant.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith Agriculture’s self-titled record and first full-length LP, it’s abundantly clear that the band’s use of heavy music to showcase the most resplendent emotions and moments of the human experience has a far deeper meaning. Woven between the flurries of soaring tremolo picking, crescendoing guitar harmonies, celebratory screamed vocals, thoughtful improvisation, and meditative atmospheric passages is the record’s mission statement to experience the wonders and joys of both the esoteric and physical world. From examinations of self-acceptance, identity, and finding strength in others on “Look Pt.2” to depictions of deep communion with nature, the self, and the people we surround ourselves with in “The Glory of the Ocean” and “The Well”, the concepts and thematic questions previously planted by the band have blossomed into powerful, fully-realized artistic and philosophical statements. To put it in the band’s words, “...Where The Circle Chant is like a finger pointing at the moon, the self-titled LP is like a whole body screaming at it with reverence.” Through the extreme splendor of ecstatic black metal and the improvisational, experimental, and cathartic elements it embodies, Agriculture illustrates these otherwise incomprehensible questions with a poignant beauty that makes its music as much of an artistic statement as it is a transcendental experience.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr\u003e1. The Glory of the Ocean\u003cbr\u003e2. The Well\u003cbr\u003e3. Look, Pt. 1\u003cbr\u003e4. Look, Pt. 2\u003cbr\u003e5. Look, Pt. 3\u003cbr\u003e6. Relier\u003c\/span\u003e\u003c\/p\u003e","brand":"The Flenser","offers":[{"title":"Cassette","offer_id":52319102238984,"sku":"D01.AA.THF.29308.CSS","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/cover1500px.jpg?v=1756849580"},{"product_id":"drowse-wane-into-it-cs","title":"Drowse \"Wane Into It\" CS","description":"\u003cp\u003eIn 2019, Drowse’s Kyle Bates set out to produce a self-recorded new album. Marked by moving across state lines, long-distance relationships, and deaths in the family, the following years proved to be metamorphic. Now, three years later, he’s emerged with Wane into It, continuing a distinctly Pacific Northwestern tradition of self-recording indie experimentalists (Grouper, The Microphones, Unwound’s Leaves Turn Inside You). \u003cbr\u003e\u003cbr\u003eOne of the most impactful moments came during the looming passing of a family member. With death expected, the choice was made to conduct a bizarre “living-wake” gathering — with the soon-to-be-deceased in attendance. Shortly after, Bates found himself disturbed, preoccupied with the abstraction of memory. The experience led him to reassess the tool we use to curate our selective memories: the internet. The internet, which creeped into even more aspects of life during the pandemic, serves as our self-made digital link to the past. Its uncaring presence layered over humbling thoughts of death and his own childhood memories of the Oregon Coast as he worked on Wane into It; life’s hyperreal texture sank into the recordings as he felt his body age and wane. \u003cbr\u003e\u003cbr\u003eBig sounds were captured in bedrooms, hallways, practice spaces, forests, and on highways throughout West Coast — vibraphones chime over black metal guitars, a mellotron drones under degraded samples, violins splinter against granular field recordings. In the process of documenting these aural moments Bates completed an MFA at Mills College, coloring the album with shades of avant-electronic and minimalist composition (Pauline Oliveros, Terry Riley, Maryanne Amacher, Sarah Davachi etc…). To realize this scope Drowse collaborated with Madeline Johnston (Midwife), Alex Kent (Sprain), Lula Asplund, a chamber ensemble and more.\u003cbr\u003e\u003cbr\u003eBates’s songwriting and production have never been more lucid; sounds flicker as he sings with fragile intensity. The record, Drowse’s third for The Flenser, impressionistically distills loss, distance, mystery, prescription drugs, the preservation of memory via recording, and ambient anxiety through its titular act: to Wane into It, to disappear awaiting the next moon phase, water returning to sea before reemerging as a wave.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr\u003e1. Untrue in Headphones\u003cbr\u003e2. Mystery Pt. 2\u003cbr\u003e3. (Ashes Over the Pacific Northwest)\u003cbr\u003e4. Wane into It\u003cbr\u003e5. Telepresence\u003cbr\u003e6. Gabapentin\u003cbr\u003e7. Blue Light Glow\u003cbr\u003e8. Three Faces (Cyanoacrylate)\u003cbr\u003e9. Ten Year Hangover \/ Deconstructed Mystery\u003c\/p\u003e\n\u003c!-- split --\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/zG-UpVHqgbg\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"The Flenser","offers":[{"title":"Cassette","offer_id":52319102435592,"sku":"D01.DWI.THF.24570.CSS","price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/CoverArtWaneintoIt1500x1500_CannonLOWTIDE.jpg?v=1756849576"},{"product_id":"chat-pile-gods-country-cs","title":"Chat Pile \"God's Country\" CS","description":"\u003cp\u003eThere’s a sick irony to how a country that extols rhetoric of individual freedom, in the same gasp, has no problem commodifying human life as if it were meat to feed the insatiable hunger of capitalism. If this is American nihilism taken to its absolute zenith, then God’s Country, the first full length record from Oklahoma City noise rock quartet Chat Pile is the aural embodiment of such a concept.\u003cbr\u003e\u003cbr\u003eHaving lived alongside the heaps of toxic refuse that the band derives its name from, the fatalism of daily life in the American Midwest permeates throughout the works of Chat Pile, and especially so on its debut LP. Exasperated by the pandemic, the hopelessness of climate change, the cattle shoot of global capitalism, and fueled by “...lots and lots and lots and lots and lots and lots of THC,” God’s Country is as much of an acknowledgement of the Earth’s most assured demise as it is a snarling violent act of defiance against it. Within its over 40 minute runtime, God’s Country displays both Chat Pile’s most aggressively unhinged and contemplatively nuanced moments to date, drawing from its preceding two EPs and its score for the 2021 film, Tenkiller. In the band’s own words, the album is, at its heart, “Oklahoma’s specific brand of misery.” A misery intent on taking all down with it and its cacophonous chaos on its own terms as opposed to idly accepting its otherwise assured fall. This is what the end of the world sounds like. God’s Country is out via The Flenser.\u003cbr\u003e\u003cbr\u003eIn just a couple of years, Oklahoma City’s Chat Pile has made nothing short of a profound impression on the underground music discourse. Formed in the spring of 2019 by Raygun Busch (vocals), Luther Manhole (Guitar), Stin (Bass), and Captain Ron (Drums), the noise-rock quartet would release two EPs that same year, titled This Dungeon Earth and Remove Your Skin Please respectively. Spurred on by both a hearty run of live performances and a swiftly growing online fanbase, Chat Pile became a staple name among its genre contemporaries thanks to its hellish synthesis of noise rock, sludge, industrial, and mid 90’s nu-metal. In 2020, the band would sign with San Francisco underground music label, The Flenser, to put out its upcoming full length debut. That following year, Chat Pile kept its roll going, with accolades including composing the score for the indie film, Tenkiller, as well as releasing a 7” split with portrayal of guilt in the summer. Despite its creation only a couple of years ago, Chat Pile has already played alongside a number of acclaimed underground acts, including Street Sects, portrayal of guilt, Psychic Graveyard and Distorted Pony.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr\u003e1. Slaughterhouse\u003cbr\u003e2. Why\u003cbr\u003e3. Pamela\u003cbr\u003e4. Wicked Puppet Dance\u003cbr\u003e5. Anywhere\u003cbr\u003e6. Tropical Beaches, Inc.\u003cbr\u003e7. The Mask\u003cbr\u003e8. I Don't Care If I Burn\u003cbr\u003e9. grimace_smoking_weed.jpeg\u003c\/p\u003e\n\u003cp\u003e\u003c!-- split --\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/74Wm1d3Dq8c\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"The Flenser","offers":[{"title":"Cassette","offer_id":52319103090952,"sku":"D01.CPG.THF.23241.CSS","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/chatpilecopy.jpg?v=1756849575"},{"product_id":"cremation-lily-dreams-drenched-in-static-cs","title":"Cremation Lily \"Dreams Drenched In Static\" CS","description":"\u003cp\u003eCremation Lily’s “Dreams Drenched in Static” exists at the horizon of consciousness and heavy experimental music. Through the use of frenetic vocal melodies, tape degradation, and guitar noise, the album documents the liminal moments at the edge of sleep, and the distressing thoughts that often accompany late-night R.E.M. disturbances. The lyrics were largely written at three in the morning and serve to evoke the depression and meditations on death that seem to haunt these early hours.\u003c\/p\u003e\n\u003cp\u003eBased in London, England, Cremation Lily is the project of Zen Zsigo. Like many Flenser artists, Cremation Lily is difficult to classify. Starting out in 2009 as a sample based ambient artist, Cremation Lily has evolved to incorporate more rock based guitar instrumentation and influence from a wide range of genres such industrial, shoegaze, tape loops, noise, and power electronics.\u003cbr\u003e\u003cbr\u003eAlthough rooted in electronic music, Cremation Lily shares similarities with other Flenser artists like Planning For Burial and Have a Nice Life, as well as black metal. \"Dreams Drenched in Static\" is the first Cremation Lily album to primarily rely on guitar and vocal-based contributions, and is the project’s most intentional and developed work to date.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr\u003e1. Barely Remembered\u003cbr\u003e2. Dreams Drenched in Static\u003cbr\u003e3. Wavering Blood\u003cbr\u003e4. I'm Done (Indefinite Light)\u003cbr\u003e5. Body on a Lake\u003cbr\u003e6. Moonlight Doses\u003cbr\u003e7. Selfless\u003cbr\u003e8. Overflowing Velvet Tide\u003cbr\u003e9. I Need to Stop Blaming Myself\u003cbr\u003e10. In Pain, Surrendering\u003c\/p\u003e","brand":"The Flenser","offers":[{"title":"Cassette","offer_id":52319103320328,"sku":"D01.CLD.THF.21214.CSS","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/FR131.COVERART1500pxcopy.jpg?v=1756849575"},{"product_id":"have-a-nice-life-sea-of-worry-cs","title":"Have A Nice Life \"Sea Of Worry\" CS","description":"\u003cp class=\"m_-8503120414690108377gmail-p1\"\u003e\u003cem\u003e\u003cspan class=\"m_-8503120414690108377gmail-s1\"\u003e“I can stay up late whenever I want... but other than that, it’s nothing like I thought. I guess I thought I’d know what I’m doing by now... but I know nothing.” \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"m_-8503120414690108377gmail-p3\"\u003e\u003cspan class=\"m_-8503120414690108377gmail-s1\"\u003eHave A Nice Life was formed in a time of Dan’s and Tim’s life that reflected concerns with depression and suicidal ideation. As the following for the project has grown, and Dan and Tim have aged and faced new life challenges with family and careers, their new album Sea of Worry reflects just that.  Dread is the primary theme that is woven throughout Sea of Worry - the dread of aging, children growing up, and an increasingly uncertain future.   However, Sea of Worry is Have A Nice Life at the peak of their powers; Dan and Tim’s unmistakable chemistry coupled with a propulsive backing band catapults them into stratosphere.  These 7 tracks ebb and flow with noise and melody, and are so well-crafted it’s near impossible to get them out of your head.\u003cspan class=\"m_-8503120414690108377gmail-Apple-converted-space\"\u003e  \u003c\/span\u003eMore concise and perhaps more straightforward than their past releases, Have A Nice Life has found new focus and discipline on Sea of Worry and the album is a triumphant addition to their ever-evolving discography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_-8503120414690108377gmail-p3\"\u003e\u003cspan class=\"m_-8503120414690108377gmail-s1\"\u003e\u003c\/span\u003e\u003cspan class=\"m_-8503120414690108377gmail-s1\"\u003eHave A Nice Life was, is, and always will be Dan Barrett and Tim Macuga. Have A Nice Life is also Myke Cameron (bass), Rich Otero (drums, synths, programming), Joe Streeter (guitar), Cody Kestigian (live visuals).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr\u003e1. Sea Of Worry\u003cbr\u003e2. Dracula Bells\u003cbr\u003e3. Science Beat\u003cbr\u003e4. Trespassers W\u003cbr\u003e5. Everything We Forgot\u003cbr\u003e6. Lords of Tresserhorn\u003cbr\u003e7. Destinos\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/gLkxcoEPcMc\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"The Flenser","offers":[{"title":"Cassette","offer_id":52319104631048,"sku":"D01.HAN.THF.40080.CSS","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/hanl_sea_of_worry_cover_1500_1_1.jpg?v=1756849567"},{"product_id":"pyramids-pythagoras-cs","title":"Pyramids \"Pythagoras\" CS","description":"\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003ePythagoras, the new Pyramids album nine years in the making, is set for release in 2025 via avant-tastemakers The Flenser. Yet another daring study in genre synthesis, the band continues to push boundaries in both sound and aesthetic, blending jagged fragments of black metal and shoegaze as they have done since their influential 2008 Hydra Head Records debut, only this time adding the unconventional layers of reggaeton and neoperreo to both voice and rhythm. Named after the ancient Greek philosopher, Pythagoras represents the band’s ongoing commitment to innovation, and the perpetual juxtaposition of the delicate and the devastating, embracing complex musical structures and rhythms that both challenge and captivate the listener. At the heart of the album lies an intricate balance between aggressive blast beats and the syncopated pulse of reggaeton’s signature dembow rhythm—a concept born from founder Rich Loren Balling’s own immersion in both extreme music and pop genres.  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTo bring the album’s vision to life, Pyramids enlisted vocalist Emy Smith, whose neoperreo-influenced vocals add a haunting, ethereal layer to the dense soundscape. The album's cover art, created by Miami-based nail artist Kro Vargas (aka Krocaine), further captures the ominous yet captivating essence of the music, hinting at the fusion of genres and cultures that defines Pythagoras.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePythagoras is not just a sonic evolution—it is an exploration of the cycles of musical extremes. Balling believes that genres, like metal, evolve towards greater intensity until they reach a point of such sonic density and noise that they return to something beautifully melodic and transcendent. This concept is reflected in the album’s dense, layered compositions and its ability to both overwhelm and soothe the listener. The album’s rhythm is a complex mathematical interplay, where the familiar blast beat and pounding dembow rhythm intersect, creating a sound that is both chaotic and hypnotic.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWith Pythagoras, Pyramids are once again poised to redefine the future of extreme music. As one of the most forward-thinking forces in contemporary music, the band will forge a path that transcends genre and time. Pythagoras is not just an album; it is a statement—a daring, innovative work that challenges convention and leads the listener through the unknown into new realms of sonic possibility.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1. Fools Gold (Mi Vida Ha Ido Pa Atras)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2. Pretty Pigs\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3. Bones and Eggshells\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4. Mira Mirame Brillar\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5. Brine\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6. Cracks\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7. God of Light\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"The Flenser","offers":[{"title":"Cassette","offer_id":52319105810696,"sku":"D01.PP.THF.44447.CSS","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/coverart3000px_07252caa-c40a-4247-a068-f9604ca2103e.jpg?v=1756849498"},{"product_id":"midwife-no-depression-in-heaven-cs","title":"Midwife \"No Depression In Heaven\" CS","description":"\u003cdiv\u003e\u003cspan\u003e“If rock n roll’s a dream, please don’t wake me.” \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMidwife’s No Depression In Heaven, her fourth studio album, was written primarily in the back of vans while on tour, endlessly, over the course of the past few years. The record engages with the contemplative spirit of rock n roll from within a body in motion. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo Depression In Heaven explores themes of sentimentality, the interplay between dreams, memory, and fantasy, and a familiar subject seen throughout all of Midwife’s work: grief. Madeline Johnston takes a look at the tender and transcendent underneath a hard exterior of leather and studs, exposing a different side of the heavy music scene, where Johnston’s project has been living and evolving.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRecording at home in New Mexico between 2021 and 2023, Johnston aimed to create something that was rough around the edges, returning to a free recording process that was less focused on perfection and more attuned to expressing the spirit that lives inside of the songs. The album features collaborations with Chris Adolf and Michael Stein of American Culture, Ben Schurr and Tim Jordan of Nyxy Nyx, Angel Diaz of Vyva Melinkolya, and Allison Lorenzen.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eInspired by ephemeral moments that make up life on tour, the totemization of vehicles, outlaws, and the psyche of America’s underbelly, No Depression In Heaven affirms Johnston’s existential status as a woman of the highway. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e“Vanessa” is a love song for Johnston’s dying van, while “Killdozer” is an ode to a city lost in the aftermath of gentrification. The latter centers on the story of Marvin Heemeyer, a muffler repair shop owner who went on a demolition spree in a modified bulldozer before killing himself in a small Colorado town in 2004. “Droving” is a memorial to departed souls, particularly those who in their lives were pillars of the music community which Johnston herself has helped to hold up for more than a decade. “It’s about the transient nature of what we do,” Johnston says. “Our bodies are vessels –– our bodies are, together, a vessel, a vehicle, and that togetherness allows us to become something larger than ourselves in the slipstream of the unconscious, droving.” \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe fleeting moments are beads which might otherwise sit separate or scatter, but something like collective participation in an underground scene, or a series of 25 performances in 25 cities over the course of a month, has the power to string together these otherwise disparate or spectral elements. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe album’s title was inspired by The Carter Family song, “No Depression In Heaven,” which speaks about the Great Depression and the mental state of depression interchangeably, drawing a direct line between the human condition on earth and emotional depression. Johnston may or may not believe that it’s literally possible to leave depression behind in the act of passing on, but she certainly believes that to thread the string, to weave and link the memories of lost friends, scenes, songs, and experiences: one has to trace the highway.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1. Rock N Roll Never Forgets\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2. Autoluminescent (Rowland S. Howard)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3. Droving\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4. Vanessa\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5. Killdozer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6. Better Off Alone (Alice Deejay)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e7. No Depression In Heaven\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e","brand":"The Flenser","offers":[{"title":"Cassette","offer_id":52319105974536,"sku":"D01.MND.THF.37268.CSS","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/albumcover3000pxcopy2.jpg?v=1756849497"},{"product_id":"ken-mode-venerable-cs","title":"KEN Mode \"Venerable\" CS","description":"Known for effortlessly blending noise rock reminiscent of old-school Amphetamine Reptile bands with the raw and aggressive nature of modern hardcore, KEN MODE has become one of the most devastating bands in the underground, following suit in the lineage of forward thinking heavy music to come out of the Great White North – what you might hear if Voivod and Cursed had a baby that started a noise-rock band. Songs like \"Batholith\" and \"Book of Muscle\" cling to the traditions of hardcore music that resonate with fans of Converge or Trap Them while \"A Wicked Pike\" takes on spastic noise rock elements, and \"Flight of the Echo Hawk\" pushes forth as a mind-bending instrumental masterpiece, clearly influenced by the post-rock movement of the 2000s. \"Venerable\", the band's fourth full-length album was produced by Kurt Ballou (Converge), mastered by Alan Douches at West West Side, and features layout by Randy Ortiz.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e1. Book Of Muscle\u003cbr\u003e2. Obeying The Iron Will...\u003cbr\u003e3. Batholith\u003cbr\u003e4. The Irate Jumbuck\u003cbr\u003e5. A Wicked Pike\u003cbr\u003e6. Flight Of The Echo Hawk\u003cbr\u003e7. Never Was\u003cbr\u003e8. The Ugliest Happy You've Ever Seen\u003cbr\u003e9. Terrify The Animals\u003cbr\u003e10. Mako Shark","brand":"No List","offers":[{"title":"Cassette","offer_id":52676057563400,"sku":"D01.KMV.THR.18803.CSS","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/a2236787595_10.jpg?v=1761225894"},{"product_id":"troller-drain-cs","title":"Troller \"Drain\" CS","description":"\u003cp\u003eAustin power trio TROLLER fuse fuzz bass, heavy analog electronics, and cinematic sound design into a simmering eight-song exorcism on their full-length Relapse debut Drain. Led by bassist and singer Amber Star-Goers, the line-up includes synthesist and rhythm programmer Adam Jones (of S U R V I V E), and guitarist and engineer Justin Star-Goers channeling their heaviest and most haunted currents into damaged anthems of wounded grandeur.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDespite TROLLER’s electronic underpinning, Drain heaves with the texture and turmoil of live performance. Standouts “Out Back” and “Rat Nest” drift shadowy and liminal, like underworld torch songs, while “Lust In Us” and the title track tilt and teeter in downward purgatories of smeared synth, screwed drum machinery, and fractured guitar. Amber Star-Goers wields her voice like a sacred weapon, alternately cursed, ethereal, erotic, and demonic. Instrumentally, Jones cites an array of techniques to achieve their ceremonial sound – from chromatic scales to shifting keys to the sculpted low end of rap production – but it’s the integration of so many disparate composites that elevates the group to a tier unto themselves.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDrain is both the sound of end times, and new beginnings. A multi-dimensional amplifier worship tinged with the stains of witch house, gothic pop and industrial shoegaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e1. Victim\u003cbr data-mce-fragment=\"1\"\u003e2. Lust in Us\u003cbr data-mce-fragment=\"1\"\u003e3. Into Dust\u003cbr data-mce-fragment=\"1\"\u003e4. Out Back\u003cbr data-mce-fragment=\"1\"\u003e5. Lictor\u003cbr data-mce-fragment=\"1\"\u003e6. Drain\u003cbr data-mce-fragment=\"1\"\u003e7. Rat Nest\u003cbr data-mce-fragment=\"1\"\u003e8. Gore\u003cbr\u003e\u003c\/p\u003e","brand":"Relapse Records","offers":[{"title":"Cassette","offer_id":52676424401160,"sku":"D01.TD.RLP.30597.CSS","price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/6136dfca8cc300457906cf9a9025ad74.jpg?v=1761225787"},{"product_id":"trait-dunion-adieu-la-fete-cs","title":"trait d'union \"adieu la fête\" CS","description":"\u003cp\u003e\u003cstrong\u003eTrack Listing :\u003cbr\u003e\u003c\/strong\u003e1. chien errant\u003cbr\u003e2. exil mental\u003cbr\u003e3. tout ira bien\u003cbr\u003e4. EDEE\u003cbr\u003e5. perdant magnifique\u003cbr\u003e6. dernier regard\u003cbr\u003e7. pleurnichard\u003cbr\u003e8. toulouse morose\u003cbr\u003e9. nique l'avenir\u003cbr\u003e10. adieu la fête\u003cbr\u003e\u003c\/p\u003e","brand":"Frozen Records","offers":[{"title":"Cassette","offer_id":52677097029896,"sku":"D01.TDA.FRZ.38888.CD","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/a3436198552_10_97884b83-d7e3-4c80-9174-1f3864b69075.jpg?v=1761225749"},{"product_id":"coliseum-anxietys-kiss-cs","title":"Coliseum \"Anxiety's Kiss\" CS","description":"\u003cp\u003eFounded by Louisville musician Ryan Patterson and including Kayhan Vaziri and Carter Wilson, power trio COLISEUM have grown to become one of today's quintessential contemporary punk bands. Successfully melding progressive musicianship, hardcore fervor, and vital social awareness into one constantly evolving artistic vision.\u003c\/p\u003e\n \u003cp\u003eOver the last decade COLISEUM have released music on a host of labels including; Temporary Residence, Relapse, Level Plane, Auxiliary (Ryan’s own label), and Deathwish.\u003c\/p\u003e\n \u003cp\u003e“Anxiety’s Kiss” is the new album from COLISEUM, recorded at The Magpie Cage by producer\/engineer J. Robbins (Jawbox, Burning Airlines). “Anxiety’s Kiss” is a hook-laden maturation of the Coliseum sound. Nods to their early D-Beat leanings are there, but it is their willingness to embrace Post-Punk melody and explore the space between notes that make “Anxiety’s Kiss” so alluring. Confidently growing within the punk world, without ever leaving it behind.\u003c\/p\u003e\n \u003cp\u003e“We Are The Water” kicks things off with a synth-driven stomp while lyrically serving as a poignant social awakening and call for human empathy. Amidst a tangle and twang of melody, “Course Correction” and “Wrong\/Goodbye” then emerge to tackle the ripe subjects of class division and police brutality. “Drums \u0026amp; Amplifiers” picks up pace, taking on those who reflect on their punk past rather than absorb the spirit that still charges the air around us. It’s not all social and subcultural commentary though. The dizzying “Dark Light Of Seduction” and sultry “Sharp Fangs, Pale Flesh” (where J. Robbins guests performing the BulBul Tarang) are darkly provocative narratives about the power of lust and love. In soul and tone, they both interject an emotional underbelly to it all. Robbins also adds bass on “Comedown”, an industrial-tinged romp led by Vaziri’s baritone guitar and Wilson’s booming toms. Coincidentally, it is also the first COLISEUM song ever recorded to not feature Patterson on guitar. “Sunlight in a Snowstorm” is the band at their most melodic, with a snow-covered New York City as its lyrical backdrop. The high beam lit, cinematic noir of “Driver at Dusk” and infectious, fuzzed-out “Escape Yr Skull” lastly descend to close out the album. A flawless, yin and yang pairing that is Coliseum at the peak of their experimental and anthemic powers.\u003c\/p\u003e\n \u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e01. We Are The Water \u003cbr\u003e02. Course Correction \u003cbr\u003e03. Wrong\/Goodbye \u003cbr\u003e04. Drums \u0026amp; Amplifiers \u003cbr\u003e05. Dark Life Of Seduction \u003cbr\u003e06. Sharp Fangs, Pale Flesh \u003cbr\u003e07. Comedown \u003cbr\u003e08. Sunlight In A Snowstorm \u003cbr\u003e09. Driver At Dusk \u003cbr\u003e10. Escape Yr Skull\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Cassette","offer_id":52678231195912,"sku":"D01.CAK.DTH.12087.CSS","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/coliseum-anxietys-kiss-deathwish-inc.png?v=1761266299"},{"product_id":"wear-your-wounds-rust-on-the-gates-of-heaven-cs","title":"Wear Your Wounds \"Rust On The Gates Of Heaven\" CS","description":"\u003cp\u003e\u003cspan\u003eWear Your Wounds was created by Converge founder Jacob Bannon. Initially conceived as a solo project, it evolved into a five-piece band that often works with collaborating musicians. In 2017 Wear Your Wounds released \"WYW\" (the debut double album) and \"Arthritic Heart\" (a New Noise Magazine single). A live band was then assembled for a number of shows including Roadburn Festival 2017 and Desert Festival UK. Later on that year their \"Dunedevil\" (an experimental album) was released; a companion piece to Bannon's abstract art book of the same name. In 2018 Wear Your Wounds released their \"Live at the BBC\" 12\" LP at Maida Vale Studio (MV4). That year Wear Your Wounds also played select shows on the East Coast and Europe including an appearance at Roadburn Festival 2018, which was also curated by Bannon.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Rust on the Gates of Heaven” is the new album from Wear Your Wounds.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe release marks the first time the official lineup of the band; Jacob Bannon (Converge), Mike McKenzie (The Red Chord, Stomach Earth, Unraveller, etc), Adam McGrath (Cave In, Nomad Stones, etc), Sean Martin (Twitching Tongues, ex-Hatebreed, ex-Kid Cudi), and Chris Maggio (ex-Trap Them, ex-Sleigh Bells, etc) have properly written and recorded together. It also features musicians Ben Chisholm (Chelsea Wolfe, White Horse) and Gared O’Donnell (Planes Mistaken For Stars, Hawks and Doves) collaborating throughout.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01. Mercifully\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Rust on the Gates of Heaven\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Paper Panther\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Tomorrow’s Sorrow\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Brittle Pillar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Truth is a Lonely Word\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Rainbow Fades\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. Love In Peril\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. Lurking Shadow\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Shrinking Violet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Mercilessly\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Deathwish","offers":[{"title":"Cassette","offer_id":52678238044424,"sku":"D01.WYW.DTH.14164.CSS","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/mini.wyw.rustonthegatesofheaven.1.3000.jpg?v=1761266310"},{"product_id":"bossk-migration-cs","title":"Bossk \"Migration\" CS","description":"\u003cp\u003eBossk are a metallic post-everything band from Ashford, Kent, England. \u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn many ways all of us are migrating. To who, or from, is unique to the individual. \"Migration\" from Bossk is a soundtrack to that herculean journey we all take. Opener \"White Stork\" is a haunting swirl of analog synth noise and guitars, painting an ominous and fantastic atmosphere. \"Menhir\" then kicks open the door as a sludge-metal giant of a track, featuring guest vocalist Johannes Persson of Cult Of Luna. Machine-like \"Iter\" serves as an otherworldly interlude, a pathway to the post-metal masterpiece \"HTV-3\". Featuring Palm Reader vocalist Josh Mckeown, the song conjures the spirit of Tool and even late-era Faith No More in its sonic twists and turns. Experimental \"Kibo\" offers a deeper glimpse before fading into the horizon. \"Lira\" then emerges, a towering giant of a song (nearly 10 minutes in length) that contains one of their most unforgettable riffs to date. All of this leads to the epic \"Unberth\". A beautiful slow-build closer that brings to mind Pink Floyd in its vast sonic expanse\u003c\/span\u003e.\u003c\/p\u003e\n \u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e0\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1. White Stork \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Mehir \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Iter \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. HTV-3 \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Kibo \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Lira \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Unberth\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Deathwish","offers":[{"title":"Cassette","offer_id":52678239224072,"sku":"D01.BM.DTH.18999.CSS","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/mini.bossk.migration.3000px.png?v=1761266322"},{"product_id":"chastity-suffer-summer-cs","title":"Chastity \"Suffer Summer\" CS","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrandon Williams makes resonant songs that capture isolation and resilience. As the songwriter behind Chastity, the Whitby, Ontario musician has made three unrelentingly perceptive albums culminating in the cathartic Suffer Summer, which is out January 13, 2022 via Deathwish and Dine Alone Records. The LP caps off an album trilogy that showcases both Williams’ emotional range as a lyricist but also his boundless love of outsider music. His 2018 debut Death Lust pulled from Unwound and The Smashing Pumpkins as he grappled with mortality while 2019’s Home Made Satan dealt in world-weary anxiety and Hum-like atmospherics. But Suffer Summer is a meditation on happiness, channeled through powerhouse riffs and undeniably potent choruses, sung with Mineral and Jimmy Eat World worn on his sleeve. It’s an album that shows how healing and staying content is hard but necessary work. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWilliams mostly wrote Suffer Summer throughout 2019 while he and his band joined acts like Fucked Up, DIIV, and Alexisonfire on tour. It was a fruitful and exciting period for Williams, who whittled down 24 new tracks to 10, taking several new creative leaps while penning these songs. Take “Happy Face,” the first song Williams wrote for Suffer Summer and his most autobiographical offering to date. Written as a tribute to his longtime friend who died of an overdose, Williams sings, “You and I were alive at the same time \/ I’m lucky for it \/ You showed me the Misfits and we sang Out 'Last Caress’ \/ I’m lucky for it.” It’s raw and gutwrenching in a way that Williams has never allowed himself to be but writing about grief proved to be cathartic for him. “Until now I’ve always tried to keep a safe arm's length away from the real-life content of my songs but on that song, I couldn't,” said Williams. “It was just a needed tribute to him.” \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor any artist, taking risks, trusting your intuition, and relinquishing control is a delicate balance but for these songs, Williams knew he needed to step out of his comfort zone by making his writing more collaborative. He enlisted one of Chastity’s earliest and most vocal supporters PUP frontman Stefan Babcock to co-write opener single “Real World” and LP highlight “When You Go Home I Withdrawal.” Both songs find Williams stretching his voice for surging choruses that are anthemic and immediate. “It was so great to work with Stefan: just his attention to detail, song structure, and everything,” said Williams. “He’s a legend and has pumped my tires so much in an actual practical way that has given me courage throughout Chastity.” \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBabcock isn’t the only surprise collaborator on this LP. Alexisonfire and City and Colour’s Dallas Green appears as a guest vocalist on “Vicious Circle,” the emotional centerpiece of Suffer Summer. The song, which Williams co-wrote with his partner Ellis’ Linnea Siggelkow, boasts some of his best writing (“Borrowing an old feeling to cover the pain \/ Can’t keep memories of only the good things,”) and when Green joins to sing the second verse, it makes for the most transcendent moment on the LP. “After we put strings on this song it was just too damn beautiful for my voice,” said Williams. “Dallas’ voice reached right into that beauty. Recording this was the single most surreal and sentimental moment of the project for me I think, with how formative Alexis was for me.” Green also collaborated on the shimmering single “Somersault” in an unexpected way. “He sent me a voice memo called ‘Pumpkins?’ and offered it as a Chastity riff,” said Williams. “It was sludgy but we sped that up into this up-tempo, brighter verse riff that'd become this song: it went from ‘Bullet With Butterfly Wings’ to ‘Today.’” \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSuffer Summer was recorded throughout 2020 in fits and starts, with Williams returning to the studio to hone the LP. One song that came together during this time was the single “Pummeling,” another exercise in Williams expanding his creative palate. “‘Pummeling’ was a place I was afraid to go,” said Williams. “I’ve been so focused on my music being challenging, technical, and correct. But on this, I wanted to allow myself to go simple, out of my comfort zone.” The result is undeniably accessible but look below the surface of the welcoming hooks and you’ll find some impossibly dark lyrics. “Same thing every day \/ I run from feeling fucked til it’s jumping me,” sings Williams. This juxtaposition is where Chastity thrives. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eChastity started as a way for Williams to find community in his suffocating and isolating suburban life, his songs serving as an outstretched hand for the like-minded people on the fringes. The long-lead single “Dying to Live,” encapsulates this ethos when Williams sings, “Another sick person just trying to get well \/ You, me, everyone I know.” Like all of his music, this song comes from his hometown, in these places graffitied with memories for him: pain, loss, grief, but ultimately acceptance. “We've all been sick this last year and a half: Everyone I know is feeling fucked,” said Williams. “We survive through each other, through being close with each other and finding community and a sense of purpose in our friendships.” Suffer Summer is both a validation and comfort that while the world might be irrevocably fucked, you’re not alone. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack Listing :\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e01. Real World \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02. Pummeling \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03. Dying To Live \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04. When You Go Home I Withdrawal \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05. The Barbed Wire Fence Around Happiness \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e06. Somersault \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e07. Happy Face \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08. Overstimulate \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e09. Vicious Circle \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. Smiling\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Deathwish","offers":[{"title":"Cassette","offer_id":52678239584520,"sku":"D01.CSS.DTH.20355.CSS","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/Chastity-SufferSummer-Cover.jpg?v=1761266322"},{"product_id":"gouge-away-deep-sage-cs","title":"Gouge Away \"Deep Sage\" CS","description":"\u003cdiv data-mce-fragment=\"1\"\u003eDeep Sage, Gouge Away’s third studio album, started coming together in 2019 during sound checks and in small pockets of downtime between tours. In early 2020, they demoed with Brok Mende in an unassuming storage unit in Orlando. They pulled influence not only from the nostalgia of the bands they grew up listening to but also developed the sense of urgency, noise, and introspective lyrics they felt most represented them. Those demos helped shape the songs into the finished record that Deep Sage would become.\u003c\/div\u003e\n \u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n \u003cdiv data-mce-fragment=\"1\"\u003eThen everything came to a halt in 2020 when a full year of plans were canceled in an instant. With the rug pulled out from under them, their backs against the wall, and no way to change the situation they were in, the members of Gouge Away had no choice but to go on a hiatus. They moved to different parts of the country and focused on their personal lives, accepting that those songs were never going to see the light of day. \u003c\/div\u003e\n \u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n \u003cdiv data-mce-fragment=\"1\"\u003eBut the songs lived as files waiting to be rediscovered and every once in a while, they’d get the urge to listen to them again. On New Year's Eve just before 2022, they decided to reconnect and finish writing the album with Portland, OR becoming their new writing location. While everyone was in town for a writing session, Militarie Gun had a show down the street at Mano Oculta and invited Gouge Away to play a couple of songs during their set as a surprise. It was the first show the band had played in three years and the live debut of “Maybe Blue”. Energized by the reaction, the band finished writing. They had an overabundance of material, slashing songs from the final tracklist left and right. They not only elaborated on the urgent and abrasive qualities they were known for but broadened their melodic traits too. \u003c\/div\u003e\n \u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n \u003cdiv data-mce-fragment=\"1\"\u003eDeep Sage was recorded with Jack Shirley at Atomic Garden East in March 2023 completely analog and almost entirely live. The band recorded together in a live room while Christina was in an isolation booth. Her vocals projected from a monitor so the band could hear her. The goal of recording live was to sound like five friends playing in a room together, just like where they started in Florida. Unpolished and far from being over-produced, this is what the heart of Gouge Away has always been. \u003c\/div\u003e\n \u003cdiv data-mce-fragment=\"1\"\u003e\n \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack Listing :\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e01. Stuck in a Dream\u003cbr data-mce-fragment=\"1\"\u003e02. Maybe Blue\u003cbr data-mce-fragment=\"1\"\u003e03. Idealized\u003cbr data-mce-fragment=\"1\"\u003e04. Deep Sage\u003cbr data-mce-fragment=\"1\"\u003e05. A Welcome Change\u003cbr data-mce-fragment=\"1\"\u003e06. Overwatering\u003cbr data-mce-fragment=\"1\"\u003e07. No Release\u003cbr data-mce-fragment=\"1\"\u003e08. The Sharpening\u003cbr data-mce-fragment=\"1\"\u003e09. Spaced Out\u003cbr data-mce-fragment=\"1\"\u003e10. Newtau\u003cbr data-mce-fragment=\"1\"\u003e11. Dallas\u003cbr data-mce-fragment=\"1\"\u003e\n \u003c\/div\u003e","brand":"Deathwish","offers":[{"title":"Cassette - Clear","offer_id":52678240895240,"sku":"D01.GAD.DTH.35004.CSS","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/572327645-gouge-away-deep-sage-cover.jpg?v=1761266332"},{"product_id":"umbra-vitae-light-of-death-cs","title":"Umbra Vitae \"Light Of Death\" CS","description":"\u003cp\u003e\u003cspan\u003e\"Light Of Death\" is the 15 song sophomore album from Umbra Vitae. Recorded by Kurt Ballou and Zach Weeks at God City Studios and mastered by Brad Boatright at Audiosiege.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Leave Of Absence\" emerges with a spine-chilling violin swell before erupting into duel guitar driven madness courtesy of Sean Martin (Twitching Tongues, ex-Hatebreed) and Mike McKenzie (The Red Chord). Umbra Vitae stay redlined with \"Belief Is Obsolete\" and \"Clear Cutter\", showcasing the electrifying rhythm section of Jon Rice (Uncle Acid, Tsjuder) and Greg Weeks (The Red Chord). Hook-laden \"Anti-Spirit Machine\" then takes center stage as a war cry for the downtrodden. From here Umbra Vitae continue to smash and thrash everything in sight. The discordant \"Reality In Retrograde\" races with a grinding blur into the lumbering \"Past Tense\" and darkly seductive \"Velvet Black\". Two songs that are metallic heaviness incarnate. \"Twenty-Twenty Vision\", \"Algorithm Of Fear\", and \"Empty Vessel\" then pick up the intensity, propelled by the poignant lyrical themes and inhuman vocal deliveries of Jacob Bannon (Converge). Lastly, the trinity of slow-crawl \"Cause \u0026amp; Effect\", ultra-violent \"Deep End\", and whirlwind \"Nature vs. Nurture\" continue to bludgeon, ushering in the interlinked \"Fatal Flaw\" and \"Light Of Death\" as the vicious finale to this modern metal masterpiece.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Leave Of Absence\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Belief Is Obsolete\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Clear Cutter\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Anti-Spirit Machine\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Reality In Retrograde\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Past Tense\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Velvet Black\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. Twenty-Twenty Vision\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. Algorithm Of Fear\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Empty Vessel\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Cause \u0026amp; Effect\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12. Deep End\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13. Nature vs. Nurture\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14. Fatal Flaw\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15. Light Of Death\u003c\/span\u003e\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Cassette","offer_id":52678241648904,"sku":"D01.UVL.DTH.36289.CSS","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/601105338-umbra-vitae-light-of-death-cover.jpg?v=1761266333"},{"product_id":"glare-sunset-funeral-cs","title":"Glare \"Sunset Funeral\" CS","description":"\u003cp\u003eWhen you hear music like this—the wild, loose and woozy drags of guitar; the impossible beauty of it all—what kind of landscape presents itself in your mind? Vistas big enough to be forgotten in. Deserts which stretch back to the beginning of time. Infinite horizons melting into pink bokehs. It’s Texas, isn’t it?\u003c\/p\u003e\n \u003cp\u003eFormed in 2017 in Texas’ Rio Grande Valley, Glare aren’t so much genre traditionalists as they are painters of wide realms and intense moods. The four-piece band has already accumulated a large audience, both in the flesh with their reputation for sell-out shows, and on the internet, a place where people go to short-circuit feelings through their screens.\u003c\/p\u003e\n \u003cp\u003eSunset Funeral, the band’s debut LP, is a fog of dreamy grief, where feeling supersedes language. It’s music, as guitarist Toni Ordaz puts it, “for people who don’t know how to talk about how they feel.” An album that’s been years in the making, Sunset Funeral is a document of unspeakable grief, charting the process of mourning and how it travels through our subconscious and dreams.\u003c\/p\u003e\n \u003cp\u003eOne of the great charms of Sunset Funeral, and of Glare overall, is how they approach such a large, celestial sound with humble materials. Among the shoegaze revivalists, Glare come to the canvas with a more resourceful, DIY perspective than many of their peers. Glare’s music is too sublime, too huge to sound like it came from any kind of manmade instrument, tiny amp box or otherwise.\u003c\/p\u003e\n \u003cp\u003eOn first listen, Sunset Funeral—which scans as vast as desert sand—may overwhelm the senses. But look closer, and you’ll find a multiplicity of heavily crushed textures, treasures. ‘Guts’, with its sweetly chugging guitar line, dissolves the borders between bliss and despair. ‘2 Soon 2 Tell’, one of the album’s most gauzily romantic tracks, is both tense and transcendent. Nü Burn, a crunchy and lilting number, harkens back to the band’s grittier hardcore roots. But even when they deign to go hard, you can hear a softening in Glare’s sound compared to any of their previous releases, as well as an attempt to lean into more traditional pop song structures. The music drifts heavenward, to be sure, though it’s still tethered down by steady foundations. It’s beautiful. It’s humid. It’s delirious. It’s music made by people whose feelings speak louder than their words.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Mourning Haze\u003cbr\u003e02. Kiss the Sun\u003cbr\u003e03. Saudade\u003cbr\u003e04. 2 Soon 2 Tell\u003cbr\u003e05. Chlorinehouse\u003cbr\u003e06. Felt\u003cbr\u003e07. Nü Burn\u003cbr\u003e08. Turquoise Dreams\u003cbr\u003e09. Guts\u003cbr\u003e10. Sungrave\u003cbr\u003e11. Different Hue\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Cassette - Red Tint","offer_id":52678241976584,"sku":"D01.GSF.DTH.40161.CSS","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/Glare-SunsetFuneral-Cover.jpg?v=1761266341"},{"product_id":"boneflower-reveries-cs","title":"Boneflower \"Reveries\" CS","description":"\u003cp\u003eBoneflower are an emotionally charged post-hardcore band from Madrid, Spain, known for their raw, cathartic sound and intense live performances.\u003c\/p\u003e\n \u003cp\u003eSince their formation, Boneflower have embraced a hard-working DIY ethos, touring extensively across Europe and sharing the stage with bands like Touche Amore, Loma Prieta, State Faults, Trauma Ray, and others. Their commitment to their craft and the underground scene has earned them a loyal following.\u003c\/p\u003e\n \u003cp\u003eIn 2015, Boneflower released their debut Demo\/EP \"I'll Be the Bones, You'll be the Soul,\" which was later reissued on vinyl in 2016 through a collaboration between boutique labels Miss the Stars, Lifeisafunnything, and Dingleberry. Their follow-up, the LP \"Empty Rooms, Full Bodies,\" arrived in 2017, released through a partnership of eight underground labels. In 2018, the band dropped three digital singles before releasing their highly anticipated sophomore album, \"Armour,\" on Dog Knights Productions.\u003c\/p\u003e\n \u003cp\u003eIn 2022, Boneflower gained further recognition with their inclusion on the influential Balladeers, Redefined compilation album, released by Secret Voice, which introduced the band to a wider global audience.\u003c\/p\u003e\n \u003cp\u003eReveries (2025) is their most ambitious album to date, featuring 13 powerful tracks that capture the band's evolution. Recorded at Ultra Marinos with Borja Pérez, who also provides guest vocals on \"Sal En Mis Pestañas,\" the album also features a notable guest appearance from Jeremy Bolm of Touche Amore, who lends his voice to the poignant track \"Pomegranate.\" This album further solidifies Boneflower’s place in the post-hardcore landscape, with its atmospheric yet intense blend of emotion and musicality.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Reveries\u003cbr\u003e02. The Sun And The Moon\u003cbr\u003e03. Sal En Mis Pestañas\u003cbr\u003e04. Pomegranate (feat. Jeremy Bolm)\u003cbr\u003e05. Nocturnal\u003cbr\u003e06. Coup de Grâce\u003cbr\u003e07. Sad Bird\u003cbr\u003e08. Tears Return When Heartbreaks Don't Heal With Time\u003cbr\u003e09. Anniversary\u003cbr\u003e10. Lonely Meteor\u003cbr\u003e11. I Gazed At The Starred Night All Alone And Blood Tasted Like Honey In My Mouth, Lethargic\u003cbr\u003e12. Estrella\u003cbr\u003e13. The Void\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Cassette","offer_id":52678242238728,"sku":"D01.BR.SCR.44714.CSS","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/Boneflower-Reveries-Cover.jpg?v=1761266341"},{"product_id":"denisa-st-bernadette-cs","title":"Denisa \"St. Bernadette\" CS","description":"\u003cp\u003eDenisa is an artist\/musician from Jakarta, Indonesia.\u003c\/p\u003e\n \u003cp\u003e\"St. Bernadette\" is her beautifully melancholic sophomore album. Comprised of ten emotional songs that serve as vignettes on mortality and existential perseverance.\u003c\/p\u003e\n \u003cp\u003e\"This second album pictures a memorial. Starts at birth, then from being a rotten kid to a filthy adolescent, the crud of falling in love, clawing the sickening paths of filling the cavity, cheating death, accepting failing death, and becoming fearless of the afterlife - all in one memorandum. These records do not tell a full-blown novel-like story but rather little parts of existence that make me feel big. I am big, I am a great bear, and I’ve conquered existence. I have not dug out my grave, I laid still in it and soaked in the grim, the penance, and the light(s) at the end of the tunnel.\" - Denisa Dhaniswara\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. The Annuler (Remastered)\u003cbr\u003e02. Commandment (Remastered)\u003cbr\u003e03. Pity Party (Remastered)\u003cbr\u003e04. Failing Grace (Remastered)\u003cbr\u003e05. Wasteland (Remastered)\u003cbr\u003e06. Spoiled (Remastered)\u003cbr\u003e07. Request for Penance (Remastered)\u003cbr\u003e08. My Tomb Won't Close (Remastered)\u003cbr\u003e09. This Is A Song About Revelation (Remastered)\u003cbr\u003e10. Bloodbath (Remastered)\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Cassette","offer_id":52678242631944,"sku":"D01.DSB.DTH.44836.CSS","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/Denisa-St.Bernadette-Cover.jpg?v=1761266343"},{"product_id":"chat-pile-remove-your-skin-please-cs","title":"Chat Pile \"Remove Your Skin Please\" CS","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eChat Pile's sophomore EP available on cassette for the first time from The Flenser.\u003c\/p\u003e\n\u003cp\u003eProfessionally replicated tapes housed in purple shells.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003eTrack Listing :\u003c\/strong\u003e \u003cbr\u003e1. Dallas Beltway\u003cbr\u003e2. Mask\u003cbr\u003e3. Davis\u003cbr\u003e4. Garbage Man\u003c\/div\u003e","brand":"The Flenser","offers":[{"title":"Cassette","offer_id":52686915174664,"sku":"D01.CPR.THF.35114.CSS","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/a1074154568_10.jpg?v=1761436319"},{"product_id":"chat-pile-this-dungeon-earth-cs","title":"Chat Pile \"This Dungeon Earth\" CS","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eChat Pile's debut EP available on cassette for the first time from The Flenser.\u003c\/p\u003e\n\u003cp\u003eProfessionally replicated tapes housed in pale green shells.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003eTrack Listing :\u003c\/strong\u003e \u003cbr\u003e1. Face\u003cbr\u003e2. Rainbow Meat\u003cbr\u003e3. Rat Boy\u003cbr\u003e4. Crawlspace\u003c\/div\u003e","brand":"The Flenser","offers":[{"title":"Cassette","offer_id":52686915207432,"sku":"D01.CPT.PRT.35113.CSS","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/a1205243146_10.jpg?v=1761436319"},{"product_id":"jackal-you-walk-alone-cs","title":"Jackal \"You Walk Alone\" CS","description":"\u003cp\u003e\u003cspan\u003eAt the end of 2019, Florida's Jackal made a visit to Boston at the end of a brief east coast tour, where they made a quick visit to the Paincave to bash out 9 tracks, some new, some old, for their most brutal recording to date. Quick and dirty -- live off the floor and right to tape -- the sound of youth, anger and rage.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Hard Truth\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Jackal\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Spent\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. You're Out\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Disguise\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. The Reality\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Help Yourself\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. Programmed\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Painkiller","offers":[{"title":"Cassette","offer_id":52686919303432,"sku":"D01.JYW.PNK.15464.CSS","price":8.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/PKR145.png?v=1761436374"},{"product_id":"ragana-drowse-ash-souvenir-cs","title":"Ragana \u0026 Drowse \"Ash Souvenir\" CS","description":"\u003cdiv\u003e\n  \u003cp\u003eIn May of 1980, Mount St. Helens erupted and everyone in the Pacific Northwest was touched by its ash, its destructiveness, and its story, a shared experience that became an ash souvenir. Ash Souvenir is the collaborative album by Drowse (Kyle Bates) and Ragana (Maria and Noel), conceived in a shared sense of grief and collective memory rooted in the Pacific Northwest.\u003c\/p\u003e\n  \u003cp\u003eAsh Souvenir was originally commissioned by and premiered at the 2024 edition of Roadburn Festival in Tilburg, Netherlands. Afterwards, the trio recorded the album at the legendary Unknown studio in Anacortes, Washington.\u003c\/p\u003e\n  \u003cp\u003eAsh Souvenir confronts grief. During the writing process, Maria and Kyle were both in a painful, transitional period, moving back to the Pacific Northwest to be closer to struggling loved ones. This return home and the emotions it stirred echoed in Noel’s own inherited history. Their grandmother escaped occupied Latvia in the 1940s and began a new life in the United States, eventually spending her final 25 years in a hand-built log cabin deep in the woods outside Shelton, Washington. Surrounded by fir and aspen, she lived in quiet self-reliance, her days shaped by isolation and resilience.\u003c\/p\u003e\n  \u003cp\u003eThe album combines Ragana’s heavy, emotionally charged metal with Drowse’s textural approach to sound. Across four long-form pieces, the trio’s voices and instruments move between stark intimacy and overwhelming intensity, culminating in a collective refrain: “there is nothing to lose.”\u003c\/p\u003e\n  \u003cp\u003eAsh Souvenir is a sublime experience, conjuring both the power of a devastating eruption and the eerie stillness that lingers in its wake, ashen memories drifting through night air before rejoining the earth.\u003c\/p\u003e\n  \u003cp\u003eRagana have carved their niche as pioneers of the Pacific Northwestern queer black metal scene. They have released five albums since their formation in 2012, with 2023's Desolation's Flower as their first for The Flenser. Kyle Bates specializes in moody, glacial drone as Drowse, a vision that has spanned across five albums since beginning the project in 2018. His most recent, Wane into It, came out in 2022 on The Flenser, followed by a split LP in 2023 with Portland-based experimentalist Amulets.\u003c\/p\u003e\n  \u003cp\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr\u003e1. In Eternal Woods Pts. 1-3\u003cbr\u003e2. After Image\u003cbr\u003e3. In Eternal Woods Pt. 4\u003cbr\u003e4. Ash Souvenir\u003c\/p\u003e\n  \u003c\/div\u003e","brand":"The Flenser","offers":[{"title":"Cassette","offer_id":52686941782280,"sku":"D01.RDA.THF.45392.CSS","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/1500px.jpg?v=1761436317"},{"product_id":"infant-island-obsidian-wreath-cs","title":"Infant Island \"Obsidian Wreath\" CS","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFury in mourning. This is the emotional world in which Infant Island’s third album, Obsidian Wreath, wraps itself and its listener. It is an album about trudging through the end of the world: where climate catastrophe, the acceleration of capitalist extractive exploitation, the apathy towards social health which has emerged from the pandemic, and an endless stream of ongoing crises too numerable to be named, constantly haunt the edges of our vision, like a rot that sets in on the borders of being. Obsidian Wreath is an album about the hopelessness of the slow violent decay of the world, about reckoning with a totalizing, impossible condition of reality which never stops confronting you with the question: how do we continue?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is the question which Infant Island contends with throughout this record, a question they meet with fervor, with ferocity, with a determination and clarity marked – sustained, even – by grief. Lyrically, musically, the album shifts between light and darkness, using such tropes and their accompanying affects not in their cliché forms as opposing forces, but as mutually determined states of being which implicate and deterritorialize the Other. There must be something beautiful that can emerge from something terrible – this kind of impossible hope, an optimism that only emerges only from the condition of absolute pessimism, guides the album’s thematic considerations. Perhaps this impossible faith has something to do with Obsidian Wreath being a pandemic record – written in 2020 but releasing in 2024, the record’s slow birth reflects a force of will which was required to survive a global event which threatened the music industry and the people in it at every level.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis contradictory pessimistic optimism is realized as well in Infant Island’s singular songwriting, which filters Virginia screamo through the melancholic furor of American Black Metal acts like Panopticon and Deafheaven. Obsidian Wreath continues and advances the band’s masterful weaving of heavy genres, combining screamo and black metal with a deft movement between the sweeping emotionality of shoegazing post-metal, the hard-hitting grooviness of new-school grindcore, and the searing feedback of noise rock. Each composition flows seamlessly into the next, making this fluidity of sound feel not like an oscillation between styles, but instead like the tracing of the contours of a scene, as though Infant Island are tracing their own artistic singularity through the historicity and creative multiplicity of American extreme metal. One cannot shake the feeling that this is music born from a desire for community – where we are accompanied through this world not only by our friends and family but by the ghosts, the historical presences we feel but remain forever out of sight, that we unwittingly follow every day. Produced again by Virginia legend Matthew Michel (Majority Rule, Nø Man); with guest spots from Harper Boyhtari and Logan Gaval (Greet Death) on “Kindling,” Andrew Schwartz (.gif from god) on “Another Cycle”; and with contributions from members of Undeath, King Yosef, For Your Health, Senza, Malevich, Mikau, and more – one can’t help but feel that sense of community. Infant Island invites you into a scene, welcoming despite all its aesthetic harshness.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn this way, Obsidian Wreath is the kind of heavy music that would feel most proper to hear shuddering through the red clay bricks of rural Virginia, its place of birth. It is music that carries in its melodic intensity the materiality and contradictions of its Southern home, so geographically near, yet so culturally and economically far from the centers of American hegemonic power. The album art, from Virginian folk artist Sarah Bachman, captures this social rootedness, contrasting the ethereality of an Appalachian night with the chaotic obliterating power of a wildfire. Silhouetted figures, between ash and shadow, are imprinted on the ground, absently present, ghosts which cling to the land and to each other. Bachman’s art expertly captures the political and emotional stakes of Infant Island’s songwriting: a refusal to let go of this world.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eObsidian Wreath is the culmination of Infant Island’s entire discography, synthesized into one LP and turned up to 11. As begun with 2020’s Beneath and Sepulcher, four years later it continues the band’s artistic direction to darker, harsher moods and sounds while also putting them in contrast with their most delicate and experimental Infant Island arrangements to date. It is a relentless, furious, and ever-shifting composition which coheres around expert composition and a single-minded interrogation of how we can possibly continue living in the state of this planet. In “Veil” at the midpoint of the record, all members of Infant Island, as well as many guests, chant together in unison to insist that “this world is enough.” Standing in community, Infant Island insists not that the conditions of the world in which we live are adequate. No, they insist that this world contains within it already what is needed to transform it into something better and freer, something which will sustain the lives we cling to.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack Listing :\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e01. Another Cycle\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02. Fulfilled\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03. Found Hand\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04. Clawing Still\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05. Veil\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e06. Amaranthine\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e07. With Shadow\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08. Unrelenting\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e09. Kindling\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. Vestigian\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Secret Voice","offers":[{"title":"Cassette - Orange","offer_id":52688566223112,"sku":"D01.IIO.GDF.34176.CD","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/cover_square.jpg?v=1761478169"},{"product_id":"cave-in-until-your-heart-stops-cs","title":"Cave In \"Until Your Heart Stops\" CS","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Cave In have had many musical identities since their inception in Methuen, MA, in 1995, but the one that first established them as underground heroes was the dizzying, face-ripping metal blowout now known the world over as Until Your Heart Stops.\" - Decibel Magazine \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBoston legends CAVE IN announce the Until Your Heart Stops reissues! The classic genre-defining album now remastered with the original sequence! \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing :\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e0\u003c\/span\u003e\u003cspan\u003e1. Moral Eclipse \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Terminal Deity \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Juggernaut \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. The End of Our Rope Is a Noose \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Segue 1 \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Until Your Heart Stops (Segue 2) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Halo of Flies \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. Bottom Feeder (Segue 3) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. Ebola \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Controlled Mayhem Then Erupts \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Relapse Records","offers":[{"title":"Cassette","offer_id":52733017751816,"sku":"D01.CIU.RLP.27923.CD","price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/473127077-cave-in-uyhs-cover_bb7b5dab-ed28-4205-9a06-c2368d2a7623.jpg?v=1761225808"},{"product_id":"throatr036v","title":"The Rodeo Idiot Engine \"Consequences\" CS","description":"\u003cp\u003eAfter having spent a good part of the last two years delivering spasmodic live shows all across Europe, Basque-based THE RODEO IDIOT ENGINE have entered the studio with producer\/sound engineer Amaury Sauv_ (Birds In Row, Death Engine, As We Drawƒ) to record \"Consequences\", their deafening second full-length. Recorded live to keep the chaos and intensity of the band's physical live performances, these eleven tracks spread a wider, more personal sound, expanding their brutally crushing and discordant brand of hardcore to new horizons. Constantly switching between two-minute ear-blasting assaults that will make your adrenaline rush and slower, heavier tracks where the band explores a more oppressive atmosphere, \"Consequences\" shows a band that has matured and expanded it's musical vision, while sounding tighter and wilder than ever.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Consequences\u003cbr\u003e02. Life Sentence\u003cbr\u003e03. Gravel\u003cbr\u003e04. Mass Grave\u003cbr\u003e05. Masks\u003cbr\u003e06. Spitting\u003cbr\u003e07. The Stake\u003cbr\u003e08. Zigeuner\u003cbr\u003e09. Frozen Hearts\u003cbr\u003e10. Candor\u003cbr\u003e11. Behind The Scars\u003c\/p\u003e","brand":"Grains Of Sand","offers":[{"title":"Cassette","offer_id":52810329129224,"sku":"THROATR036v","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/a2015397845_10.jpg?v=1763386378"},{"product_id":"armag-siege001cs","title":"Siege \"Drop Dead\" (30th Anniversary Edition) CS","description":"\u003cp\u003eSiege was an American hardcore punk band from Weymouth, Massachusetts. They were active in the 1980s Boston hardcore scene from 1983 to 1985, and reunited briefly in the early 1990s. SiegeÍs unprecedented level of extreme hardcore punk was some of the fastest and heaviest of its time, incorporating lightning fast tempos, chord changes, vocal delivery, and blast beats into its style, thus setting the stage for the emerging grindcore scene. And though rather short-lived and little-known during their existence, subsequent musicians have cited the group as a profound influence, including the famous British grindcore band Napalm Death and the American hardcore band Dropdead, whose name was derived from the title of SiegeÍs demo of the same name.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Drop Dead \u003cbr\u003e02. Conform \u003cbr\u003e03. Life Of Hate \u003cbr\u003e04. Starvation \u003cbr\u003e05. Armageddon \u003cbr\u003e06. Grim Reaper \u003cbr\u003e07. Sad But True \u003cbr\u003e08. Walls \u003cbr\u003e09. Cold War \u003cbr\u003e10. Two Faced \u003cbr\u003e11. Trained To Kill \u003cbr\u003e12. Questions Behind The Wall \u003cbr\u003e13. F-Minus\u003c\/p\u003e","brand":"Armageddon","offers":[{"title":"Cassette","offer_id":52810329260296,"sku":"ARMAG000cs","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/armag00.siege.30thanniversary.hi.png?v=1763386378"},{"product_id":"pallbearer-sorrow-and-extinction-cs","title":"Pallbearer \"Sorrow \u0026 Extinction\" CS","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA crushingly heavy and beautifully melancholy piece of traditional style Doom Metal, 'Sorrow And Extinction' reveals more layers with each listen, paradoxically becoming an uplifting, transcedent experience. Brett's incredible vocals, soaring above the twin guitar melodies and megalithic doom riffs, give the LP a uniqueness and confidence rarely found in a band on their first LP. Pitchfork's #1 metal album of 2012.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing :\u003c\/b\u003e\u003cbr\u003e1. Foreigner\u003cbr\u003e2. Devoid Of Redemption\u003cbr\u003e3. The Legend\u003cbr\u003e4. An Offering Of Grief\u003cbr\u003e5. Given To The Grave\u003c\/p\u003e","brand":"20 Buck Spin","offers":[{"title":"Cassette","offer_id":52916649951496,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/unnamed_46.jpg?v=1764897915"},{"product_id":"onelinedrawing-tenderwild","title":"Onelinedrawing \"Tenderwild\" CS","description":"\u003cp\u003eJonah Matranga is no stranger to the scene. He has been making music for over 30-Years and has become somewhat of an institution. A prolific artist who is full of ideas and he straddles the line between the underground and the mainstream cusp. Jonah has fronted the bands FAR, NEW END ORIGINAL, and GRATITUDE and has worked with indie labels like Jade Tree to majors such as Atlantic. His music has been noted as influencing many notable bands ranging from Deftones to Blink-182. Simply put, there is no one quite like Jonah.\u003c\/p\u003e\n\u003cp\u003eThroughout his long career, Jonah has always written from the heart and performed in an intimate way that few others have accomplished like he has, after playing almost 4,000 shows. From basements to massive festivals, he brings the same energy with him — a devoted fanbase, raw honesty, and an interest in making every show unique and personal. This has always been the most apparent in Jonah’s solo and collaborative project performing as onelinedrawing. Jonah’s performance as onelinedrawing has always been about connecting with fans in an intimate setting, where he often performed with only his guitar and his R2D2 side kick.\u003cbr\u003e\u003cbr\u003eTenderwild marks the return of ONELINEDRAWING, which is the first time since 2004’s “The Volunteers” (Jade Tree) that Jonah has used the moniker. This album brought together so many friends and fellow musicians that it only felt right to release it as onelinedrawing. Tenderwild is an uplifting journey that was written an inspired during a chaotic time of healing for Jonah. Contrasting between guitar driven rock songs and heartfelt intense ballads, Tenderwild is a collection of some of the best songs Jonah has ever written. The album features guest appearances from many of Jonah’s close friends, such as: Zach Lind (Jimmy Eat World), Jeremy Tappero (Soul Asylum), Norman Brannon (Texas Is The Reason), Chris Carrabba (Dashboard Confessional), John Gutenberger (Far), and Jake Snider (Minus The Bear).\u003cbr\u003e\u003cbr\u003eTenderwild is an expansive and special album that has something for everyone.\u003cbr\u003e\u003cbr\u003e“Onelinedrawing, is a diarist at heart, both in his music and in his daily life, and, man, does he ever rip his heart out and show it to you in his songs. A loose, free-roaming approach to confessional songwriting that pushes his music well beyond the normal sad singer\/songwriter clichés.” – PITCHFORK\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr\u003e1. Get a Dog\u003cbr\u003e2. Tenderwild\u003cbr\u003e3. This is Water\u003cbr\u003e4. Don’t Give Up\u003cbr\u003e5. Serious Question\u003cbr\u003e6. When I Did Drugs\u003cbr\u003e7. Everyday Angels\u003cbr\u003e8. Hell Of A Year\u003cbr\u003e9. What I Know\u003cbr\u003e10. Hello From Here\u003cbr\u003e11. You're A Home\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Picture Disc w\/ Bonus 7\" \u0026 Zine","offer_id":52922334675208,"sku":"D01.OT.DN.21969.LPP","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"Cassette","offer_id":52922334707976,"sku":"D01.OT.DN.21970.CSS","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/onelinedrawing-tenderwild-cover_f75db0ca-a0ed-4fcc-98ea-d86eef795e47.jpg?v=1764952272"},{"product_id":"love-letter-everyone-wants-something-beautiful","title":"Love Letter \"Everyone Wants Something Beautiful\" Cassette","description":"\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eNew England has always served as a breeding ground for some of the most passionate and heartfelt voices in hardcore. Featuring members of Verse and Defeater, Love Letter are the latest powerhouse to join this esteemed lineage.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEveryone Wants Something Beautiful is an open window into insecurity and self-awareness. It is a deep-dive into generational trauma, its different forms, and the ways it can be projected onto others. We share a commitment to crafting music that is honest and powerful–that reflects our friendships, views, and shared musical journey over two decades. We believe every note and word must carry meaning and purpose. The musical vision for this record was to create a compelling backdrop for captivating and emotional storytelling. It’s honest, mature, and carries deep personal meaning for each member.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGuitarist Jay Maas (Defeater) has also produced countless records for other bands at Getaway Recordings in Massachusetts, including Bane, Counterparts, Title Fight and more. After being behind the scenes on so many quintessential records, Maas is back at the helm. “Having produced records for two decades now I've had the chance to work with thousands of artists, I’m grateful that this was my opportunity to pull together some of my favorite people who also happen to be extremely talented musicians.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMaas tapped fellow founding member of Defeater, Andrew Reitz, to play drums along with guitarist Matthew Spence and fellow engineer and bassist Dave Alcan. The result is high-octane instrumentation paired with the poignant yet biting lyrics and vocals of Quinn Murphy (VERSE).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe debut LP’s first single “Misanthropic Holiday or Vacation” sounds like both warning and indictment, exploring ways we are expected to deal with the human condition in modern society. It seems to blur the lines of perseverance and begrudged surrender, crescendoing into a cathartic release that makes one feel both possessed and furious. It’s hard to stay sitting by the end of it.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere’s a notable freedom in the band’s songwriting, and their desire to push the limits of where heartfelt, emotive and heavy music can go is apparent with every note and word. Matched by a charged live show, Love Letter is sure to turn heads of fans of hardcore, post-hardcore, screamo and beyond. Everyone Wants Something Beautiful is available for pre-order now.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTRACK LISTING: \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. New Anthemic\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Wellness Checks and Dead Friends\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Misanthropic Holiday or Vacation\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Popular Memes\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Unhousing Projects\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Settlements\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Meds \u0026amp; Taxes\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. Debilitating Self Doubt And The Will To Use It\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. Late Stage Harm Reduction\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Panic Disordinary\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Cassette","offer_id":52922338345224,"sku":"D01.LLE.DN.36772.CSS","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/LoveLetter-EveryoneWantsSomethingBeautiful-Cover_b8d10236-6c3d-4490-953c-c2f0c7099e5f.jpg?v=1764952288"},{"product_id":"venus-twins-stitching","title":"Venus Twins \"\/\\\/\\\/\\\/\\\/ (Stitching)\" CS","description":"\u003cp\u003eTwin telepathy is real: “Being twins is definitely an unusual life experience; it seems the only way Venus Twins works is that the only two people in the band have this specific connection to one another.” Venus Twins was founded in Denton, TX in the summer of 2018 by Jake (drums) and Matt Derting (bass and vocals). They began writing\/recording their first release, Kickass, immediately after inception, followed by a relocation to Brooklyn. Venus Twins’ first LP, Eat Your Dogs, accompanied this relocation. The next release was RAXIS, paired with nearly non-stop touring for two years averaging a show every 3.4 days, playing with bands such as Whores., Heavenly Blue, and Pons. Of upcoming release Stitching (visualized as \/\\\/\\\/\\\/\\\/), vocalist\/bassist Matt explains: “I love sewing and making clothes. Throughout the recording of this EP I was practicing a lot, and it started to feel like a perfect metaphor lyrically.” The band is influenced by bands such as Hella, Gilla Band, Machine Girl, JOHNNASCUS, PageNinetyNine, Melt Banana, The Locust, The Mars Volta, and Anthony Green, as well as non-musical artists like Kurt Vonnegut, Andy Kaufman, Robert Eggers, the feeling of constantly being stressed out, and living in NYC.\u003c\/p\u003e\n\u003cp\u003eStitches was recorded, produced and mixed by Hayden Ticehurst at Studio G in Brooklyn, as well as his personal studio. Mastered by Dan Millice (Hella, A$ap Rocky).\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Prelude \/\\\/\\\/\\\/\\\/\u003cbr\u003e02. I Just Can’t Get Enough!*\u003cbr\u003e03. God Help Me Bury This Fucking Light\u003cbr\u003e04. Stitching\u003cbr\u003e05. It Can’t End Like This*\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Three One G","offers":[{"title":"Cassette — Clear","offer_id":53014953066760,"sku":"D01.VT.THR.38785.CSS","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/VenusTwins-Cover.jpg?v=1766269805"},{"product_id":"adam-gnade-planet-b-life-is-the-meatgrinder-that-sucks-in-all-things","title":"Adam Gnade \/ Planet B \"Life is the Meatgrinder that Sucks in All Things\" CS","description":"\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003eLife is the Meatgrinder that Sucks in All Things is about one San Diego girl’s day spent navigating the streets of her hometown. The main character is Agnes McCanty, who is also the star of my novella Locust House and an unpublished novel called The Adventures of Agnes McCanty. For the most part, Agnes’ adventures in Meatgrinder take place two days before the September 11th attacks. I have always been interested in what happens before a moment of change. When I think back to how we were in those summer days preceding the attacks, I see innocence, decadence, mild depression, parties every night, blatant romanticism, nauseous anxiety, extreme fashion, brave haircuts, friends on heroin, easy days, and glorious free time. (But mostly innocence.) A lot would change quickly that week, and then it would race forward, continuing to this day, rumbling on like a stone rolling down a hill. This audio book is a love letter to that particular sort of innocence. (Innocence is of course a great thing to have, and an important thing to lose.) This is not to say Agnes McCanty’s narrative is one of lightness. Meatgrinder tells a dark story set across a breezy, sunlit landscape. This is a story of blood and guts, flower fields, grief, drug dealers, cigarettes, violence, shoplifting, Mexican markets, endless house parties, Greyhound bus scams, telenovelas, and trying like hell to make your life better but failing at every step. It's a tale of both sunshine and grime, which is the San Diego I knew and loved (and eventually left). It’s a place and time that haunt me, that remind me who I was and who I am, and how those two versions of myself intersect (and what to do about it when they stop). Writing this felt like visiting a friend. -Adam Gnade, Tuesday, February 2nd, 2022  \u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing :\u003cbr\u003e\u003c\/strong\u003e1. Life is the Meatgrinder that Sucks in All Things\u003cbr\u003e\u003c\/p\u003e\n\u003cstrong\u003e\u003c\/strong\u003e","brand":"Three One G","offers":[{"title":"Cassette","offer_id":53014964764936,"sku":"D01.AG.THR.33507.PCL","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/a3732671447_10.jpg?v=1766269866"},{"product_id":"squid-pisser-my-tadpole-legion","title":"Squid Pisser \"My Tadpole Legion\" CS","description":"\u003cp\u003eSQUID PISSER eviscerates the ego and and all things serene with their own vibrant form of vicious and mucky hardcore. Slamming down dolphin corpses at breakneck speeds, the duo, which is comprised of Tommy Meehan on guitar (Deaf Club, Cancer Christ, Sweatband Records, Cartoon Network) and Seth Carolina (Starcrawler), have constructed a fresh and mucousy new alien craft powered by tightly controlled noise-guitar, savage primal drum work, and gooped up vocal deliveries that might sound like a gaggle of frogs thrown into a garbage disposal (although the Squid boys wouldn't recommend doing this). \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eConceptualized and formed in 2022, the band decided to fully utilize planet Earth's viral slumber in order to gestate, write, and record 2 full length albums worth of material. Throughout the year, SQUID PISSER played a handful of shows in California and Nevada as a 2 piece as they continued the quest for further personnel and collaborators. Tommy Meehan's tightly controlled noise-onslaught of rainbow vomit (spat out of a guitar amp via manic pedalboard wizardry and sophisticated finger work) paired with the utterly brutal, breakneck, and savage drumming of Seth Carolina, merge to create a collection of tracks that have been forged in a totally fucked and sonically chaotic storm of pus and goo. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTheir debut release, MY TADPOLE LEGION, is a mutated smorgasbord of songs and guest vocalists from projects like: MELT BANANA, NEKROGOBLIKON, CANCER CHRIST, PUNCH, THE LOCUST, WACKO, and more. Also featured prominently is John Clardy of TERA MELOS on drums for 3 of the songs. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMy Tadpole Legion was mixed by Kurt Ballou (CONVERGE, GODCITY STUDIOS) and mastered by Alan Douches (West West Side Music). \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003e01. Liquified Remains \u003cbr data-mce-fragment=\"1\"\u003e02. Violence Forever feat. Meghan O'Neil (Punch, King Woman) \u003cbr data-mce-fragment=\"1\"\u003e03. Marching for Trash feat. Arrow DeWilde (Starcrawler) \u003cbr data-mce-fragment=\"1\"\u003e04. The Everlasting Bloat feat. Nicky Calonne (Nekrogoblikon) \u003cbr data-mce-fragment=\"1\"\u003e05. My Tadpole Legion feat. Yako (Melt-Banana), John Clardy (Tera Melos) \u003cbr data-mce-fragment=\"1\"\u003e06. Both feat. Zaine Drayton (of WACKO), Clardy \u003cbr data-mce-fragment=\"1\"\u003e07. Vibe Monster feat. Joseph K. Karam (The Locust), Clardy \u003cbr data-mce-fragment=\"1\"\u003e08. Fuck Your Preacher feat. St. Anthony (Cancer Christ) \u003cbr data-mce-fragment=\"1\"\u003e09. Lord of the Frog feat. DJ EMBRYONIC PETIT SAC\u003c\/p\u003e","brand":"Three One G","offers":[{"title":"Cassette","offer_id":53014964830472,"sku":"D01.SPM.THR.33504.CSS","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/SquidPisser-MyTadpoleLegion-Cover_2000x_9691d4ff-a745-443e-b9b1-0167c2ec58e4.jpg?v=1766269867"},{"product_id":"fuck-money-self-titled","title":"Fuck Money \"Self-Titled\" CS","description":"\u003cdiv class=\"description bottom\" itemprop=\"description\"\u003e\n\u003cp\u003eFuck Money is an American space punk band based in Austin, TX. The group debuted in October 2021 consisting of members TaSzlin Trébuchet (vocals) Alton Jenkins (drums), Bill Kenny (lead guitar), and Jeremy Humphries (bass guitar). Their sound draws on punk rock, noise, industrial, extreme music and other transgressive subgenres. Fuck Money was formed in 2020 during the latter half of the COVID pandemic that year. After writing their first EP, they spent their time recording at Arroyo Audio. The band has created a reputation of performing high energy, sporadic DIY shows in liminal spaces throughout the dark corners of the city-- The Austin Chronicle noted how “the band’s churning feedback swirl is equal parts imposing and obfuscating – curiously serene in its refusal to give its sonic-aggression a clear human face.” Their vocalist is also known for donning an unpredictable and tantalizing look at each show. \u003cbr\u003e\u003cbr\u003eFuck Money’s debut self-titled EP on Three One G is six songs of unrelenting ‘space punk,’ drawing influence from punk, noise, industrial, and extreme music elements. Described as sounding like “a fully rabid Deerhoof,” the merciless \u0026amp; melodic stick-work of Alton Jenkins, paired with the visceral intensity of frontman TaSz Trébuchet, guides listeners down a path of challenging, awe-inspiring sonic behavior adorned with biting yet hyper-melodic guitar melodies. Death From Above’s Jesse F. Keeler aptly explains the EP simply as, “Feeling at all costs. If I was trying to explain this to someone with no reference, I’d say it was like a pomegranate. Challenging to get at the fruit, but worth the effort.”\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e01. Heartthrob \u003cbr\u003e02. Chirp \u003cbr\u003e03. Apollo \u003cbr\u003e04. Demure \u003cbr\u003e05. Fuck me up \u003cbr\u003e06. Trolls\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Three One G","offers":[{"title":"Cassette","offer_id":53014964994312,"sku":"D01.FMS.THR.33503.PCL","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/FuckMoney-Cover_2000x_d8f68079-c3e0-4fb5-b975-e90f781b7c42.png?v=1766269868"},{"product_id":"zozobra-savage-masters","title":"Zozobra \"Savage Masters\" CS","description":"\u003cp\u003eThe brainchild of Caleb Scofield (Cave In, Old Man Gloom), ZOZOBRA formed in 2006 and quickly released two crushing full-lengths of atmospheric sludge metal, Harmonic Tremors (2007) and Bird of Prey (2008). Now five years later, the band has re-emerged with Savage Masters, their most aggressive and straightforward release to date. Bursting out the gate with a bold, determined purpose, Savage Masters is an unrelenting fury of post-hardcore ferocity and sludge-tinged amplifier crunch. This release, featuring long-time Cave In bandmates Adam McGrath (guitars) and J.R. Conners (drums), proves once and for all that ZOZOBRA are a veritable force to be reckoned with. Savage Masters was produced and recorded by Andrew Schneider (Unsane, Pelican) and contains stunning artwork by English alchemist Glyn Smyth (Unearthly Trance, Wolves in the Throne Room, Cough).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e01. The Cruelest Cut\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02. Venom Hell\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03. Deathless\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04. Black Holes\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05. A Chorus Of War\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e06. Born In A Blaze\u003c\/span\u003e\u003c\/p\u003e","brand":"Brutal Panda","offers":[{"title":"Cassette — Clear w\/ Black Liner","offer_id":53014973120776,"sku":"D01.ZSM.BRT.30012.CSS","price":14.0,"currency_code":"EUR","in_stock":true},{"title":"Cassette — Red Tint","offer_id":53014973153544,"sku":"D01.ZSM.BRT.30013.CSS","price":14.0,"currency_code":"EUR","in_stock":true},{"title":"Cassette — Black","offer_id":53014973186312,"sku":"D01.ZSM.BRT.33223.CSS","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/Zozobra-SavageMasters-Cover.jpg?v=1766269926"},{"product_id":"adam-gnade-demetrius-francisco-antuna-voicemails-from-the-great-satan","title":"Adam Gnade \/ Demetrius Francisco Antuna \"Voicemails From The Great Satan\" CS","description":"\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eIn “Voicemails from the Great Satan,” author Adam Gnade and musician Demetrius Antuña forge a soundscape for all of our fears and frustrations in Trump’s America, as well as a voice for our ghosts. From its outset, the sense of heaviness and hopelessness is staggering. Though none of the release feels wholly positive, these pained sentiments are particularly prevalent in the first of the two tracks, entitled “Nighttime Suite.” America has been thrown into darkness, and with it has been swept Agnes, a character first met in Gnade’s novella, Locust House. Adam speaks in a tone that feels anguished, desperate, even bereaved, as if reciting a eulogy at the funeral of a country (“America, you broke our heart”). This is surrounded by the piercing wails of bowed guitars- suffering mourners moved to hysterics, and jarring drums\/gongs- the rifle shots of a 21 gun salute. A laundry-list style recitation of anxieties is hurled at us, and we’re left wondering, “What will become of us in this apocalypse? Where do we go from here?” \u003cbr\u003e \u003cbr\u003e During the Nighttime Suite (Track 1), Gnade warns Agnes not to “drop into the darkness,” not to “fall from the light.” Upon listening to the second track (entitled “Daytime Suite”), it’s hard to tell if she has heeded his advice, or if she ever even really had a choice in the matter. Though the tones are less brooding and doom-drenched, and though there are moments of light, there is still an overwhelming, unsettling, post-apocalyptic atmosphere. We’ve still got trouble. This is still a worried song. Antuña’s use of sound throughout this suite represents electricity, which he noted was “heavily influenced by Dean Hurley’s sound design in Twin Peaks: The Return.” Here, instrumentation and field recordings create a sense of “post-technology-” the incessant, indefinite buzzing of a world left in constant disarray and permanent malfunction. Towards the end of the piece, this ambience shifts towards the organic. Sounds of nature take over, Adam’s voice settles into a drowsy tone of calmness, even surrender, and we are left to feel a possible sense of moving forward– though to what end has not yet been written.\u003cspan\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing :\u003cbr\u003e\u003c\/strong\u003e1. Nighttime Suite\u003cbr data-mce-fragment=\"1\"\u003e2. Daytime Suite\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Three One G","offers":[{"title":"Pink","offer_id":53014986359048,"sku":"D01.AG.THR.20015.CSS","price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/a0706875990_10.jpg?v=1766269995"},{"product_id":"chopping-block-demo-2019","title":"Chopping Block \"Demo 2019\" CS","description":"\n\u003cp\u003e\u003cspan\u003eChopping Block is a brand-new hardcore band from Seattle, WA. Paying homage to the traditions of Pacific Northwest Hardcore of the past and present, the band is continuing the region’s tradition of fast, straight ahead hardcore. Featuring former members of Seattle’s Clarity, Red Scare, Moving On, and It Follows, this group is setting out to make a name for themselves as the Seattle Hardcore’s new linchpin and Safe Inside Records’ first release from a band out of the Pacific Northwest. With an explosive force reminiscent of the early React! Records sound of the mid-2000s and that of 1980s youth crew, Chopping Block’s demo tape, to be released in early 2020.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1. Blinded\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Chopping Block\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Trapped\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Shape Shifter\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Safe Inside","offers":[{"title":"Cassette — Black","offer_id":53014997369096,"sku":"D01.CBD.SFN.15329.CSS","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/ChoppingBlockCover.jpg?v=1766270046"},{"product_id":"age-noir-le-grand-sommeil","title":"Âge Noir \"Le Grand Sommeil\" CS","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2247102980\/size=small\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u0026lt;a href=\"http:\/\/agenoir.bandcamp.com\/album\/le-grand-sommeil\"\u0026gt;LE GRAND SOMMEIL by ÂGE NOIR\u0026lt;\/a\u0026gt;\u003c\/iframe\u003e\n\u003chr\u003e\n\u003cp\u003eAbrasive and disorienting sonic maelstrom distillation of hardcore punk, ÂGE NOIR’s guitars riff lacerations, tempo spasms, and inhuman vocal retching, this Grand Sommeil cuts through the noise \u0026amp; ÂGE NOIR took hardcore into very strange, startling directions.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003cbr\u003e 01. Fermement\u003cbr\u003e 02. Trop Tard\u003cbr\u003e 03. Ville\/Morts\u003cbr\u003e 04. Exorcisme\u003cbr\u003e 05. Tumeur\u003cbr\u003e 06. Solitude\u003cbr\u003e 07. Plèbe\u003cbr\u003e 08. Le Grand Sommeil\u003cbr\u003e 09. France Combat\u003c\/p\u003e","brand":"Nerdcore Records","offers":[{"title":"Tape","offer_id":53015001137416,"sku":"D01.NL.NRD.13203.TP","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/a2658850648_10.jpg?v=1766270065"},{"product_id":"stuntman-incorporate-the-excess","title":"Stuntman \"Incorporate The Excess\" CS","description":"\u003cp\u003eAutumn 2002, 'chaotic noise hardcore' is giving its quit due to its Legends' ends. At Sète, in south of France, STUNTMAN concrete his musical past with his 4 members and gives a rebirth of this defunct kind. The combo, with his many line up changes, delivers their energy and hatred on a considerable discography (two albums, an EP, a split and a dozen compilations appearances) also on more than 150 shows and more than 5 tours in Europe; some with bands like Coalesce, Russian Circles, Jucifer, Genghis Tron, Child Abuse, Kongh or Mumakil. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTrack Listing :\u003c\/strong\u003e\u003cbr\u003e01. Broken Mirrors Lacerate \u003cbr\u003e02. The Patriot, The Elite, The icon \u003cbr\u003e03. Bag Of Dicks \u003cbr\u003e04. Horn Of Misery \u003cbr\u003e05. Roll The Skull \u003cbr\u003e06. Chaos Shepherd \u003cbr\u003e07. Scarecrow Warfare\u003c\/p\u003e","brand":"Lost Pilgrims Records","offers":[{"title":"Cassette","offer_id":53015007428872,"sku":"D01.SIT.LST.11959.CSS","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/stuntman-incorporate-the-excess-lost-pilgrims-records.jpg?v=1766270085"},{"product_id":"exhaustion-demo","title":"Exhaustion \"Demo\" CS","description":"\u003cp\u003eEx-Throats members playing the nastiest brand of blackened grind imaginable. Tortured vocals, relentless blastbeats, piercing riffs. Bleak and punishing throughout. FFO: The Secret, Full of Hell, Rotten Sound.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e01. Ennui \u003cbr\u003e02. Strangeness in the Strangeness \u003cbr\u003e03. Inessential \u003cbr\u003e04. Conceit \u003cbr\u003e05. Liminal \u003cbr\u003e06. Perfection Misunderstands the Ends...\u003c\/p\u003e","brand":"Dog Knights Productions","offers":[{"title":"Cassette","offer_id":53015007756552,"sku":"D01.ED.DGK.11927.CSS","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/exhaustion-demo-dog-knights-productions.jpg?v=1766270087"},{"product_id":"couch-slut-you-could-do-it-tonight-cs","title":"Couch Slut \"You Could Do It Tonight\" CS","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNYC's resident misfits Couch Slut have played a veritable strain of drug-fueled, incendiary noise rock since 2013. Led by Megan Osztrosits' infernal roar and subversive, vitriolic lyrics, the quintet returns with their fourth full-length opus You Could Do It Tonight, just in time for America's only holiday that matters...4\/20.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded amidst the filth of NYC with Uniform's Ben Greenberg (Drab Majesty, Portrayal of Guilt, Metz), Couch Slut subverts the paradigm and ups the ante in every imaginable way across nine vignettes of perverse, true-to-life storytelling layered over the band's singular, dragged-through-the-mud songcraft. This is a depraved style of noise rock that will scare the living shit out of you. With ten full years of pain and suffering under its proverbial belt, Couch Slut sounds more urgent, threatening, nasty and despondent than ever. The perfect soundtrack for 2024.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eTrack Listing : \u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Couch Slut Lewis\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Ode To Jimbo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Wilkinson's Sword\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. The Donkey\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Presidential Welcome\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Energy Crystals for Healing\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Downhill Racer\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. Laughing and Crying\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. The Weaversville Home For Boys\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Brutal Panda","offers":[{"title":"Cassette","offer_id":53015249060104,"sku":"D01.CSY.BRT.35646.LPS","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6299\/1624\/files\/CouchSlut-YouCouldDoItTonight-Cover.jpg?v=1766269838"}],"url":"https:\/\/forcemajeure.bzh\/collections\/cassette.oembed?page=3","provider":"Force Majeure","version":"1.0","type":"link"}